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The Latest Breaking News from MusicRadar

“If we had stuck together we could have been as big as Led Zeppelin – or at the very least, Deep Purple. We had the stuff!”: The heavy rock innovators whose hard-hitting drummer was a star before John Bonham

“There was always friction – but it all worked for the creation of what we had"

MusicRadar

Quizzy Gillespie: It's MusicRadar's Quiz of the Week #7!

Can you scale our top-ten music news quiz questions and get to number one?

MusicRadar

Khemmis just made one of the best heavy metal records of the year using a $28 plastic fuzz pedal

Phil Pendergast's secret weapon was cheap, effective, and perhaps a lesson that cork-sniffing about gear can be a waste of time – and money

MusicRadar

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"It’s mad, the splits now - the major labels own your masters. They want 88% and that's standard across the board. So every act who signs to a major is not making money": We talk the modern music industry with Dea Matrona

Dea Matrona tell us how they’ve managed to gain success whilst maintaining their fiercely DIY ideals in today's competitive industry

MusicRadar

“Rick put me on the spot. He said, ‘So, this is a Les Paul.’ I was like, ‘I know.’ Then he went, ‘Okay, and this is a Marshall…’”: Why The Cult scrapped an entire album and re-recorded it with Rick Rubin

“It was the record we needed to make”

MusicRadar

“It was the record that changed our lives. The record that won us freedom of creative expression”: Rush frontman Geddy Lee recalls how the band's 1976 prog classic 2112 transformed their fortunes

No one at the record company was happy to hear that Rush had another concept record. But this time the prog trio stuck the landing on a sci-fi epic that changed everything

MusicRadar

Quizzy Rascal: It's MusicRadar's Quiz of the Week #6!

Round off your week with our 10-question recap of this week's hottest music news

MusicRadar

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“Sometimes I try to pretend that someone threw mud on the fretboard of my guitar, or thick syrup! It’s a funny thing to imagine but it changes the way you play”: Jason Isbell and the 400 Unit's Sadler Vaden reveals his approach to slide guitar

Don't sweat the action, keep it in standard tuning and just pretend you're a trapeze artist with syrup on the fingerboard... Wait, what!?

MusicRadar

“In the next 12 months there are going to be two, possibly three more Moog synths – we’re going to have some instant classics added to our roster”: EXCLUSIVE! Moog President Joe Richardson tells us what's coming next from the iconic synth brand

With the Muse and Messenger signalling that Moog is still in rude health following its acquisition by InMusic, we catch up with its president to learn more about life behind the scenes at the world’s biggest synth brand

MusicRadar

“A lightning bolt just hit me from above. I really did feel like this was sort of a divine intervention. It was everything that I was looking for”: Gibson unveils signature SG for Greta Van Fleet’s Jake Kiszka

The Greta Van Fleet guitarist's signature SG is based on his battle-scarred '61 Les Paul SG and comes with an extra backplate signed and stamped by Kiszka

MusicRadar

“Evidently not content with redefining what was technically possible on the guitar, he also managed to rewrite pretty much the whole of music theory”: How Allan Holdsworth blew Eddie Van Halen’s mind and inspired the next generation of virtuosos

We unpack the brilliance of jazz-fusion trailblazer Allan Holdsworth, with some help from Steve Vai, Guthrie Govan, Paul Gilbert and Eddie Van Halen

MusicRadar

“I was a little uncomfortable, to be honest. I gradually convinced myself that it was okay”: Myles Kennedy on what it was like to play Jeff Buckley’s Telecaster – and how he felt unworthy to play it

Kennedy saluted one of his all-time heroes in 2019 when he performed Hallelujah live in Paris, and it was the first time Buckley's Tele had been played in public since his death in '97

MusicRadar

“He said, ‘Yeah, you know, it’s kind of harder to play that way’, but he just loved the way it sounded”: Eric Johnson on why pick choice and picking style are fundamental to your playing – and how his favourite jazz player got his sound by using his thumb

Your guitar pick, the material it's made from and how you use it are "the beginning of the whole thing," says the Texan virtuoso

MusicRadar

Baratza's new $300 coffee grinder just matched a $1,500 Mazzer Philos in an espresso blind taste test — I didn't expect this at all

I'm an ex-barista with way too many coffee gadgets, so I challenged the revered Mazzer Philos and the new Baratza Encore ESP Pro to a blind taste test.

