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Evening Standard
Evening Standard
Entertainment
Nick Curtis

Twelfth Night at the Barbican review: A delightful maximalist feast

This detailed, melancholy and moving RSC revival of Shakespeare’s festive-season comedy, originally staged in Stratford-upon-Avon in 2024, suffers a moderate case of bloat. Over the fine grain of his production, director Prasanna Puwanarajah has laid a layer of forced comic business, which makes an otherwise delightful show ponderous at times.

Its lord of misrule is Michael Grady-Hall’s all-singing, all-clowning Feste, who is lowered into the action on wires in partial whiteface and Eraserhead hair. Since Twelfth Night only really gets going in the second half, I could have done without the game of ball-toss he played with the audience at its start, and his closing song, charmingly though both are done.

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