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The Latest Breaking News from Guitar World

“It feels like you’re plugged straight into an amp, rather than a pedal”: ThorpyFX x Lazy J The J review

ThorpyFX team up with Lazy J to put the amp brand’s signature take on the Fender tweed sound into a pedal

Guitar World

“It took me forever to commit. Once I got there, I went, ‘I should have been doing this for a very long time’”: Joel Hoekstra was late to the Les Paul party – now he’s making up for lost time

The Whitesnake guitarist spent years playing Floyd Rose guitars, then Janis Joplin changed his world

Guitar World

“Very accomplished playing that isn’t widely discussed in blues circles”: What we can learn from Mike Oldfield about breaking free of the pentatonic box

In this lesson, we reimagine folk, jazz, blues and Celtic music for a blues roadmap that takes the road less traveled

Guitar World

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“I was two years out of college, bought it and just felt like, ‘Oh, this is what it’s supposed to sound like.’ It makes me sound better than I am”: Why the Fender Telecaster is Sheryl Crow's long-time guitar “sidekick”

The celebrated singer-songwriter says she can “play the heck out of my piano” but gravitated toward the Tele due to the staying power of a great guitar riff

Guitar World

“I can sing better; I can’t play guitar better”: Lucinda Williams on how her stroke has affected her guitar playing

Despite still dealing with the aftereffects of a stroke, Williams has just released her 16th studio album and is set to go on tour with her band, which includes two “brilliant” players who have taken on guitar duties

Guitar World

“The two of us had a similar upbringing. It’s aunique position – our dads are the biggest rock stars around”: Evan Stanley and Nick Simmons are making Kiss a rock ’n’ roll dynasty – just don't mistake their music for their fathers'

Bands formed by rock stars’ kids rarely work out – but this one does. Say hello to Evan Stanley and Nick Simmons, whose dads you might just recognize, despite all that Kiss makeup

Guitar World

“I can’t play proper barre chords. It’s a blessing in disguise – I’ve ended up finding more interesting chords”: KT Tunstall’s 5 guitar tips to boost your songwriting skills

Learn KT's five go-to guitar techniques: from power strumming to rich chords, colorful picking, and unison vocal/guitar riffs.

Guitar World

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Adrian Smith and Richie Kotzen rolled out an Iron Maiden classic at their London show, with a very special guest

The Smith-penned anthem has been a standout during their live shows, and in London, things got a little more Maiden

Guitar World

“His raw honesty and blues-soaked power permanently reshaped American music”: A new Gregg Allman documentary is coming to cinemas in Summer 2026

It promises to offer longstanding fans a deep insight into one of America’s most culturally impactful musicians

Guitar World

“We thought it was throwaway and argued against it being released. It's incredible to me that it was a single. I was just trying to do my best Pete Townshend!” How bassist Andy Fraser electrified a Free classic

When Andy Fraser joined Free in 1968, he arrived as a teenage guitarist, but his melodic bass style became essential to the band’s success

Guitar World

“I am in my acoustic, zen phase of life”: Why Paul Rodgers declined an offer to front the new Van Halen album

Alex Van Halen and Steve Lukather are currently looking for a vocalist to complete their project of reviving archival Van Halen material

Guitar World

“Bobby was completely allergic to compliments… I loved that about him. Mostly, he just loved playing”: The life and legacy of Grateful Dead icon Bob Weir

Remembering the Grateful Dead co-founder, songwriter and rhythm guitarist, andlegend of the San Franciscan psychedelic scene

Guitar World

“I was going for Jag-Stang vibes”: How Spiritbox's Mike Stringer and Aristides channeled Kurt Cobain for one of modern metal’s most desirable signatures

The Spiritbox guitar player and the boundary-pushing guitar brand released the all-new STX Series last year

Guitar World

“Knowing that I had the other one, Eric starts calling me and asking if I would sell it. He was offering me £200 for it, more than twice what I’d paid for it”: The history and mysteries of Eric Clapton’s Cream guitars

