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The Latest Breaking News from Guitar World

“It’s about time this unsung guitar great received the recognition he deserves”: All the guitar gear that has caught my eye this week – including a firm-first from my favorite pedal brand

New drops from Gibson, Ernie Ball Music Man, JHS Pedals and more

Guitar World

“For me, it seemed better with Firebirds”: The tuning change that lead to Warren Haynes retiring his Gibson SG

The SG was one of Haynes' go-to Gov’t Mule guitar until it was forced into an early retirement

Guitar World

“Was this an attempt to challenge Metallica’s success with the Black Album?” A guide to every Megadeth album – and guitarist

As Dave Mustaine prepares to ride Megadeth out into the sunset, we chart the thrash pioneers’ explosive studio output, album by album, guitarist by guitarist

Guitar World

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“We hope that this project advances the broader recognition he so richly deserves”: Gibson honors Mick Ronson with limited-edition recreation of his iconic David Bowie Les Paul

The release is limited to just 100 copies, celebrating that guitarist that helped immortalize a rock ’n’ roll icon

Guitar World

“Have I held Frankenstein? Was it a total, Excalibur-level experience? I don't even know how to articulate that, but I got emotional”: Alter Bridge's Myles Kennedy and Mark Tremonti on recording at Eddie Van Halen's legendary 5150 Studios

The guitar duo recall the surreal experience of going into the “sacred” studio – and how that impacted the DNA of their latest record

Guitar World

“I got up on stage and my guitar tech goes, ‘Slash wanted me to give you this.’ It was the ’59. It was dead silent in the room”: Joe Perry on the painful memory of selling his ’Burst – and why he’ll never forget the moment it came back to him

The Aerosmith guitarist was forced to sell his most cherished guitar in the late-’70s and spent years trying to get it back, until Slash made the ultimate guitar collector sacrifice

Guitar World

“Bobby was completely allergic to compliments… I loved that about him. Mostly, he just loved playing”: The life and legacy of Grateful Dead icon Bob Weir

Remembering the Grateful Dead co-founder, songwriter and rhythm guitarist, andlegend of the San Franciscan psychedelic scene

Guitar World

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“It sounded perfect, man… like a gift from on high”: Is Slash's no. 1 Les Paul – which isn’t a Gibson – set for a Gibson reboot?

Slash’s Kris Derrig ’59 Les Paul has been his go-to recording guitar since Appetite for Destruction. And it sure looks like a Murphy Lab replica is on the cards

Guitar World

“I have the greatest respect for classical and jazz musicians. Their musicality is far greater than mine. But my imagination and inventiveness, most probably, is far greater”: Steve Howe on overcoming stage fright and the tragic fate of his Gibson ES-175

The Yes, Asia and GTR legend explains why drinking and playing guitar are “stupidly incompatible” and gives some love for the Line 6 Helix

Guitar World

“By the time we met the Beatles, they were thrilled to meet us. They liked us in part because we were women who could play”: The pioneering ’70s band beloved by the Beatles – who recorded with Abbey Road and Sgt. Pepper’s sonic architect

Fanny, led by sisters June and Jean Millington, toured heavily and released five studio albums between 1970 and 1974, including Fanny Hill, engineered by Beatles collaborator Geoff Emerick

Guitar World

“I showed it to John Paul Jones. He laughed. And then he played it. He went from giggling to joy”: When Josh Homme introduced a Led Zeppelin legend to his secret-weapon amp

The Led Zeppelin bassist had low expectations for the unassuming gear pick, but quickly discovered why it’s crucial to Homme’s sound

Guitar World

“You can have a great amp but if the speaker sucks it won’t sound good”: Sylosis' Josh Middleton on the most important link in your signal chain – and how a remarkable find from Adam ‘Nolly’ Getgood helped him nail Andy Sneap’s tone

The secret to great tone? Don't forget the speaker cabinet matters, too

MusicRadar

“Gene and Paul came back to the studio with their jaws on the floor. Gene said, ‘No-one has ever turned down Kiss’“: The glam-rock guitarist who accidentally turned down Kiss

