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The Latest Breaking News from Guitar World

“I really have no recollection of doing it. I’d made a record in my sleep!” How Keith Richards wrote the iconic Satisfaction riff – without even realizing it

Turns out, you can actually write bona fide hits in your sleep... at least, you can if you’re Keef

Guitar World

“At first, I didn’t have high hopes. But then I saw that one picture and thought, ‘Bingo’”: This vintage Martin once belonged to Johnny Cash – and its current owner has spent decades trying to prove it

The Linseman family heirloom was purchased back in the 1950s, and is believed to be the same D-18 that Cash used to track some early hits

Guitar World

“Like Bach, I think the Beatles are some of the only composers that you can play badly and it still sounds good”: Sting guitarist Dominic Miller on why the Beatles' harmonies are “indestructible”

Miller has recently released a songbook that sees some of the most beloved Beatles tunes come to life with solo guitar arrangements

Guitar World

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“All the grin-inducing firepower of the full-flight 5150 in a stripped-down model”: EVH 5150 Iconic Series 15W EL34 Head review

The bombastic benchmark ofthe ‘brown’ sound has been channelled through a single-ended EL34 power section and hybrid preamp, with significant volume and price savings

Guitar World

“You don’t really see that a lot with competitors in other industries – throwing parties together, doing joint releases, supporting each other online”: The boutique pedal explosion and what comes next in this golden age of guitar effects

Jamie Stillman of EarthQuaker Devices gives GW a pulse check on the trends affecting what we see on our pedalboards

Guitar World

“When I took it down for him to try out, he said, ‘I really don’t need any more of these’”: How a skeptical Slash ended up with one of the best ’50s Goldtops Gibson has ever found

Gibson's Certified Vintage Program manager, Mitch Conrad, discusses what it takes to unearth a musical gem – and how he convinced Slash to purchase one more Les Paul...

Guitar World

“Having grown up playing road hockey, I felt I had to hit the bass as hard as I could. Mr Carter taught me to refine my sound”: What Brandi Disterheft learned from her studies with bass legend Ron Carter

The New York jazzer lifts the lid on her early lessons with the world’s most recorded bassist

Guitar World

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“I was amazed it even worked… the scratchplate looked like somebody had used a hacksaw”: Unorthodox, powered by EMGs, Gary Moore's 1982 Charvel San Dimas was the battle-ready hot-rod he needed in the ’80s

Hasty mods made to this Charvel made it a choice workhorse for Gary in the early ’80s – and it fetched over $40,000 when auctioned at Bonham's

Guitar World

“Who knows? It was worth pursuing. They did okay without me”: Adrian Smith on the time he auditioned for Def Leppard

He lost out to former Dio man Vivian Campbell, as well as another classic rock star...

Guitar World

“I showed up on the first day of shooting, saying, ‘This is a guitar I bought at Guitar Center. I want to use my guitar in the movie’”: Jack Black reveals he still owns the Gibson SG that characterized School of Rock

The off-the-shelf guitar became a piece of cinematic history in 2003 when it was featured in the once-in-a-generation movie

Guitar World

“I’m not leaving things unfinished”: Dave Mustaine reveals the life-changing hand condition behind his decision to retire Megadeth

The band’s album will be their last, as his plight with Viking Disease has forced his hand

Guitar World

“That belongs in a museum”: Mick Gordon is selling the Axe-Fx that soundtracked Doom – and it includes all of the original presets

The amp modeler is subject to a silent auction and comes loaded with tones used on his most famous video game soundtracks

Guitar World

“It’s heavy, cutting, psychedelic and very offthe cuff. It’s got the vibe of a madman”: Ace Frehley’s 6 greatest Kiss guitar moments

You wanted a list and you got a list but, oh boy, was it hard to whittle it down to six

Guitar World

“A Tube Screamer is a Tube Screamer. It’s one of the great cons of the guitar industry. They got these dirt boxes right the first time!” Why Jared James Nichols stopped obsessing over gear – and honed in on his playing instead

Freedom, says Nichols, is the knowledge you can pick up anyone's guitar and sound like you, and now the Nashville-based Les Paul wrangler is finding that freedom in songwriting

Guitar World

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Guitar World

“I sold my first guitar to my drummer. He paid me $50, put SpongeBob stickers on it, then lit it on fire”: Kiki Wong reveals her Smashing Pumpkins live rig, gear regrets and how a Line 6 amp made her the player she is today

Kiki Wong might be the only guitar player alive today who can recall from memory Ibanez S series model numbers. Here's what the S40DXQM means to her...

Guitar World

“All I remember is thinking that the bass turned into a snake. I broke all the strings, threw it down and left the stage”: Bootsy Collins was tripping on LSD when he took the James Brown bass chair to its most in-your-face level

Unable to deal with Brown’s disciplinary code, Bootsy was gone within a year

Guitar World

“I was broke. I only had $200 and we booked a gig. There was this guitar at a pawn shop that had been there for years...” How George Thorogood stumbled across the Gibson that became his go-to guitar – a week before his first gig with the Destroyers

Thorogood recounts how he originally opted for a now-discontinued hollowbody – with a little inspiration from the Beatles and Keith Richards

Guitar World

“I didn’t know him or trust him. But I gave him all of that money in the hope he would bring me a Strat. I had no idea if I’d see him again”: Rammstein’s Richard ZK on the coffee shop rendezvous in East Germany that got him his first Fender

The Rammstein riffer wanted a Strat to imitate his hero, Jimi Hendrix – but getting hold of one took some serious work

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Guitar World

“I knew relic’ing was coming. I did it myself, to my own guitar, very crude and primitive. I put it on a stand at a guitar show, with no strategy. And it changed everything”: How relic’ing conquered the guitar world

The not-so-gentle art of relic’ing has enjoyed arenaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned

Guitar World

“He asked to hear it, so I played it, and he said, ‘I have to play on this. Give me a track’”: How a 20-year-old Steve Lukather beat three seasoned session pros to feature on this ’70s soft rock classic

England Dan & John Ford Coley bookended their decade-long career with the album Dr. Heckle and Mr. Jive, which features a fast-rising Lukather on a couple of tracks

Guitar World

“I learned to play everything on it. We wrote our first song as Jonas Brother on that guitar”: In the mid-2000s, the Jonas Brothers exploded onto the scene as a guitar-slinging band for teens – Kevin Jonas looks back on the guitar that started it all

Nowadays, Jonas has a penchant for Gibsons, but he hasn't forgotten the humble Japanese build that kickstarted his career

Guitar World

Looking to kickstart 2026 with a new guitar or pedal project? Here are 12 of my favourite DIY guitar kits, easy mods, and simple pedal builds to help you smash the January blues

These self-assembly guitar and pedal kits make great projects and are even suitable for guitar-building newbies

Guitar World

“After it was called the ‘solo of the century,’ I remember saying to Steve Lukather, ‘Come on, this is ridiculous’”: Nuno Bettencourt on turning down Ozzy, Sabbath’s final show and how Extreme finally got their dues

Having torn up the rulebook and raised the bar once again for lead guitar, Nuno Bettencourt promises no let up – he’s out for blood again

Guitar World

“The rest of the world didn't know that the world's greatest guitarist was playing a weekend gig at this place in Chelmsford”: The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup

As per Aristocrats lore, the power trio formed right after an impromptu jam at NAMM 2011

Guitar World

“They stole our name, which means Jon Bon Jovi and Richie Sambora were listening to our records. But the main reason people know us is Gary Moore, and that doesn’t bother me at all”: The tale of the original Irish Skid Row

Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

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