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“To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime – and why not maintaining his “Whitesnake haircut” was a barrier to career progression

When Todd Rundgren called and invited Gilbert to tour with him there was only one answer, even if it pained him to say it

MusicRadar

Get a FREE Bitwig 6 8-Track license exclusively with MusicRadar

To mark this week’s release of the latest version of Bitwig Studio, we’re offering MusicRadar readers a limited supply of codes for the 8-Track version of the DAW. But be quick!

MusicRadar

“I was 28 or something and he was 80. He’s like, ‘Here, son, this is how you do it.’ How sad is that?” Joe Bonamassa on the time BB King taught him how to use an iPod (and what made him blues guitar’s GOAT)

Bonamassa pays tribute to the undisputed king of the blues as a road dog who "knew everything" and was pretty handy with newfangled technologies, too

MusicRadar

“When I first met George I was just speechless. But when we started playing, he gave no direction. He liked the way I played, and I would just be myself”: Robben Ford on what it was like working with a Beatle at the age of 22

By his own admission, Ford was “green” when he was called into play on George Harrison’s Dark Horse but there was no pressure to be anything other than himself

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“I’m watching this sort of genius develop right in front of me, and he seems he has no physical barriers”: Joe Satriani on what it was like to teach a teenage Steve Vai

Here's this "goofy" Ace Frehley fan with big hands and he keeps coming back for more... Satch says it wasn't long before he recognised Vai's potential

MusicRadar

“I said, ‘Oh, Joni, that’s gonna sound terrible. You need an amp, man! You need some tubes vibrating. You need some air! She goes, ‘Would you just try it?’”: Robben Ford reveals how Joni Mitchell helped him nail his guitar tone on a ’70s classic

Ford has fond memories of touring and recording with the “wonderful” Mitchell, who has a producer knows exactly how she wants a guitar to sound – and how to get the tone

MusicRadar

“Joe Satriani said, ‘Every time I do an album, I feel like the first song I have to prove that I can play guitar. I wish I could let that go.’ I thought, ‘I know exactly what you mean’”: Paul Gilbert on why it’s so hard to resist the urge to shred

Gilbert says shred can sometimes be the easy way to give his audience what they want, but their expectations only make him want to work harder on his melodies

MusicRadar

Could the Line 6 Helix Stadium Floor be a serious rival to the Quad Cortex? An 8” touchscreen, all-new AI-driven modelling tech and the capability to automate your live show gives it a fighting chance

Line 6's new flagship amp modelling platform not only has to live up to the Helix's reputation, it arrives when the competition has never been steeper. But it has features, lots of 'em...

MusicRadar

“You can have a great amp but if the speaker sucks it won’t sound good”: Sylosis' Josh Middleton on the most important link in your signal chain – and how a remarkable find from Adam ‘Nolly’ Getgood helped him nail Andy Sneap’s tone

The secret to great tone? Don't forget the speaker cabinet matters, too

MusicRadar

“He was a guy in my neighbourhood who played... I was scared to say it at the time, but he played at the level of John McLaughlin!”: Living Colour guitarist Vernon Reid pays tribute to a lost genius

“He should have been much more known than he was”

MusicRadar

“The reason everybody knows Eric Clapton’s name is not because he’s a great guitar player”: Billy Corgan says virtuosic guitar solos mean nothing in the social media age – and argues guitar influencers need to make a bigger impact on popular music

The Smashing Pumpkins frontman sees virtuosos everywhere but he would like to see these talents being applied in the next generation of great alt-rock and metal bands

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