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The Latest Breaking News from Edward Gardner

Joyce DiDonato sings Berlioz review – you could almost feel the asp’s poison seeping into her veins

The mezzo-soprano’s hair-raising performance of The Death of Cleopatra was a tour de force, a suitable curtain-raiser for the LPO’s new season, with Edward Gardner and orchestra on fine form

The Guardian - UK

Prom 23: Benjamin Grosvenor/LPO/Gardner review – heroically committed extreme pianism

Grosvenor’s special performance of Busoni’s Piano Concerto made vivid its sheer profusion of musical ideas and ferociously difficult solo part with immense skill

The Guardian - UK

Prom 23: Busoni's Piano Concerto at the Royal Albert Hall review – Benjamin Grosvenor's playing rippled and thundered

This was the first performance of the fiendishly difficult concerto at the Proms in 36 years

Evening Standard

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Gardner/LPO review – tautly controlled Tippett, and whoops for Seong-Jin Cho’

The starry Korean pianist’s account of Beethoven’s Fourth Piano Concerto was joyous and compelling, while Gardner made a persuasive case for Tippett’s divisive second symphony

The Guardian - UK

The Seven Deadly Sins review – LPO play Brecht and Weill with bite and swing

Danielle de Niese took on twinned roles of dancer and singer Anna with great style, the evening introduced by João Barradas’s fiery accordion

The Guardian - UK

Dance Reimagined review – LPO and Wayne McGregor are a dream team, but AI lets them down

Tonight’s Tania León premiere and reconceptualised Szymanowski ballet made a heady combination, with no need for technical trickery

The Guardian - UK

English National Opera cuts risk ‘killing off of art form’, warn prominent music directors

Former ENO conductors Edward Gardner, Sir Mark Elder and the Royal Opera House’s Sir Antonio Pappano said cuts would make company ‘an empty shell of its former self’

The Independent UK

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Prom 36 A Space Odyssey: LPO/Gardner review – unsettling and awesome

Intense and finely focused performances of the Ligeti and Strauss pieces used in Kubrick’s sci-fi epic revealed every detail of their unearthly majesty and awesome extremes

The Guardian - UK

Turbocharge philanthropy, conga to Beethoven, ditch the ukuleles: 10 ways to save classical music

After cuts by Arts Council England and the BBC, Simon Rattle says UK opera houses and orchestras have never faced greater peril. How can they fight back? Top musicians outline their battle plans

The Guardian - UK

LPO/Gardner review – Brett Dean provides tantalising prelude to cool Mahler

World premiere of this extract from Dean’s ‘planned opera’ was full of vivid colour and ear-catching textures. The Mahler that followed was stylish and unsentimental

The Guardian - UK

LPO/Gardner at the Royal Festival Hall: Brett Dean’s premiere showed a right royal row (again)

This new work by the orchestra’s composer-in-residence oscillated between the dramatic and the contemplative

Evening Standard

The Damnation of Faust review – Berlioz’s exemplary evocations of heaven and hell

Edward Gardner and the London Philharmonic offered a timely reminder of Berlioz’s astonishing gifts as a choral and orchestral writer

The Guardian - UK

LPO/Gardner review – magical outing for Tippett’s ‘unplayable’ piano concerto

Coleridge-Taylor’s stately, long-lost Solemn Prelude and a crisp, exploratory interpretation of Elgar’s first symphony completed a trio of English compositions

The Guardian - UK

Avalon Regal Theater: What’s up with old movie palace with glorious past?

Despite a history of nearly a century of cultural significance, the theater has sat mostly empty since 2003.

Chicago Sun-Times

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The Guardian - UK

Quirky, revelatory, intimate … the best classical releases of 2022

From live Tippett, locked-down Debussy and luminous Charles Koechlin to dazzling Szymanowski and dextrous Beethoven, we pick the outstanding releases of the past 12 months

The Guardian - UK

The week in classical: It’s a Wonderful Life; A Child of Our Time; IMS Prussia Cove – review

ENO’s warm-hearted production of Jake Heggie’s operatic take on the classic Frank Capra film is full of poignant ironies

Evening Standard

A Child of our Time/Serenade to Music, LPO/Gardner at the Royal Festival Hall concert review - inspired

These two pieces are rarely played together but it turned out to work perfectly

The Guardian - UK

The Midsummer Marriage review – Tippett’s heady mix has the recording it deserves

Gardner captures perfectly the overflowing exuberance of Tippett’s score, with Toby Spence and Jennifer France an ideal Jack and Bella

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The Guardian - UK

Gurrelieder review – Schoenberg’s soundworld thrills under Gardner’s baton

Conductor Edward Gardner opened the London Philharmonic’s season with a detailed and focused performance of Schoenberg’s formidable cantata.

The Guardian - UK

The week in classical: The Dream of Gerontius, Bach’s Mass in B minor and Nathan Laube at the Proms

Jamie Barton and Allan Clayton lead a dream Gerontius in a week of choral epics at the Proms. Elsewhere, deep listening and silence…

The Guardian - UK

Prom 59: The Dream of Gerontius review – outstanding Clayton helps create a season highlight

Edward Gardner conducted the London Philharmonic and the combined choirs of the LPO and Hallé to give a perfectly judged performance of Elgar’s great choral work

The Guardian - UK

The week in classical at the Edinburgh festival, from Salome to Madame Chandelier

The striptease is all Strauss’s in the Bergen Philharmonic’s expertly revealing Salome. Plus, the new-ish Takács Quartet, a theorbo moment and a sock-throwing night at the opera

The Guardian - UK

Bergen Phil/Gardner/Ólafsson review – crowd-pleasing but never dangerous

Edward Gardner led the orchestra in a controlled performance, with an exquisite but tentative Víkingur Ólafsson on piano

The Independent UK

Bank of England’s dire recession warning too ‘optimistic’ amid gas threat, economists say

‘If Russia were to completely cut supplies and we had a cold winter it would be a perfect storm’

The Guardian - UK

LPO/Gardner review – timely celebration of the brilliance of Oliver Knussen

The LPO’s celebration of the late composer included a superbly assured performance of his Horn Concerto by the 19-year-old Annemarie Federle, a last-minute replacement. Glittering Ravel and sequences from Britten’s only ballet followed.

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