Ditching the penguin suits and picnic hampers for affordable tickets and a smart-casual elegance, Glyndebourne’s autumn season opened with Floris Visser’s stylish La Bohème. Seamlessly revived by Rachael Hewer, it not only looks good, it does full justice to Puccini’s classic weepy while finding novel ways to raise the odd goosebump.
Dieuweke van Reij’s set – a metaphorical highway to heaven – serves for all four acts with more than a nod to Brassaï’s noirish photos of 1930s Paris. Bare walls and glistening cobblestones are breathtakingly lit by Alex Brok, while Jon Morrell’s monochrome costumes ooze couture. Visser’s bohemians inhabit a kind of twilight zone, a world of fogs, gendarmes and prostitutes, where the spectre of Death stalks the streets with the consumptive Mimì firmly in his sights.
