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The Guardian - UK
The Guardian - UK
Entertainment
Charlotte Higgins, chief culture writer

‘This could be really interesting’: Manchester and English National Opera may yet suit each other

Frederick Ballentine (Loge) and Leigh Melrose (Alberich/dragon) in Wagner’s The Rhinegold at the London Coliseum in February 2023, directed by Richard Jones.
Wrestling with its future … the ENO’s production of The Rhinegold at the London Coliseum in February 2023. Photograph: Tristram Kenton/The Guardian

To say that it has been a bumpy ride is an understatement – but oddly enough, English National Opera is back where it was in November 2022, when it was told that it would lose its entire government grant unless it moved outside London, probably to Manchester. That was the indirect result of then culture secretary Nadine Dorries’ insistence that millions of pounds of arts funding be transferred out of the capital as part of the Conservative government’s levelling-up agenda.

But it will be a very different company. While it will continue to stage some full-scale work in its London home, in Greater Manchester it will collaborate with venues and organisations across the city to make new kinds of operatic work at different scales. It has lost its stalwart music director, the conductor Martyn Brabbins, who resigned this autumn in the wake of proposals to abolish 19 posts at ENO’s orchestra and re-employ the other musicians part-time, and make cuts to the chorus, as part of what he called a “plan of managed decline”.

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