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The Latest Breaking News from Guitar World

“There’s a synergy between you and a great instrument. That could be a $300 Squier or a$5,000 Gibson. It doesn’t matter”: Chris Buck on vintage “dogs”, signature model intrigue, and how rock royalty helped his regal blues-rock tap into America

How many bands take 16 years to craft their debut album? This one did… But Chris Buck and Cardinal Black are making up for lost time

Guitar World

“I found this in a store and it sounded amazing. It cost about $500 less than a Fender would”: Geese are the latest indie-rock phenomenon – and their lead guitarist is repping this Billy Corgan-approved guitar brand

Ditching more mainstream brands, lead guitarist Emily Green looks back on how she got her go-to guitar

Guitar World

“Bernie was playing right out of Randy’s pedalboard and amp. He said Randy’s pedalboard was doing changes on its own”: Bernie Tormé only played seven gigs with Ozzy Osbourne – but he saved the Black Sabbath frontman’s career

Flown in at short notice after Rhoads' death, the Irish Strat magician would soon leave Ian Gillan, Phil Lewis, and Tracii Guns – among many others – with blown minds

Guitar World

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“It was not only an honour but deeply moving”: Bernie Marsden’s $1million ‘The Beast’ Les Paul was just played on stage by Slash’s favorite current British blues rock guitar hero

Chris Buck paid homage to both his father and the late Whitesnake guitarist with the performance

Guitar World

“He screams across from the bar, ‘What you doing, boy! Put that guitar down. Nobody knows my tuning!’” Journey’s Neal Schon on that one time he tried Albert King’s mythical Gibson Flying V

Schon cut his teeth playing the blues and jamming with some of the genre’s greats – including Albert King

Guitar World

“Fender needed something to bring them into more modern times”: How Jim Root’s radical signature Telecaster updated a Fender mainstay for the 21st century

The Slipknot guitarist was originally pushed towards Charvel, but he had his sights set on reinventing a Fender classic

Guitar World

“This isn’t just about sound, it’s about community, creativity, and giving back to the music that made us”: Marshall launches initiative to support grassroots music venues in the UK – which are facing a fight for survival

Marshall is teaming up with Music Venue Trust on ‘Marshall Nights,’ a UK-wide series to support independent venues and breakthrough artists

Guitar World

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“No, that doesn’t sound right”: Robert Trujillo gatecrashes group Enter Sandman lesson at Guitar Center

He then joined in with Dave Kushner, Senior Director of Music Education at Guitar Center, and Guitar Center CEO Gabe Dalporto to play the riff with the students

Guitar World

“The night before we left for the tour, I knew that something bad was going to happen”: Soundgarden bassist Ben Shepherd reveals his fears surrounding Chris Cornell’s final tour – and names the producer of the band’s new album

Shepherd has opened up about Cornell’s death, and confirmed a familiar face has returned to help the group for their next outing

Guitar World

“It's really hard when you're going through that. I like to be able to give something back”: Tony Iommi is raffling off one of his Gibson SGs to support the hospital that treated his cancer

Iommi was treated at the hospital for four years and is now helping fund the refurbishment of its cancer center

Guitar World

“It was something we’d never seen the likes of”: The unexpected discovery in John Mayer’s iconic ’64 Fender Strat that helped shape the sound of the Silver Sky

It took more than 2 years to retool and redesign the classic S-type template – and PRS made a significant discovery along the way

Guitar World

“I would like people to know that I was the true inventor of ska and reggae”: Ernest Ranglin on working with Bob Marley, Jimmy Cliff, James Bond – and how he influenced “almost every aspect of Jamaican music”

Bob Marley asked him to teach him how to play and how to write. He wrote music for Dr. No. He worked with Jimmy Cliff, Millie Small, and more. Ernest Ranglin reflects on his peerless legacy

Guitar World

“I didn’t have the brainpower to focus – I was just like, ‘I need to make sure Frankenstein is safe’”: Anxiety, wildfires, slap guitar: How Wolfgang Van Halen made the monster guitar album of 2025

