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The Latest Breaking News from Puccini

Do people still care about opera? An insider raises some doubts

In a now notorious interview, actor Timothée Chalamet declared he only wanted to work in a creative field people valued. He was not keen on an art form like opera, “where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore’.”

The Conversation

La Bohème review – boutique modern-day Puccini travels to gentrified Hackney in good voice

New spin on the venerable opera survives the translation from 1890s Paris to 21st-century London well, with only a few details damaged in the crossing

The Guardian - UK

Met Opera slashes season to lowest in 60 years amid financial strain

The Metropolitan Opera cut back its 2026-27 season due to a tight budget, even as ticket sales improved slightly

The Independent UK

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Snippets? Apps? Visuals? Why classical music should stop trying to be pop

Classical music’s blessing is also its curse: you’ve simply got to pay it attention. Plus: No wonder Rossini was an Olympics hit – he invented disco

The Guardian - UK

Nessun Dormageddon: Audience members ‘boo and throw things’ after Royal Opera House chief steps in for sick tenor

Other fans defend Richard Hetherington, who ‘deserves a medal’ after stepping in at the last second to sing the notoriously challenging Puccini opera

The Independent UK

In a new production of Turandot, Opera Australia has found a star vehicle for Young Woo Kim

Were operas to be identified like episodes of Friends, Turandot would be “the one with Nessun Dorma”.

The Conversation

Royal Opera sees generation change as Jakub Hrůša and Speranza Scappucci come in

The Royal Opera in London is embracing a new era with Jakub Hrůša as music director and Speranza Scappucci as principal guest conductor

The Independent UK

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Lisette Oropesa shines in Met's 'I Puritani' and earns praise from Peter Gelb

Lisette Oropesa impresses Metropolitan Opera's Peter Gelb with her talent and intellect

The Independent UK

Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging

Andrei Serban’s 40-year-old production is confidently revived by Jack Furness, while the vocal richness of the Russian soprano as its eponymous heroine takes things to another level

The Guardian - UK

La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet

Carlo Rizzi and the BBC Symphony Orchestra sparkled as Ermonela Jaho as Magda and Iván Ayón-Rivas as Ruggero delivered the composer’s long-lost preferred version

The Guardian - UK

La Bohème review – noirish reframing of Puccini’s classic weepy

Floris Visser’s stylish bohemia recalls Brassaï’s Paris, while Puccini’s score is delivered with crispness and elasticity

The Guardian - UK

Tosca review – Natalya Romaniw is riveting in WNO’s season-opener

The Welsh-Ukrainian singer was in ravishing voice, and the orchestra brought richness to a reduced score, while Edward Dick’s production seemed chillingly relevant

The Guardian - UK

Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests

Outrage over the casting of Anna Netrebko didn’t make it to the inside of the auditorium – where roars of approval greeted this high-stakes game of blood-spattered conflict directed by Oliver Mears

The Guardian - UK

From Materialists to Adam Kay: your complete entertainment guide to the week ahead

Celine Song follows up her acclaimed film Past Lives with another romantic entanglement, while the doctor turned standup tours a new book and comic set

The Guardian - UK

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The Independent UK

Soprano Anna Netrebko to open Royal Opera season, returning after a 6-year absence

Soprano Anna Netrebko will return to London’s Royal Opera after a six-year absence to open the 2025-26 season in a new production of Puccini’s “Tosca” that starts Jakub Hrůša’s tenure as music director

The Guardian - UK

The week in classical: Arias Reimagined; Rhythm of the Seasons; Out of the Deep; Turandot – review

In a good week for baroque experiments, Handel meets Britney Spears and AI, while a whirlwind percussionist unpicks Vivaldi

The Guardian - UK

Turandot review – with high energy, mighty voices and delicacy, epic staging feels newly minted

Andrei Serban’s 1984 production of Puccini’s final opera is meticulously revived with Sondra Radvanovsky and SeokJong Baek both stellar in the central roles. In the pit, Rafael Payare brings care and lightness to the score

The Independent UK

London Symphony Orchestra conductor Antonio Pappano goes underground — he takes the Tube to work

Conductor Antonio Pappano is leading the orchestra on a 13-concert U.S. tour to California, Florida and New York that ends this week with its first Carnegie Hall concerts since 2005

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The Guardian - UK

DeNada Dance Theatre: Mariposa review – Madame Butterfly metamorphosed

Carlos Pons Guerra turns Puccini’s tragedy into the story of a Cuban sex worker who completely transforms himself to win the love of a sailor

The Independent UK

Met Opera to double cast Verdi and Puccini, as well as shift contemporary works from Saturdays

The Metropolitan Opera will double cast a portion of Verdi and Puccini revivals and shift some contemporary compositions away from Saturdays at the recommendation of a consultant trying to boost the company’s finances

The Independent UK

Paul Plishka, whose Metropolitan Opera career spanned 51 years, dies at age 83

Paul Plishka, a powerful bass with a ready smile and hearty laugh who sang 1,672 performances at the Metropolitan Opera over 51 years, has died

The Independent UK

Soprano Angel Blue sings her first Metropolitan Opera 'Aida' in a new production

Angel Blue, one of the most admired singers of her generation, is headlining the Metropolitan Opera’s first new production of Verdi’s “Aida” in 36 years

The Guardian - UK

The week in classical: La bohème; London Contemporary Music festival – review

Ukrainian soprano Olga Kulchynska is an unforgettable Mimì in Richard Jones’s ever sumptuous Puccini production. And mischief rules at this year’s LCMF

The Guardian - UK

New heights, fond farewells and daring acrobatics – the year in classical music

It was a thrilling year with glittering new works, an electrifying Proms season, Puccini in a laundry and Britten on a trapeze

The Guardian - UK

La Bohème review – action rather than angst in lively revival

Richard Jones’s 2017 staging returns to Covent Garden with a young and light-hearted group of bohemians. In the pit Speranza Scappucci keeps things moving musically

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