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The Latest Breaking News from Brahms

Williams/Burch; Booth/Waley-Cohen review – persuasive Schubert and superb Kurtág

Roderick Williams was vivid and compelling in Schubert’s Schwanengesang, while Claire Booth rose to the challenges of Kafka Fragments

The Guardian - UK

Brahms: Piano Concertos; Piano Pieces Opp 116-119 album review – Levit’s performance is utterly compelling

It’s hard to think of a better recording of Brahms’ late solo works for piano, even if the two concertos they are packaged with here are less convincing

The Guardian - UK

Piotr Anderszewski review – exceptional, even by his meticulous standards

This programme made largely of miniatures was one to treasure. Anderszewski is a remarkable pianist – no note is out of place, no chord not perfectly balanced

The Guardian - UK

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Megalopolis to Industry: a complete guide to this week’s entertainment

Francis Ford Coppola’s grandiose, dystopian sci-fi is finally unleashed, and the young City bankers go green with Lord Muck

The Guardian - UK

Proms 53 and 54: BBCSO/Brabbins; Beethoven for Three

The Proms’ tribute to Andrew Davis was crowned by a joyous Steve Reich premiere, while the next day saw three outstanding musicians grapple with awkward acoustics

The Guardian - UK

The week in classical: Prom 31: West-Eastern Divan Orchestra/ Barenboim; GBSR Duo – review

With minimal gestures yet complete control, a now frail Daniel Barenboim returned to the Proms in a concert of exceptional poignancy

The Guardian - UK

Prom 31: West-Eastern Divan Orchestra/Barenboim review – an unforgettable and heroic return

Two years after he stepped back from performance, the conductor was back at the Proms – far frailer, but still able to conjure an instant response with a tiny flick of the baton

The Guardian - UK

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Prom 9: BBC Scottish SO/Wigglesworth review – meticulous making of unexpected connections

Beautiful wind playing in a slow-burning Brahms joined searing strings in Schoenberg and Alice Coote’s fine-grain singing of Mahler for a space-testing night

The Guardian - UK

Brahms: The Symphonies album review – less is more for Nézet-Séguin and the COE

With a smaller orchestra than standard, Yannick Nézet-Séguin bring litheness without diminishing any of the symphonies’ power or clarity

The Guardian - UK

James Loughran obituary

Conductor who won the inaugural Philharmonia competition and recorded Brahms with the Hallé and Beethoven with the London Symphony Orchestra

The Guardian - UK

The week in classical: Igor Levit, Renaud Capuçon, Julia Hagen; Manchester Camerata: Disruptors review – ringing successes

Three soloists collaborate to singular effect playing Brahms, while vibrant works old and new are performed by the Camerata ensemble

The Guardian - UK

Belcea Quartet/Zimmerman/Queyras review – exquisite, unbuttoned Brahms

The Belceas were joined by Tabea Zimmermann and Jean-Guihen Queyras for this revelatory performance of Brahms’s two youthful String Sextets

The Guardian - UK

Quatuor Agate: Brahms – The String Quartets album review – a suave and refined debut

The Paris-based group’s first disc is a wonderfully detailed recording of Brahms quartets that at times might benefit from a more muscular edge

The Guardian - UK

Igor Levit review – this was a recital where everything was just right

In a supremely poetic and impressive performance Levit perfectly conveyed the searching spirit of Brahms’s late-life piano works

The Guardian - UK

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The Guardian - UK

BBCNOW/Martin review – Higgins’ horn concerto is confident, fluent – and life-enhancing

Gavin Higgins’ new work, premiered here, takes inspiration from the Forest of Dean, where he grew up. It was brought to vivid and organic life by Ben Goldscheider

The Guardian - UK

LSO/Noseda review – Prokofiev’s curious Fourth alongside very fine Brahms

Gianandrea Noseda and the LSO made a strong case for the 1947 version of Prokofiev’s Fourth symphony, and Simon Trpčeski was an insightful and elegant soloist in Brahms’s second piano concerto

WEKU

Even Beethoven got bad reviews. John Malkovich reads them aloud as 'The Music Critic'

A new live stage show features actor John Malkovich transformed into some of the meanest music critics ever — in real reviews skewering the work of great composers like Beethoven, Brahms and Chopin.

The Guardian - UK

Poem of the week: September Castles by Peter Davidson

Davidson redeems a bitter season with the story of a personal encounter that is also an encounter with poetry

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The Guardian - UK

The week in classical: Proms 38 & 39; Prom 40; Trouble in Tahiti – review

Three Hungarian-inspired proms combine sizzling energy, Bartók and dadaist absurdity, while an intimate staging ramps up the angst in a bite-size Bernstein

The Guardian - UK

Proms at Sage Gateshead review – festival goes north for euphoric weekend that moves from Brahms to barking like dogs

With concerts encompassing pop, classical, jazz and a CBeebies family extravaganza, the Proms took over Sage Gateshead for a triumphant communal experience that underlined how music can connect us

The Guardian - UK

LSO/Tilson Thomas/Tetzlaff review – Brahms soars and glows

In an all Brahms programme, Christian Tetzlaff brought momentum and shape to the Violin Concerto, and Tilson Thomas made every note glow

The Guardian - UK

Turbocharge philanthropy, conga to Beethoven, ditch the ukuleles: 10 ways to save classical music

After cuts by Arts Council England and the BBC, Simon Rattle says UK opera houses and orchestras have never faced greater peril. How can they fight back? Top musicians outline their battle plans

The Guardian - UK

Brahms By Arrangement Vol Two: Orchestrations by Robin Holloway review – dialogue with the past brings present benefits

The English composer pays reverent and inventive homage to music by the German grandee with the help of the BBC Symphony Orchestra conducted by Paul Mann

Newcastle Herald

Newcastle Music Festival releases 2023 program

15 concerts from August 11 to August 20

The Guardian - UK

Javier Perianes review – Granados’s Goyescas has rare outing but colours remain dim

Perianes has the agility and stamina to take on Granados’s piece but his realisation of the epic piano work didn’t have enough colour or character

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