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The Latest Breaking News from Tchaikovsky

Nutcracker at the London Coliseum review: a sugary confection of festive delight

4/5 This unfeasibly pretty Nutcracker slips down easily, buoyed by the liquid toffee of Tchaikovsky’s tunes

Evening Standard

Tchaikovsky: The Seasons album review – exemplary playing but Yunchan Lim’s take is strangely sombre

(Decca)The young Korean gives these 12 miniatures more gravitas than most pianists

The Guardian - UK

Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride

David Pountney’s striking staging of this timely tale of a Ukrainian warlord battling Russian power unsettles the stomach as much as it titillates the ear

The Guardian - UK

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‘It will lift the spirits’: Kyiv to stage ‘most English of ballets’ after Russian repertoire boycott

Frederick Ashton’s La Fille mal gardée to be performed for first time, replacing classics by Tchaikovsky and Stravinsky after fundraising in London

The Guardian - UK

Ballet Preljocaj’s Swan Lake review – dystopian twist sucks the breath out of you

Property developers and industrial waste are the villains in this ‘Swan Lake for the ecocide era’, propelled by athletic choreography full of swagger

The Guardian - AU

The Queen of Spades review – dark and convincing staging of Tchaikovsky’s compulsive drama

Aaron Cawley brings a prodigious intensity to Pushkin’s antihero Hermann, while a fine ensemble and Douglas Boyd on the podium help drive the innovative score forward

The Guardian - UK

Armenian Haik Kazazyan wins top prize at inaugural Classic Violin Olympus competition in Dubai

From 12-to-1, Armenian violinist Haik Kazazyan has triumphed at the first-ever Classic Violin Olympus competition at Dubai’s Jumeirah Zabeel Saray, beating a world leading collection of classical music performers to win the coveted prize.

Euronews

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Ralph Fiennes will make his opera directing debut

Actor Ralph Fiennes will make his opera directing debut in Paris next season with Tchaikovsky’s “Eugene Onegin.”

The Independent UK

Onegin at the Royal Ballet review: a passionate tribute to longing and regret

4/5 Marianela Nuñez brings feeling and passion to the role of Tatiana

Evening Standard

From bells to choirs, different ‘timbres’ ring in the Christmas holiday season

Concerts and radio stations at this time of year are filled with both Christmas and winter holiday music.

The Conversation

Christmas culture guide 2024: the very best of what to see on stage and screen this festive season in London

The very best of what to do in film, TV, theatre, panto, dance and more...

Evening Standard

Tchaikovsky: The Seasons album review – exquisite care and ego-free piano playing

Bruce Liu’s performance is superbly polished, but wonderfully free of mannerisms, giving these charming salon pieces the respect and sincerity they deserve

The Guardian - UK

‘You very rarely see men moving together like this’: Matthew Bourne on 30 years of his radical Swan Lake

Three decades after he first adapted Tchaikovsky’s classic, the choreographer’s reimagining of Swan Lake, with an all-male corps, is back for an anniversary tour. He and his original team tell the story of a show that stunned audiences

The Guardian - UK

Nutcracker in Havana review – Carlos Acosta’s Cuban take on the Christmas classic is a breath of fresh air

With its tropical backdrop and Latin-infused reworking of Tchaikovsky’s score, Acosta Danza’s touring show, if not always coherent, flies by

The Guardian - UK

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The Guardian - UK

Nutcracker in Havana review – Carlos Acosta is in a sunny mood this Christmas

Tchaikovsky’s score gets a Latin makeover and Cuban dance styles combine with classical ballet in this joyful and colourful festive family show

The Guardian - UK

The week in classical: Eugene Onegin; Cavalleria rusticana; The Acts of Brízida Vaz/You Can’t Kill the Spirit– review

An experimental staging of Tchaikovsky’s opera brings fresh ideas and a few misses, ambitious community opera thrives in south London and a Cornish company goes nuclear

The Guardian - UK

Eugene Onegin review – stripped back staging is compelling and probing

Ted Huffman’s unfussy new production of Tchaikovsky’s opera is detailed and insightful. Kristina Mkhitaryan’s Tatyana is a particular highlight among a strong cast

The Guardian - UK

The week in classical: Eugene Onegin; Last Night of the Proms; Mahler: Symphony No 2 ‘Resurrection’ – review

Plucky Northern Ireland Opera triumphs with elegant, homegrown Tchaikovsky; Stephen Hough and Angel Blue rise above the pomp; and biblical car park Mahler

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Evening Standard

Swan Lake at the London Coliseum review: a sweet but soporific affair

This production from the State Ballet of Georgia has its moments, but still – have we had too many Swan Lakes?

Louder

“Tchaikovsky was a sort of mentor; if it was good, ABBA or whatever, we didn’t shut anything out”: When Gentle Giant revisited seventh album Free Hand

The reissue, complete with Steven Wilson remixes, was the band’s chance to look back on what the band had liked about 1975 release, and what they hadn’t

The Guardian - UK

Proms star Elim Chan: ‘Being who you are is powerful. Not all orchestras can take it’

Her conducting is so ravishing that it was claimed one audience member climaxed. Now the Hong Kong-born pioneer is set to give the Proms a spectacular start

Evening Standard

Swan Lake in-the-round at the Royal Albert Hall review: tutu-tacular scales up the spectacle but not the emotion

This 60-strong show is an impressive feat – even if it does lack a frisson

The Guardian - UK

Byron Janis obituary

US piano virtuoso renowned for dynamic and lyrical playing as well as championing the cause of his fellow sufferers from arthritis

The Guardian - UK

A brief encounter with the classics

Brief letters: Pre-op soundtracks | St George’s cross | Flights of fancy | Eggy bread | Starter homes

The Guardian - UK

Classical home listening: Elisabeth Lutyens Piano Works; Tchaikovsky and Korngold string sextets and more

Martin Jones makes a persuasive case for an unfashionable British composer; Antonio Oyarzabal continues to champion forgotten female composers; and the Nash Ensemble hit 60 in style

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