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The Latest Breaking News from Antonio Pappano

New heights, fond farewells and daring acrobatics – the year in classical music

It was a thrilling year with glittering new works, an electrifying Proms season, Puccini in a laundry and Britten on a trapeze

The Guardian - UK

LSO/Pappano review – postwar Vaughan Williams at his most ferocious and compelling

Antonio Pappano delivered a masterclass in dynamic control with VW’s final symphony, leaving the perennially popular Elgar cello concerto that followed feeling almost toothless

The Guardian - UK

La Rondine review – Pappano and the LSO make Puccini glitter

The London Symphony Orchestra’s concert performance under their chief conductor made a compelling case for Puccini’s little-performed opera

The Guardian - UK

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La Rondine at the Barbican review: this little-known Puccini work deserves a regular place in opera's canon

5/5 An Antonio Pappano favourite, Puccini’s eigth opera builds to the kind of heart-stopping climax familiar from the composer’s better-known works

Evening Standard

LSO/Pappano/Wang/Lapwood review – high on feelgood factor

Soloists Yuja Wang and Anna Lapwood brought style and spectacle to Rachmaninov and Saint-Saëns

The Guardian - UK

‘Thrilling, unforgettable … there is nothing else like it!’: readers on their Proms highlights

As 2024’s festival comes to a close, readers tell us about their favourite performances of the eight-week season that saw 90 concerts in the Royal Albert Hall and beyond, all live on BBC Radio 3

The Guardian - UK

LSO/Pappano review – new era begins with ghosts and great beauty

Chief conductor’s kicks off his first season with the London Symphony Orchestra with energy and thrilling drama in beguiling Sibelius and a new work from James MacMillan

The Guardian - UK

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The week in classical: The Marriage of Figaro; Proms 53, 54, 55 & 56 – review

Notable cameos and young new leads light up David McVicar’s latest Mozart revival. At the Proms, a moving tribute to conductor Andrew Davis and streamlined perfection from the Berlin Phil

The Guardian - UK

The week in classical: Prom 37: Britten’s War Requiem; The Turn of the Screw – review

Britten’s explosive work is a rallying cry at the Proms, while a twilit production of his chamber opera feels properly ghostly

The Guardian - UK

War Requiem at the Royal Albert Hall review: sincere and theatrical in the hands of Antonio Pappano

This was one of those occasions to treasure that the Proms does so well

Evening Standard

Prom 37: Britten’s War Requiem review – a tragically relevant act of remembrance

Antonio Pappano seized every opportunity to build dramatic tension, while the London Symphony Orchestra played with fire and focus

The Guardian - UK

The week in classical: Andrea Chénier; The Barber of Seville review – brio and ballistic B-flats

Antonio Pappano bows out with a blazing performance of Giordano’s red-blooded opera, while a fine cast brings out the vitality of Rossini’s classic in spite of the weather

The Guardian - UK

Andrea Chénier review – Pappano ends on a high with this sensational, thrilling revival

David McVicar’s 2015 staging of Giordano’s French Revolution opera is the final production of Antonio Pappano’s tenure as music director of the Royal Opera. With leads Jonas Kaufmann and Sondra Radvanovsky, it is an exciting, affecting evening

The Guardian - UK

The week in classical: Carmen; Celebrating 22 Years of Antonio Pappano – review

Glyndebourne hits 90 with Bizet’s sultry crowd-pleaser. Elsewhere, a starry farewell to a much loved maestro, and the fight to save Welsh National Opera

The Guardian - UK

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The Guardian - UK

Antonio Pappano Gala review – farewell concert celebrates the best thing that has happened to the Royal Opera

Singers including Jonas Kaufmann joined newer vocal stars such as Aigul Akhmetshina to honour the much loved music director on an evening that ended with the royal seal of approval

Evening Standard

King Charles applauded on Royal Opera House stage and says he's 'not too bad' amid cancer treatment

The event paid tribute to Sir Antonio Pappano, who was the conductor at the King’s coronation

The Guardian - UK

Royal Ballet and Opera announces ambitious new season – and name change

2024-25 programme includes premieres of Mark-Anthony Turnage’s opera Festen and Wayne McGregor’s Margaret Atwood ballet MaddAddam

Evening Standard

LSO/Antonio Pappano at the Barbican review: the incoming director conjured the richest sounds from the players

If orchestras were football teams, the LSO would certainly be in the running for the Premier League title

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The Guardian - UK

LSO/Pappano/Balsom review – elephant honks kick off Wynton Marsalis’s trumpet showcase

Soloist Alison Balsom delivered Marsalis’s playful new trumpet concerto with poise, expertise and wit – right down to the animal calls

The Guardian - UK

‘Misguided wokeism’ puts people off opera, says top London conductor

LSO’s Antonio Pappano says many in UK are ‘embarrassed’ by art form and suspicious of cultural achievements

The Guardian - UK

British music, birthdays and building work: LSO announce first season under Pappano

Boulez’s 100th and Rattle’s 70th are among the highlights of the LSO’s new season with chief conductor Antonio Pappano in which British music is a strong thread. The orchestra also announced an £8m redevelopment of LSO St Lukes

The Guardian - UK

The week in classical: Netrebko, Kaufmann and Pappano thrill in Salzburg

Jonas Kaufmann, Anna Netrebko and Antonio Pappano pull off a buoyant La Gioconda; elsewhere, a fresh Verdi Requiem and a Byronic septuagenarian viola soloist made this a festival to remember

The Guardian - UK

Elijah review – LSO and Pappano make it big, bold and beautiful

Antonio Pappano conducted the London Symphony Orchestra, Chorus and an excellent lineup of soloists in this superbly detailed and rousing performance

The Guardian - UK

The week in classical: Elektra; Jenůfa; Scottish Ensemble with Jasdeep Singh Degun – review

In the hands of two great conductors, high drama and outstanding playing converge in Strauss’s unyielding tragedy and Janáček’s dark masterpiece

Evening Standard

Elektra, Royal Opera House review: Nina Stemme and Karita Mattila power a revelatory take on Greek tragedy

The two sopranos at the centre of Christof Loy's production offer up fascinating new perspectives

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