No, Timothée Chalamet, opera isn’t ‘dead’ – it’s been alive for centuries Letters: Readers respond to Rebecca Humphries’s article about the actor’s much criticised comments on opera and ballet The Guardian - UK · Mar 20
‘Opera needs to attract good writers and tell better stories’: four experts on how opera can survive, thrive and reach new audiences Earlier this month, former English National Opera artistic director John Berry said opera in the UK needed to “attract good writers and tell better stories” that could tap into the zeitgeist, making the art form more contemporary and accessible. But is this kind of approach enough to capture the attention… The Conversation · Mar 13
Pass the Spoon review – David Shrigley serves up a macabre kitchen opera A TV cookery star becomes the main course, while doomed vegetables and a depressive egg create havoc, in this darkly comic show by the Scottish artist and composer David Fennessy at Opera North The Guardian - UK · Dec 14, 2025
Ian Judge obituary Theatre and opera director whose work stretched from Gilbert and Sullivan to Shakespeare The Guardian - UK · Oct 9, 2025
Susanna review – Opera North’s arresting take on Handel’s proto-#MeToo tale Dance, sign language, outstanding singing and precise orchestral playing all illuminate this powerful tale of gendered violence and abuses of power The Guardian - UK · Oct 5, 2025
Così Fan Tutte review – country house remix offers fresh farce and energy Misogynist Don Alfonso is at the centre of things in this opera-within-an-opera benefiting from a witty translation into English, formidable arias and scene-stealing acting The Guardian - UK · Jun 8, 2025
Simon Boccanegra review – Opera North’s staging of Verdi’s knotty score is a brooding triumph The Leeds-based company stages Verdi’s dense political drama with a no-frills set-up that sees a stand-out performance from debut soprano Sara Cortolezzis The Guardian - UK · May 26, 2025
The Magic Flute review – humour, colour and plenty of drama in Opera North’s kooky take A lively revival of James Brining’s occasionally enigmatic staging sees Soraya Mafi make an exceptional role debut as a tenacious and principled Pamina The Guardian - UK · Feb 13, 2025
The week in classical: The Flying Dutchman; LSO/Harding, Trifonov; The Marriage of Figaro – review Grand Theatre Leeds; Barbican; Coliseum, LondonAs funding cuts start to bite, Opera North’s forces pull together in an asylum-themed take on Wagner The Guardian - UK · Feb 8, 2025
The Flying Dutchman review – Opera North production draws small boats into Wagner’s tale Annabel Arden’s introduction of refugees is thought-provoking and moving, while seasoned performances keep the metaphorical ships on course The Guardian - UK · Feb 2, 2025
Love Life review – surreal Kurt Weill musical skips through the decades with flair This time-hopping oddity rarely gets an outing, but Opera North’s jazzy large-scale production makes the most of its vaudeville glitz The Guardian - UK · Jan 19, 2025
The Magic Flute review – Opera North inject colour into Mozart’s black-and-white world Expert casting and striking design bring out the opera’s sense of fun, helped by the magnetism of the two female leads The Guardian - UK · Sep 29, 2024
My Fair Lady review – an abso-bloomin’-lutely loverly musical Opera North brings shimmering music to this gorgeous and crisply choreographed co-production, which preserves Shaw’s critique of the British class system The Guardian - UK · Jun 16, 2024
My Fair Lady review – comedy and chemistry light up Opera North’s musical-theatre triumph Katie Bird is an irresistible Eliza Doolittle in this inspired show, which takes its interrogation of social mobility seriously but with a sparkling lightness of touch The Guardian - UK · Jun 9, 2024
The Guardian - UK · Feb 24, 2024 The week in classical: Cavalleria rusticana/Aleko; Bath BachFest review – passion and penitence Opera North pairs Mascagni’s masterpiece with teenage Rachmaninov in a potent double bill. Plus, well-tuned extremes from Tenebrae and a blizzard of notes with Mahan Esfahani
The Guardian - UK · Feb 18, 2024 Cavalleria Rusticana/Aleko review – an electrifying double-bill from Opera North Setting Mascagni’s one-act opera amid the unease of 70s communist Poland, and moving Rachmaninoff’s to a colourful 90s surfing commune, the company does them both delectable justice
The Guardian - UK · Jan 14, 2024 Albert Herring review – Opera North’s glorious glimpse of village politics Britten’s comedy about an unworldly young man’s fall from grace is slickly staged and delightfully played, with every singer making their mark
The Guardian - UK · Dec 9, 2023 The week in classical: Cavalleria rusticana/ Pagliacci; OAE/ Suzuki: Christmas Oratorio; The Sixteen: Messiah – review Hot-blooded double bill Cav and Pag hits home in a fine Royal Opera revival, while the OAE and the Sixteen thrill in seasonal Bach and Handel. Plus, the human cost of ENO’s move to Manchester
The Guardian - UK · Dec 5, 2023 ‘This could be really interesting’: Manchester and English National Opera may yet suit each other London’s loss will be Manchester’s gain as the opera company announces it is to create a base in the thriving cultural centre
The Guardian - UK · Dec 5, 2023 English National Opera announces Greater Manchester will be its new home The company, which had a shortlist of five cities, had been told funding was dependent on leaving London
The Guardian - UK · Nov 17, 2023 It’s not just opera – all performing arts need better support for touring productions Letters: Jodi Myers on the gaps left by the demise of the Arts Council Touring department. Plus Nicholas Reckert and Jane Harvey on modern opera
The Guardian - UK · Oct 28, 2023 The week in classical: La rondine; La traviata review – rapture and raw power Puccini’s flighty swallow soars in James Hurley’s gorgeous new production for Opera North. And Nicole Chevalier is devastating as the doomed Violetta in ENO’s impassioned revival of no-frills Verdi
The Guardian - UK · Oct 27, 2023 La Rondine review – Opera North’s stylish Puccini is opulent and tender Set in the 1920s, James Hurley’s staging – the third of the company’s Green Season – is blessed with perfectly mismatched lovers. Under conductor Kerem Hasan the score sighs and swoons
The Guardian - UK · Oct 7, 2023 The week in classical: Falstaff; Hatfield House chamber music festival – review Verdi’s late masterpiece ends on a riotous and sustainable high at Opera North. At the childhood home of Elizabeth I, a family affair and a memorable premiere
The Guardian - UK · Jun 24, 2023 On my radar: Lesley Sharp’s cultural highlights The actor on her love of dance, the reality TV series Below Deck and what helps her to write