At some point, any star soprano worth her salt will try her hand at a Verdi album. Lise Davidsen avoids the fate of those who attempt to encompass the composer’s entire cast of leading ladies, focusing instead on five who fit her vocal talents like a glove.
She opens with a commanding Lady Macbeth, her coloratura clean as a whistle and with gleaming, seemingly effortless top notes. Edward Gardner’s buoyant yet spacious way with the orchestral accompaniment affords Davidsen sufficient elbow room to create a more thoughtful schemer than is sometimes the case, culminating in a seamless sleepwalking scene where her breath control alone deserves a Grammy.
