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The Latest Breaking News from CBSO

The Guardian view on phones in concert halls: what engages some enrages others

Ediitorial: While some feel that allowing live performances to be photographed or filmed adds to the buzz, others hate it

The Guardian - UK

Live concerts have the power to delight – let’s try to forget about our phones

All praise to a classical singer for last week’s rebellion against a sea of illuminated screens

The Guardian - UK

CBSO/Yamada review – Anna Clyne’s Atlas is a brilliantly coloured musical scrapbook

This piano concerto co-commissioned by the City of Birmingham Symphony Orchestra is one of quicksilver changes of mood conveyed brilliantly by Jeremy Denk

The Guardian - UK

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‘A huge step back for the city’: people in Birmingham on council budget cuts

Proposals on services ranging from bin collections to social care, arts and libraries have left many worried for the future

The Guardian - UK

Conductor Simon Rattle says cutting UK tax relief for orchestras would be a catastrophe

Plea to protect arts funding as a growing number of city and county councils face bankruptcy

The Guardian - UK

CBSO/Mirga Gražinytė-Tyla at the Barbican review: the conductor brought a bright, edgy, in-your-face sound

Gražinytė-Tyla’s whiplash rhythms served the pieces well

Evening Standard

CBSO/Gražinytė-Tyla/Frang review – remarkable performance brings out Elgar’s extraordinary beauty

On her final tour as conductor of the CBSO Mirga Gražinytė-Tyla, here joined by violin virtuoso Vilde Frang captures every moment of febrility and nobility with a startling immediacy

The Guardian - UK

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The week in classical: The Decision; The Dream of Gerontius; Soloists of the CBSO – review

Birmingham Opera Company regroup, and the CBSO triumph in Elgar’s great oratorio as the city’s rich musical life thrives. And shock and anger as the BBC Singers are axed

The Guardian - UK

CBSO: Sounds New review – showcasing the talents of 20 young musicians

Composers in their 20s and early 30s presented original miniatures in a diverse range of styles from English pastoral to jazz and folk to irresistible gospel and soul

The Guardian - UK

In This Brief Moment review – Darwin, Genesis and whirlygigs in Brett Dean’s mindblowing cantata

Dean’s five-part evolution cantata was brought to vivid life by Nicholas Collon and the City of Birmingham Symphony Orchestra

The Guardian - UK

The week in classical: Prom 14: CBSO/ Yamada; Prom 16: BBCNOW/ Manze; L’incoronazione di Poppea

Why do some Proms sound better in the Albert Hall and others at home on the radio? Elsewhere, Grimeborn gets off to a smouldering start

The Guardian - UK

Birmingham 2022 Commonwealth Games: How to watch the opening ceremony and all sports live

After the Opening Ceremong for the Birmingham 2022 Commonwealth Games, there will be a 11 days of competion with Australia fielding 435 athletes.

The New Daily

BBC Proms: CBSO/Yamada - an exemplary performance of Ethyl Smith’s subtle and original work

The orchestra’s handling of both Smyth and Rachmaninov’s work was revelatory in different ways

Evening Standard

CBSO/Morlot review – remarkable Thorvaldsdottir and phenomenal Kopatchinskaja

Anna Thorvaldsdottir’s Catamorphosis, premiered here by Ludovic Morlot and the City of Birmingham Symphony Orchestra, is an extraordinary achievement

The Guardian - UK

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The Guardian - UK

CBSO/Gražinytė-Tyla review – assured Bruckner and arresting Tchaikovsky mark the end of a Birmingham era

Symphony Hall, BirminghamIn her last UK concert as the City of Birmingham Symphony Orchestra’s music director, Gražinytė-Tyla showed just what a fine and nuanced Bruckner interpreter she really is

The Guardian - UK

The Ordering of Moses review – Dett’s oratorio thrills on its belated UK premiere

Joshua Weilerstein conducted the CBSO in a rare outing for the African American composer Robert Nathaniel Dett’s vivid and impassioned ‘sacred cantata’

The Guardian - UK

CBSO/Yamada review – chief conductor-in-waiting brings spirit but not subtlety

The Japanese conductor who takes over in Birmingham next year already has a strong connection with the players; while soprano Fatma Said impressed in Mozart arias

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