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The Latest Breaking News from Barbican

Helen George's Call the Midwife is more serious than ever: 'What are we sleepwalking our way into?'

The Call the Midwife star is taking on High Society at the Barbican next summer. She talks fashion and the politics of one of the most quietly radical shows on the BBC

Evening Standard

Twelfth Night at the Barbican review: A delightful maximalist feast

4/5 Director Prasanna Puwanarajah’s Shakespeare festivities are striking if a little over-stuffed in places

Evening Standard

Barbican to close for a year for multi-million pound refurbishment to 'secure its future'

£191 million funding will see the cultural institution undergo a huge transformation

Evening Standard

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Barbican to close its doors for a year for multimillion-pound renovation

London site’s theatre, music venue and galleries to close in June 2028, in first stage of upgrades before 50th anniversary

The Guardian - UK

This guerrilla network sharing art gallery memberships is my new favourite thing

A scrappy WhatsApp group is helping artists to see actual art.

Creative Bloq

Meet the ultra-rich Indians shaking up London's art scene

It’s boom time for Indian art: the market is at an all-time high, while London has had a slew of exhibitions focused on South Asian artists, supported by a new class of megadonors

Evening Standard

‘We don’t celebrate Black creativity enough’: why the Black British book festival is bigger than ever

Ahead of the BBBF this weekend, authors who’ll be in attendance explain the crisis in publishing of Black writing, and why coming together is the solution

The Guardian - UK

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Gesualdo Passione at the Barbican review: struggling towards salvation

3/5 Les Arts Florissants singers and dancers from Amala Dianor Company perform Gesualdo’s sorrowful Tenebrae Responsoria

Evening Standard

Les Misérables: a musical full of heart and hope that continues to defy its critics

When it opened in 1985, the mighty Les Mis got some rotten reviews. Forty years on, our writer sees it afresh and producer Cameron Mackintosh reflects on the show’s spectacular success

The Guardian - UK

Les Miserables at 40: from flop to phenomenon, why the West End’s longest-running musical endures

Once dismissed as ‘Victor Hugo on the garbage dump,’ Les Mis is now the world’s longest-running musical. As it marks 40 years with a sold-out gala, Alfie Boe and the cast reflect on its appeal beyond the barricades

Evening Standard

Go fake yourself! The creators of trippy, four-hour art forgery epic Rohtko on their quest for truth

Based on a New York gallery scandal that was traced back to a Chinese maths teacher, Łukasz Twarkowsk’s play makes audiences question absolutely everything

The Guardian - UK

Dirty Looks: Desire and Decay in Fashion at the Barbican review — bury me here

5/5 Couture is ripped, stained, buried, exploded and dragged through the mud in an intelligent blockbuster fashion exhibition for the ages

Evening Standard

Kenneth Branagh returns to the RSC for The Tempest and The Cherry Orchard

Next summer, the star will appear in Stratford-upon-Avon first as Prospero and then alongside Helen Hunt in Chekhov’s classic

The Guardian - UK

Walk, don't run, to see Mona Hatoum's fascinating new art exhibition at the Barbican

Encounters: Giacometti x Mona Hatoum at the Barbican will be a masterclass in examining the notions of home, family and war

Evening Standard

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Evening Standard

Herbie Hancock at the Barbican review: unpredictable, entertaining and ageless

4/5 The jazz legend is still throwing his famous curve balls at 85 years old

Evening Standard

Actor Jack Lowden goes old school at The Wolseley, loves a Smithfield stroll and escapes to... the M1

The Slow Horses actor has nights out with Martin Freeman and is a fan of strolling around the old City of London

Evening Standard

Endangered languages and a fragile Earth: Barbican unveils its Autumn 2025 programme

The Barbican has unveiled its Autumn 2025 programme featuring events on endangered languages, environmental discussions, and a new festival on Fragile Earth

Evening Standard

Lara Pulver on Fiddler on the Roof: 'This show is always heartbreakingly relevant'

Lara Pulver is back on stage in the stupendous Fiddler on the Roof and back on our screens in the utterly bonkers Mobland, and back living in London... she tells us life’s getting better since she learned to stop seeking acclaim and started enjoying the ride

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The Guardian - UK

Can South by Southwest’s London debut recreate Austin’s star-making power?

Organisers say SXSW London will be launchpad for global superstars, but event faces competition from capital’s crowded creative scene

The Guardian - UK

Anyone fancy a subwoofer massage? The show that shakes you senseless

From vibrating stages and a car park dance floor to metal pipes tuned to the frequency of ‘love’, the artists behind a new exhibition say their work may even change your body on a cellular level

Evening Standard

New images revealed of £240 million plans for Barbican makeover

The vision is said to have been well received with 90% approval from respondents

Evening Standard

Hidden London: the Barbican Launderette

This is more than a place to wash clothes, writes David Ellis

The Guardian - UK

‘You might find it scary’: artist Huma Bhabha squares up to Giacometti with wellies, skulls and teeth

The Pakistan-born sculptor was nervous to show her irreverent work – made using plastic bags, pincers and cork – beside the Swiss existential hero’s but tells us ‘they’re enjoying each other’s company’

The Guardian - UK

Holy Krapp! Gary Oldman and Stephen Rea unspool Beckett’s masterpiece about memory

Krapp’s Last Tape, in which an old man rummages through recordings of his younger self, is back for two star-powered revivals. This haunting play invites actors and audiences to reconnect with their past

Evening Standard

Arts education is a right, not a privilege: this is a national emergency

Arts education in London is lagging way behind regions like Ontario, and represents a dangerous blind spot that hampers the development of young people, says Devyani Saltzman, Barbican’s Director for Arts

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