The history of Eric Clapton’s guitars during Cream’s brief but influential existence – from Fresh Cream to Goodbye – reveals an intriguing mixofinstruments but also offers up a mystery or two

Guitar World

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Guitar World

“Those old players had nothing to hide behind. Just their hands, their feel and the truth coming through the speakers”: 5 modern blues guitar heroes on the impossible task of imitating the blues greats

Blues and rock is still being shaped by the British blues boom of the ’60s – and the O.G. bluesmen who influenced them. But how can today’s players nail their tone and sound? Marcus King, Samantha Fish, Zach Persons, Philip Sayce and Jared James Nichols have their say

Guitar World

“That’ll still smoke most rigs these days too, by the way”: Aaron Marshall of Intervals says the rig he played Blink-182 and Slipknot on as a teenager could more than hold its own today

Boss distortion, Fender amp, cheap Strat? Yeah, that checks out

Guitar World

“I tried to talk him out of it... He was too good a writer to have that be his calling card”: The band's guitarist felt the song was beneath its writer, but it became one of the biggest singalong guitar-pop hits of the 2000s

Though critically beloved, Fountains of Wayne are known to most only as the band behind Stacy's Mom, the cheeky and irrepressible smash hit that remains a staple of 2000s nostalgia playlists – and that's exactly what guitarist Chris Collingwood was afraid of

Guitar World

“Even with their sub-$500 tickets, these guitars have been built with some degree of care and expertise”: Epiphone J-45 Studio and J-200 Studio review

A brace of familiar Gibson acoustic designs bearing the Epiphone brand name and a price tag of around one tenth of an original

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“My tech said, ‘This bass looks tiny on you.’ I lowered the strap so it would look cooler. You have to throw your whole body into it”: Bought from grunge icons and stolen before Soundgarden reunited – the story of Ben Shepherd’s 1972 Fender Jazz Bass

Shepherd was robbed of all his music gear in 2008 just as he was about to mix his first solo album

Guitar World

“I just had decidedly hated Stratocasters, Les Pauls, any of the common instruments that you see everybody use”: How Jack White found his own voice by seeking out a different kind of guitar

Silvertone, Airline, Kay... Jack White's formative tastes in electric guitars gave him a sound that he wouldn't have found if he'd chosen a more orthodox instrument

Guitar World

“This could be one of the biggest steps forward in passive pickup design in years”: All the guitar gear that has caught my eye this week – including the most metal Jackson yet

A full-circle signature for Gary Clark Jr., as well as a potentially game-changing innovation from 3rd Power, headline this week's round-up

Guitar World

“Joe Satriani said,‘Every time I do an album, I feel like the first song I have to prove that I can play guitar’”: Why Paul Gilbert thinks it’s important to practice restraint when it comes to shredding

Every guitarist plays with a point to prove, he says, but we shouldn’t always be playing in fifth gear

Guitar World

“This is a bass guitar that’s going to stir up quite a lot of interest among fans and collectors”: The bass used to record The Specials' gloomy political anthem, Ghost Town, is headed to auction

The Fender Precision was also used in Horace Panter’s supergroup with members of The Clash and Dexy’s Midnight Runners

Guitar World

“Tony said, ‘Hey, you’re singing flat.’ My dad got really pissed off”: Jack Osbourne says a heated moment during soundcheck before Black Sabbath’s farewell show revealed everything about Tony Iommi and Ozzy’s relationship

Jack Osbourne says everyone needs a friend like Iommi was to Ozzy

Guitar World

“It sounded perfect, man… like a gift from on high”: Is Slash's no. 1 Les Paul – which isn’t a Gibson – set for a Gibson reboot?

Slash’s Kris Derrig ’59 Les Paul has been his go-to recording guitar since Appetite for Destruction. And it sure looks like a Murphy Lab replica is on the cards

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