Brahms’s late piano music is a pinnacle of 19th-century Romanticism, though its atmosphere of introspection and veiled emotion is a million miles from the more turbulent works of his youth. Piotr Anderszewski sees in it a testament of sorts, but one that keeps as many secrets as it reveals. By selecting a dozen of these intimate miniatures to make up an absorbing 48-minute programme, the Polish pianist opens a markedly individual window on to the composer’s solitary artistic maturity.
He opens with the aching B-minor Intermezzo from the Op 119 set, the tempo measured and laden with melancholy reflection. Phrasing is fluid across concentrated interpretations that exhibit a distinctive emotional core. The moderate pace continues throughout, with Anderszewski preferring to avoid leavening the mood merely for the sake of contrast. The cumulative effect is one of penetrating regret.
