Every generation seems to produce someone ready to declare opera and ballet irrelevant. And yet, century after century, these art forms continue to endure – evolving, expanding and moving audiences in ways few artistic traditions ever have.
In a recent interview, Timothée Chalamet mocked at why we should “keep this thing alive, even though like no one cares about this any more” (Don’t denounce Timothée Chalamet for what he said about opera and ballet – prove him wrong, 14 March). It is the kind of reductive take one hears when popularity is mistaken for cultural value.
