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The Latest Breaking News from LSO

LSO/Pappano/Wang/Lapwood review – high on feelgood factor

Soloists Yuja Wang and Anna Lapwood brought style and spectacle to Rachmaninov and Saint-Saëns

The Guardian - UK

LSO/Pappano review – new era begins with ghosts and great beauty

Chief conductor’s kicks off his first season with the London Symphony Orchestra with energy and thrilling drama in beguiling Sibelius and a new work from James MacMillan

The Guardian - UK

“It’s funny because it’s true”: (B) Real life imitates art

Cypress Hill collab with the LSO, as predicted by the Simpsons

MusicRadar

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'Simpsons' And Social Media Seal Cypress Hill Collaboration

It is an unlikely musical pairing born out of a joke on an episode of "The Simpsons" 28 years ago, and of social media interactions some two decades later.

International Business Times

"We've been trying to invite Peter Frampton!" Cypress Hill discuss bringing one of the Simpsons' most iconic jokes to life by performing with the London Symphony Orchestra at the Royal Albert Hall

Cypress Hill are set to make a 28-year-old Simpsons joke reality tonight (July 10) with their London Symphony Orchestra-supported performance at the Royal Albert Hall

Metal Hammer

Hip-hop band Cypress Hill makes 1996 Simpsons joke come true

London Symphony Orchestra to play Black Sunday album at Royal Albert Hall decades after featuring on TV show

The Guardian - UK

LSO/Adès review – Adès’s violin concerto beguiles in Mutter’s silvery sound

The UK premiere of the composer’s concerto written for Anne-Sophie Mutter was placed alongside two of Stravinsky’s ballet scores in this musically rich and vivid concert

The Guardian - UK

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LSO/Antonio Pappano at the Barbican review: the incoming director conjured the richest sounds from the players

If orchestras were football teams, the LSO would certainly be in the running for the Premier League title

Evening Standard

LSO/Pappano/Balsom review – elephant honks kick off Wynton Marsalis’s trumpet showcase

Soloist Alison Balsom delivered Marsalis’s playful new trumpet concerto with poise, expertise and wit – right down to the animal calls

The Guardian - UK

‘Misguided wokeism’ puts people off opera, says top London conductor

LSO’s Antonio Pappano says many in UK are ‘embarrassed’ by art form and suspicious of cultural achievements

The Guardian - UK

British music, birthdays and building work: LSO announce first season under Pappano

Boulez’s 100th and Rattle’s 70th are among the highlights of the LSO’s new season with chief conductor Antonio Pappano in which British music is a strong thread. The orchestra also announced an £8m redevelopment of LSO St Lukes

The Guardian - UK

“It’s a dream come true, a collaboration only The Simpsons could have predicted”: Cypress Hill are making a 1996 Simpsons joke a reality by booking a show with the London Symphony Orchestra

Sometimes, real life can be stranger than fiction

Metal Hammer

Cypress Hill To Perform With London Symphony Orchestra In 2024

Cypress Hill and the London Symphony Orchestra will perform together at the Royal Albert Hall, fulfilling a long-awaited prediction from The Simpsons.

Top News

The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

Dread runs through John Adams’s pulsating new ‘short symphony’; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house down

The Guardian - UK

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The Guardian - UK

LSO/Rattle review – Adams’ Frenzy debuts but Roy Harris’s Third is the real discovery

In an all-American programme, works by composers from Gershwin to an Adams world premiere were superbly presented by Rattle and LSO, with Harris’s 1939 symphony a revelation

The Guardian - UK

The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review

A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember

The Guardian - UK

LSO/Stutzmann review – her monumental Bruckner is also light on its feet

Singer-turned-conductor Nathalie Stutzmann presented Bruckner’s unfinished Ninth with his Te Deum, making an eloquent and majestic statement

The Guardian - UK

Elijah review – LSO and Pappano make it big, bold and beautiful

Antonio Pappano conducted the London Symphony Orchestra, Chorus and an excellent lineup of soloists in this superbly detailed and rousing performance

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The Guardian - UK

The week in classical: Elektra; Jenůfa; Scottish Ensemble with Jasdeep Singh Degun – review

In the hands of two great conductors, high drama and outstanding playing converge in Strauss’s unyielding tragedy and Janáček’s dark masterpiece

The Guardian - UK

Jenůfa review – muscle and lyricism as Rattle leads superb cast through Janáček’s formidable opera

With the power of the LSO on stage alongside them, this concert performance found Agneta Eichenholz magnetic in the title role and tenor Aleš Briscein a particular standout

Evening Standard

LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work

Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music

The Guardian - UK

LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought orchestral colour and focus to orchestral showpieces by Debussy and Janáček

The Guardian - UK

Wigs, kisses and the pope’s jumpsuit: can Maestro reveal the real Bernstein?

Bradley Cooper has audiences in raptures as electrifying conductor Leonard Bernstein in a new authorised biopic. Musicians from the London Symphony Orchestra remember playing for the great man – and rate the man who now plays him

The Guardian - UK

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

The Guardian - UK

LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

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