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The Latest Breaking News from LSO

The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot – review

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

The Guardian - UK

LSO/Pappano review – a serving of big-boned late-romantic symphonism

Barbican, London Pappano leads the LSO with terrifying finesse for Coleridge-Taylor, Strauss and Liszt works, in anticipation of his new role as chief conductor in 2024

The Guardian - UK

Aurora Orchestra/Collon review – Shostakovich of rage and precision

There was nowhere to hide in this compelling reading of the Russian composer’s 14th symphony, the centrepiece of a programme that also featured Mahler and Britten

The Guardian - UK

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LSO/Thomas review – African American composers in the spotlight

Joel Thompson and Carlos Simon mixed music with urgent speech while Wynton Marsalis’s concerto liberated the tuba from its bridesmaid role

The Guardian - UK

David Miliband remembers ‘dignified, not stuffy’ Queen and how his wife and Condoleezza Rice serenaded her

Former British foreign secretary – who now leads International Rescue Committee – also spoke about need for humanitarian and climate movements to work together to help world’s most vulnerable

The Independent UK

Scramble for new royal figureheads begins among Britain’s arts organisations

Britain’s creative institutions are poised to compete for the most familiar faces to act as patrons – and maximise potential funding

The Guardian - UK

LSO/Rattle review – final season opens with British programme that sparkles

Elgar’s second symphony, sharp and startling and with its slow movement dedicated to a recently departed monarch, was paired with Frank Bridge and new music by Daniel Kidane for a vivid opening concert

The Guardian - UK

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From See How They Run to Frozen Planet II: a complete guide to this week’s entertainment

Whether you’re after a comic detective case or flabbergasting footage of frosty fauna, out critics have you covered for the next seven days

The Guardian - UK

Prom 2: Sinfonia of London/Wilson review – an incisive and exciting celebration of British music

John Wilson’s orchestra launched the celebrations of Vaughan Williams’ centenary, gave a fresh account of the Enigma Variations and played music by Walton, Bax and Huw Watkins

The Guardian - UK

LSO/Rattle review – transatlantic glitz and lithe elegance

Simon Rattle once again showed his affinity with Haydn before a distinct second half featuring a London premiere of John Adams and extrovert Gershwin works

The Guardian - UK

Dalkeith Fire Station could move to new site over roof safety fears

Concern over the safety of concrete panels blamed for a school roof collapsing have delayed repairs to fire station and forced bosses to consider alternatives, such as a joint station with other emergency services.

Edinburgh Live

The week in classical: Mavra/Pierrot lunaire; LSO/ Tilson Thomas; Gabrieli/ McCreesh

Covent Garden’s future stars make the most of a tricky double bill

The Guardian - UK

LSO/Simon Rattle and Magdalena Kožená, Barbican Hall review: A whirlwind tour through the Seven Deadly Sins

Kožená adriotly balances the two sides of singer-dancer Anna in a performance of Kurt Weill and Bertold Brecht’s final project

Evening Standard

LSO/Roth review – vivid, violent and virtuosic premieres

Three UK premieres by Francisco Coll, Helen Grime and Joel Järventausta sat alongside two of Strauss’s symphonic poems in the latest LSO Futures concert

The Guardian - UK

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The Independent UK

London Symphony, Simon Rattle work with California students

Simon Rattle and the London Symphony Orchestra are on a California tour working with music students at Santa Barbara’s Music Academy of the West

The Guardian - UK

The week in classical: The Golden Cockerel; LSO/Christophers: The Creation; Bath Festival Orchestra

ETO’s production of Rimsky-Korsakov’s satirical opera is uncomfortably timely; the Barbican celebrates its 40th with Haydn; and a 1962 work gets a long overdue UK premiere

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