Algiers, 1969. What had, for seven years, been the metropolis of a newly independent country became, over the course of 12 days in July, the cosmopolitan centre of an entire continent. That summer, Algeria played host to the first Pan-African Cultural festival (Panaf) and the capital’s streets were transformed into a vista of energising performers, flanked by placards announcing each country’s delegation: Ethiopia, Liberia, Mali.
Picture an Olympics-style opening ceremony, then discard it, for the images captured in William Klein’s documentary of the event, The Pan-African Festival of Algiers, hint at the very dissolving of barriers between spectacle and spectator – an act that brings to life a quote, shown on screen, from Guinea’s first president Sékou Touré: “We must make this revolution with the people … and the songs will come.”
