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The Latest Breaking News from Glyndebourne

‘Really entertaining in a horrible way’: the indestructible appeal of Tosca

With its screams, sex, bells and bloodshed Puccini’s opera was initially derided as a noisy disaster. Ahead of Glyndebourne’s first ever production, we look the ‘shabby little shocker’ that’s become one of opera’s most bankable masterpieces

The Guardian - UK

Dame Felicity Lott obituary

The Guardian - UK

Sir Humphrey Burton obituary

Renowned broadcaster known for arts and music programmes such as Arena, Aquarius and Omnibus

The Guardian - UK

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UK charity records original music by people living with dementia

Project aims to unlock memories and sensations for participants while creating nine-track CD, recorded at Glyndebourne

The Guardian - UK

The Railway Children opera review: 'Were kids this nice in the 80s?'

3/5 This version of the classic children’s tale does not entirely convince by setting it in the Eighties

Evening Standard

La Bohème review – noirish reframing of Puccini’s classic weepy

Floris Visser’s stylish bohemia recalls Brassaï’s Paris, while Puccini’s score is delivered with crispness and elasticity

The Guardian - UK

Katya Kabanova at Glyndebourne: 'much to admire but doesn't quite deliver'

4/5 Full of caged birds and winged angels, this production is high on powerful symbolism but there’s something missing...

Evening Standard

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Le Nozze di Figaro review – astute period staging of Mozart’s masterpiece is as poignant as it is funny

Glyndebourne, SussexMariame Clément allows the story of the predatory Count to resonate across the centuries in this exhilaratingly well performed and eye-catching production

The Guardian - UK

Adrian Fisher obituary

Other lives: Opera singer who appeared at Glyndebourne, in more than 700 performances in Belgium, and across Europe in solo roles

The Guardian - UK

This opera house's new moving logotype oozes sophistication

Pentagram's new rebrand has caught my attention.

Creative Bloq

From the sacred to the profane: the Wagners, Bayreuth and Parsifal

Wagner’s final opera comes to Glyndebourne this week. Why will the composer and his wife be turning in their graves? Michael Downes looks at the family’s attempts to keep Parsifal in Bayreuth

The Guardian - UK

The week in classical: The Makropulos Affair; Uprising – review

Orla Boylan captivates in Olivia Fuchs’s masterly Scottish Opera Janáček. And Jonathan Dove’s rousing new community opera puts down firm roots

The Guardian - UK

Uprising review – ravishingly sung opera rails against older generation destroying the planet

Teenage climate activist Lola struggles with school and family, while damaged nature is given its own voice

The Guardian - UK

Danielle de Niese on starring in The Merry Widow: ‘It's opera’s Love Actually... a Christmas cracker’

The superstar soprano on Franz Lehár’s giddy opera, the art form’s superpower and singing in venues from Glyndebourne to Davos

Evening Standard

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The Guardian - UK

Benjamin Luxon obituary

Versatile baritone who appeared on television in Britten’s opera for the medium, Owen Wingrave, and in The Good Old Days

The Guardian - UK

The week in classical: Carmen; Yuja Wang; Leonore Piano Trio; Tristan und Isolde – review

Paris’s Opéra-Comique joins forces with the Scottish Chamber Orchestra in louche yet explosive Bizet; Yuja Wang thrills with eight encores; and Stuart Skelton leads a classic Wagner revival

The Conversation

Does UK opera have a future to sing about?

Nestled deep in the Sussex countryside, Glyndebourne has been attracting opera fans for almost a century. This year, its flagship summer festival coincides with a celebration of the company’s 90th anniversary. This is no small feat, given the harsh economic climate and challenges UK opera companies face to keep the…

The Guardian - UK

‘Where do we want opera to be when we’re 100?’: how Glyndebourne is facing the future

As Glyndebourne festival turns 90, its artistic director has been championing diversity – and pursuing young audiences. Has it worked?

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The Guardian - UK

The week in classical: The Merry Widow; Aldeburgh festival – review

Thomas Allen steals a witty, sparkling new production of Léhar’s masterpiece, and a cosmic world premiere from Judith Weir lives up to her star billing

Evening Standard

The Merry Widow at Glyndebourne review: Cal McCrystal brings Hollywood glamour to this stylish revival

There are genuinely funny moments throughout, while it also captures the heartache that makes The Merry Widow the masterpiece it is

The Guardian - UK

From Girls Aloud to Doctor Who: a complete guide to this week’s entertainment

A decade on from their breakup, the UK girl band are back for a big arena tour, while Ncuti Gatwa’s Time Lord is here for his long-awaited appointment

The Guardian - UK

Sir Andrew Davis obituary

One of Britain’s greatest conductors widely admired for leading the BBC Symphony Orchestra at the Proms

The Guardian - UK

Sir Andrew Davis, ex-chief conductor of BBC Symphony Orchestra, dies aged 80

Musician had held top roles at Glyndebourne opera and in Chicago, Melbourne and Toronto orchestras

The Guardian - UK

Peter Eötvös obituary

Hungarian conductor of modernist music who went on to compose operas with texts ranging from Three Sisters to Angels in America

The Guardian - UK

The week in classical: Proms 30: Sinfonia of London/Wilson; Prom 31: Dialogues of the Carmelites; Oxford piano festival – review

The Albert Hall swooned to the sound of the Sinfonia of London and was silenced by Glyndebourne’s semi-staged Poulenc, while in Oxford you couldn’t move for great pianists

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