Punky Meadows, best known as the guitarist for glam-rock outfit Angel, sets the record straight on auditioning for Kiss, being chosen on the spot, but never actually making the band…

Guitar World

“It was an extremely agile move. It was so smooth, it was like we had choreographed it”: Michael Angelo Batio on the time Billy Corgan spared his blushes during a Smashing Pumpkins guest spot

The double-neck guitar shred icon once shared the stage with Smashing Pumpkins during their Riot Fest headline slot

Guitar World

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Guitar World

“I don’t know why I’m so late to the game. I am kicking myself”: Yvette Young shares a closer look at her next signature guitar – which features her latest gear revelation

Her upcoming Ibanez Talman, which Young had teased during a Guitar World interview last year, sports a new pickup configuration

Guitar World

“He’s a weapon. He came back with that over a couple of nights. He really tortured himself”: How Guthrie Govan ended up on prog masters Karnivool’s latest album – which was in the works for 13 years

Govan is the band’s first ever guest soloist since their inception over two decades ago

Guitar World

“He had definite ideas about how he wanted to do certain songs. I’m similar, so we clashed”: Brian Robertson sets the record straight on his Thin Lizzy exit

Robertson left Thin Lizzy amid conflict with Phil Lynott and a serious hand injury – but came back as a session hand on future albums and tours

Guitar World

“There’s nothing that impressive about being able to play the guitar at a decently high level anymore”: Why Billy Corgan changed the way he plays guitar solos

Social media burnout has impacted the role of guitar solos in the Smashing Pumpkins’ live show

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Guitar World

“Maybe I didn’t expand on it to the extent that I should have”: Chris Buck responds to the backlash against his “Strat baggage” comments

The British guitar ace says the baggage is his own burden to bear

Guitar World

“He shoved me down to the floor of the car. He was kicking the windows. The whole time he's yelling at the top of his lungs, ‘Yoko! I want Yoko!’” The wild story of John Lennon's rock ’n’ roll covers album

Recorded under threat of a lawsuit, while in the midst of his infamous “Lost Weekend”, Rock 'n' Roll was the craziest ride of the Beatle's career – featuring top players and a gun-wielding Phil Spector

Guitar World

“I wrote the music before Oz passed away… I wrote the lyrics after we laid Ozzy to rest”: How Zakk Wylde wrote his tribute song to Ozzy Osbourne

Wylde explains how no one expected Ozzy to pass away two weeks after Back to the Beginning, saying that, “Keith Richards, Lemmy, Ozzy... they're like the air you breathe, and you think they're going to be around forever”

Guitar World

“I walked into a Guitar Center one day and took it off the wall. It launched 1,000 ships of people chasing that sound”: The guitar that changed Billy Corgan’s life

It soundtracked two of the biggest alt-rock albums of all time, but as the Smashing Pumpkins leader remembers, the guitar itself was far from expensive

Guitar World

“I never got drunk again”: Steve Howe reveals his most embarrassing onstage moment – and it involves his prized Gibson ES-175

The guitar legend proves that he's just like the rest of us, with an awkward mid-gig blunder that's extremely relatable

Guitar World

“It’s a challenge. But I would say that at no point was it ever not a challenge”: How Taylor is building quality acoustic guitars in the face of tariffs and uncertainty

As the guitar industry faces mounting pressure, Taylor Guitars CEO Andy Powers reveals how the company is grappling with these challenges

Guitar World

“Flamenco-inspired triplets, big trap beats, and – wait – is that a wah solo?” January 2026 Guitar World Editors’ Picks

Featuring an onslaught of leviathan power chords from Sunn O))), a bruiser of a blues rock romp from Jared James Nichols, a beautiful, heartfelt piece of desert blues from Imarhan, a genre-obliterating piece of twisty guitar genius from Tim Henson, and a whole lot more

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