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The Latest Breaking News from Vaughan Williams

LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul

An all British programme featured music by Thea Musgrave, Vaughan Williams and William Walton, with Antoine Tamestit an expressive and sensitive soloist in the latter’s Viola concerto

The Guardian - UK

Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due

In a deftly curated programme, youthful compositions rubbed shoulders with music from her most productive period, the 1920s

The Guardian - UK

Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style

The composer conducted two of his own choral works – one a world premiere, alongside a majestic performance of Vaughan Williams’ fifth symphony in a polished and enjoyable evening

The Guardian - UK

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First night of the Proms review – Batiashvili’s magnificent Sibelius opens the festival

An oddly disparate programme, including an Errollyn Wallen world premiere and a Vaughan Williams rarity, didn’t quite cohere in this opening concert, but all was outstandingly played

The Guardian - UK

Pope's Death Sparks Betting Frenzy For Successor

The date when Catholic cardinals will gather to select Pope Francis's successor is not yet known.

International Business Times

Rachmaninov’s Piano Concerto No 2 tops Classic FM poll for third year

The piece took the number one slot in the annual Classic FM Hall Of Fame ballot, with 90,000 votes cast by the public.

The Independent UK

BBC Symphony Orchestra/Oramo review – Carwithen comes in from the cold

The neglected British composer’s concerto, ignored for more than half a century, only hints at greatness – but triumphant recitals of Arnold and Williams make up for it

The Guardian - UK

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LSO/Pappano review – salty breezes and a balmy Mediterranean sunset

An all-British programme – of Maconchy, Walton and Vaughan Williams – brought vivid colours and plenty of atmosphere

The Guardian - UK

BBCSO/Oramo review – Kaija Saariaho’s final work receives poignant UK premiere

The Finnish composer’s spectral four-movement Hush was the centrepiece of a programme based on themes of death and transcendence – a moving eulogy to her genius

The Guardian - UK

The week in classical: LSO/ Rattle; CBSO/ Volkov; Jenůfa – review

Simon Rattle celebrates his big birthday with two striking world premieres; the sea meets surrealism in Satie’s centenary year. Plus, intense Janáček and a rousing Covent Garden welcome

The Guardian - UK

LSO/Rattle review – old, new, borrowed and Boulez for conductor’s birthday concerts

World premieres by George Benjamin and Mark-Anthony Turnage were centrepieces of two concerts celebrating Rattle’s 70th, but it was symphonies – Brahms and Vaughan Williams – that were the high points

The Guardian - UK

In Our Evenings, Alan Hollinghurst takes an elegiac look at class, sexuality and race in post-Brexit Britain

Late in Alan Hollinghurst’s new novel Our Evenings, the narrator David Win, gracefully ageing doyen of the British stage, experiences one of those moments when the world is revealed to be other than he thought it was.

The Conversation

LSO/Pappano review – postwar Vaughan Williams at his most ferocious and compelling

Antonio Pappano delivered a masterclass in dynamic control with VW’s final symphony, leaving the perennially popular Elgar cello concerto that followed feeling almost toothless

The Guardian - UK

Grace Williams: Orchestral Works album review – vivid playing and striking drama

Vienna and Vaughan Williams are among the Welsh composer’s influences, but these orchestral pieces also show off her own distinctive style

The Guardian - UK

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Evening Standard

LSO/Antonio Pappano at the Barbican review: the incoming director conjured the richest sounds from the players

If orchestras were football teams, the LSO would certainly be in the running for the Premier League title

The Guardian - UK

End of My Days album review – soprano’s eclectic set moves through vulnerability to strength

An intriguing collection of music includes songs by Vaughan Williams, John Tavener, Errollyn Wallen and Deborah Pritchard

MusicRadar

Fila Brazillia: "Growing up, we were super analogue – guitars, bass, drums; proper bands. But as we got into machines, we used the best of both worlds"

Steve Cobby and David ‘Man’ McSherry talk us through the making of their sample-happy 1995 album Maim That Tune

The Independent UK

Rachmaninov tops Classic FM poll on 150th anniversary of birth

It was also a record year for film music.

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Evening Standard

Vaughan Williams - A Celebration at the Royal Festival Hall review: showed the sheer power of the Bach Choir

One of Britain’s most cosmopolitan composers was celebrated with a forceful performance of the immense A Sea Symphony

The Guardian - UK

LPO/Manze review – Vaughan Williams’s beauty, and disturbing power, to the fore

The London Philiharmonic began its 150th tribute with beloved gems before unleashing the composer’s mighty Ninth Symphony – with a trip into Tom Coult’s luscious Pleasure Garden on the way

The Guardian - UK

‘I’ve got to stop somewhere!’ How Steve Roud compiled his epic folk song archive

The former librarian has spent more than 50 years compiling the Roud Folk Song Index, cataloguing 25,000 traditional songs. So how did he do it? And what exactly is a folk song?

The Guardian - UK

‘A nonconformist with a conservative’s regard for tradition’: Ralph Vaughan Williams at 150

He has long been the nation’s favourite composer, but there’s more to him than The Lark. As he turns 150, it’s time to listen afresh to this radical traditionalist

The Guardian - UK

Sir John in Love review – young singers achieve excellence against the odds

The twee Vaughan Williams piece is a strange choice for a youth company – but BYO create an endlessly spirited performance

The Guardian - UK

Looking West/Philharmonia Baroque review – soaring ambition and vividly projected Handel

Julian Philips sklifully evokes the history and drama of the Cumbrian landscape while the PBO bookend a nicely contrasted new work with some vivacious arias

The Guardian - UK

The week in classical: Prom 14: CBSO/ Yamada; Prom 16: BBCNOW/ Manze; L’incoronazione di Poppea

Why do some Proms sound better in the Albert Hall and others at home on the radio? Elsewhere, Grimeborn gets off to a smouldering start

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