With his third album (and a bit of his dad’s Frankenstein), Wolfgang Van Halen and Mammoth are taking the world of rock guitar by storm once again

Guitar World

“There’s plenty of scope to craft some unique ambient textures”: Crazy Tube Circuits Mirage review

Crazy Tube Circuits presents a dual-engine ambient reverb workstation that spans the traditional and the esoteric

Guitar World

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Guitar World

“At this time I have to prioritize my health”: Bad Company’s Paul Rodgers drops out of this year’s Rock and Roll Hall of Fame induction ceremony – after previously confirming reunion plans

Rodgers was set to reunite on stage with Bad Company drummer Simon Kirke for the first time since 2019

Guitar World

“A lot of the issues were to do with management and stuff that pitted me and Axl against each other”: Slash on his return to Guns N’ Roses, changing up the Sweet Child O’ Mine solo, and what needs to happen for a new GNR album

Slash is the luckiest man in rock. Quitting GNR in ’96 when they were on top, he returned in ’16 and hasn't looked back. Here he talks about the past, present, and what the future might hold...

Guitar World

“He spoke to my parents, and we were off to London the next day to talk about a record deal. I had no idea who he was”: When Joanne Shaw Taylor was discovered at 15 by an ’80s music legend – and the biggest piece of advice he gave her

The blues ace looks back on how her career all started because of a fundraiser gig

Guitar World

“I was saying, ‘It’s going to explode.’ I was terrified the place was going to burn down”: When Eddie Van Halen crash-tested one of EVH’s most iconic guitar amps – and risked 5150 Studios in the process

Before Eddie Van Halen could sign off on the EVH 5150 III, he had to make sure it was borderline indestructible

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Guitar World

“G&L is no longer – and we still have a lot of unanswered questions”: Former G&L employee speaks out following quiet closure of company – as Fender purchases the 'Leo Fender' trademark

Steve Araujo, who worked with G&L for nearly a decade, has shed light on the fate of the company following weeks of speculation

Guitar World

“Morello was like, ‘Hey, you can't do that. I think Metallica was gonna do that…’” Halestorm reveal the song they were originally set to play at Ozzy Osbourne and Black Sabbath’s final show

The band ended up putting their own spin on Perry Mason, from Ozzy’s 1995 record, Ozzmosis

Guitar World

“Do you want to recycle or try something new? I never chased popular opinion as much as I chased my inner feelings”: How surviving cancer inspired Ana Popovic to take blues guitar to the dancefloor

Dance to the Rhythm is Ana Popovic once more torching convention and presenting a take on the blues that's true to herself and animated by an energy and life she could hardly contain

Guitar World

“I never thought I’d get hired by a pop band. Opening for Coldplay with Willow Smith was never a career goal”: Few bassists can match the technical ability of Mohini Dey, thanks to her work with Steve Vai, Willow Smith and just about everyone else

The very definition of ‘prodigy’, Mumbai-born bassist Mohini Dey has enjoyed a rapid ascent to worldwide renown. And she’s only just getting started

Guitar World

“I’m not sure why the tour ended so abruptly. I never got a bunch of my gear returned. People don’t get sacked from Sabbath – they just don’t get spoken to again!” Ask Jo Burt about Freddie Mercury, Brian Setzer and The Troggs – just not Black Sabbath

The veteran bassist on his Queen and Led Zeppelin links, love for fretless, fighting with a Music Man EQ, and Tony Iommi’s smile when Geezer Butler’s Ampeg rig made a bass feel like an animal

Guitar World

"Some might say this is far from a valid Oasis signature guitar, having only come into play earlier this year": Gibson Noel Gallagher Les Paul Standard review

What started this year as a ’mystery’ guitar and then became a 25-only £17k collector’s piece is now a Gibson USA ‘Paul for the people

Guitar World

“On a guitar, it's built so weird with that one string in the wrong position, and so everybody plays the same crap all the time”: Phish's Trey Anastasio thinks all guitar music sounds the same – so he radically switched up his songwriting process

Anastasio says that, in an effort to push compositional boundaries, he writes a lot of his guitar parts on piano

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