Alcina at Royal Opera: A magical evening 4/5 Richard Jones’ production of Handel’s opera is bizarre but beautiful revival Evening Standard · Sep 23
Amadigi di Gaula review – inflatables and appoggiaturas as Handel takes a trip to Love Island Olivia Fuchs’ delirious spin on the baroque opera comes with TV trickery, more hearts than a cardiologist convention and absolutely gorgeous singing The Guardian - UK · Jul 17
Barry Dransfield obituary Other lives: Accomplished fiddle player whose folk recordings of the early 1970s are still much sought after The Guardian - UK · Jul 16
The 'Maestro' making classical music cool (and queer) again Classical pride didn’t exist outside the US, until conductor Oliver Zeffman picked up his baton and ran with it Evening Standard · Jun 10
Orlando review – a confident romp through Handel’s flimsily plotted opera Sinéad O’Neill’s production is persuasive and Beth Taylor’s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic The Guardian - UK · May 31
Dame Felicity Lott obituary Popular British soprano with a captivating stage presence hailed for her Mozart and Strauss roles The Guardian - UK · May 17
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Magnificent minimalism, sizzling Strauss, bracing Berlioz: Guardian critics’ top picks for Proms 2026 As details of this year’s concert series are unveiled, here are some of the most exciting lineups – from a Bach recital by Notre-Dame’s organist to Thomas Adès conducting the National Youth Orchestra in his own ballet The Guardian - UK · Apr 21
Messiah album review – Whelan takes Handel’s oratorio back to its beginnings Conductor Peter Whelan leads a finely judged and agile period-instrument performance with only 13 singers. The Guardian - UK · Apr 3
Imeneo review – Handel in mischievous mood handled with wit and care Cambridge Handel Opera Company capture the self-referential charm of this mid-career novelty operetta The Guardian - UK · Mar 24
Bath BachFest review – joyous and mesmerising music making The festival’s new artistic director Adrian Brendel presided over – and was a key part of – a day of virtuosic and adventurous performances The Guardian - UK · Feb 23
Handel: Sosarme album review – Marco Angioloni makes the case for this little-known work Doubling as vocalist and conductor, Angiolini is joined by fine singers in this rarely recorded late work. Giacomo Nanni’s sonorous ‘Fra l’ombre e gl’orrori’ is a particular highlight The Guardian - UK · Feb 12
Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct There’s a top-notch cast and detailed work from all involved in Jetske Mijnssen’s production that reframes Handel’s opera as a modern family psychodrama. The Guardian - UK · Dec 10, 2025
Partenope review – edgy and erotic Handel update Nardus Williams is stylish as she is swept up in a maelstrom of passions and longings while pursued by three suitors in a revival of Christopher Alden’s 2008 production The Guardian - UK · Nov 21, 2025
The Guardian - UK · Nov 3, 2025 Adrian Sutton obituary Acclaimed British composer best known for War Horse, Coram Boy and The Curious Incident of the Dog in the Night-Time
The Guardian - UK · Oct 8, 2025 Giustino review – sublime, and ridiculous, Handel rarity returns to Covent Garden Joe Hill-Gibbins’ scaled-down staging is sensitive, and the music beautifully played and sung, but this is an uneven work dramatically
The Guardian - UK · Oct 5, 2025 Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale Dance, sign language, outstanding singing and precise orchestral playing all illuminate this powerful tale of gendered violence and abuses of power
The Guardian - UK · Sep 11, 2025 The Kanneh-Masons: River of Music album review – a fond familial affair Welsh folk songs and an original composition sit alongside Liszt, Chopin, Handel and Elgar in a misty-eyed first half, before a more monochrome performance of Schubert’s Trout Quintet
The Guardian - UK · Jul 1, 2025 Semele review – Pretty Yende is a spirited but sketchy heroine in inconsistent Handel staging Alice Coote’s vengeful Juno steals the show in Oliver Mears’ bleak and occasionally fussy production
Evening Standard · Jul 1, 2025 Semele at Royal Opera House review: 'deeply disturbing and thought provoking' 4/5 Oliver Mears’ creates a darker and more sinister take on Handel’s opera, with an impressive cast including Pretty Yende in the title role
The Guardian - UK · Jun 15, 2025 Rodelinda review – powerplay and pig’s blood in thrillingly energised Handel Ruth Knight’s production captures the menace and high stakes in this deliciously devilish power struggle with Lucy Crowe whirling her sword like Uma Thurman in Kill Bill
The Guardian - UK · Jun 9, 2025 Saul review – probing, dark and engrossing staging of Handel’s oratorio Barrie Kosky’s remarkable 2015 production returns to the summer festival with Christopher Purves and Iestyn Davies superb in the lead roles
The Guardian - UK · May 16, 2025 ‘An unbroken arc of music’: Bradford prepares for 36-hour odyssey of sound Event, a highlight of city of culture celebrations, will involve 500 musicians playing everything from Mozart to bhangra
The Independent UK · May 7, 2025 William Christie is busy as ever at 80 and putting his imprint on the period-instrument movement William Christie is as busy as ever in a season celebrating his 80th birthday, conducting, playing the harpsichord, administering his Les Arts Florissants orchestral and vocal ensemble and teaching at The Juilliard School as he sticks with Baroque repertoire on period instruments, staying away from more modern composers
The Guardian - UK · May 4, 2025 Pimpinone review – hot-to-trot comic opera from the underperformed Telemann Isabela Díaz has great fun as chambermaid Vespetta and Grisha Martirosyan is laugh-out-loud funny as nice-but-dim Pimpinone in a tale of sexual politics not a million miles from our own time