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The Latest Breaking News from Guitar World

“All of the guys in Metallica, except for the guitar player, told me what a great guitar player I was”: Seattle rock guitarist on touring with Metallica and Aerosmith in the early ’90s – and receiving the ultimate praise from his heroes

The success of their debut album soon found Candlebox on the road with two massive bands

Guitar World

“He goes, ‘The audition is in Nashville tomorrow. Here’s 45 songs you’ve got to know by then’”: Her manager didn’t like him. But Doug Pettibone grinded to land his dream gig with Lucinda Williams

Pettibone cut his teeth playing with Jewel and Tracy Chapman – but when he heard Williams was looking for a new guitarist, he knew he had to get the spot

Guitar World

“I felt like I was being used. I’m not a puppet that you can put your hand up its ass and make do stuff”: The signature gear Josh Homme turned down

Before working with Peavey, Homme had been approached by another firm for a separate piece of signature gear – but it never came to be

Guitar World

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“I was using my Line 6 POD. He said, ‘I’ve got something that may work better.’ He sent me two things in the mail…” When Joe Satriani volunteered to help Dethklok mastermind Brendon Small with his home recording

Small's appearance in the new SatchVai music video isn't his first collaboration with the two virtuosos. They cropped up on his cult animated TV series, Metalocalypse, and have since become mentors

Guitar World

“Don Henley’s looking at me like I’m crazy, and finally I said, ‘What?’ He goes, ‘I thought you were a bluegrasser…’” Vince Gill on the importance of versatility – and how the Eagles enabled him to flex his hidden rock chops

Gill shocked everyone – including Henley – when he proved himself to be capable of playing bona fide rock riffs

Guitar World

“It turns out you all really love a wildcard”: The hottest new guitar gear releases of February 2026 – according to Guitar World readers

GW readers have been voting for their favorite gear drops of the month – this is what you picked

Guitar World

“Steven grabbed it and wanted to throw it out into the audience. I had to wrestle him for it”: That time Joe Perry had to rescue a broken guitar from Steven Tyler in the middle of an Aerosmith gig

The guitar almost met a gruesome end before Perry stepped in

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“It’s about time this unsung guitar great received the recognition he deserves”: All the guitar gear that has caught my eye this week – including a firm-first from my favorite pedal brand

New drops from Gibson, Ernie Ball Music Man, JHS Pedals and more

Guitar World

“For me, it seemed better with Firebirds”: The tuning change that lead to Warren Haynes retiring his Gibson SG

The SG was one of Haynes' go-to Gov’t Mule guitar until it was forced into an early retirement

Guitar World

“Was this an attempt to challenge Metallica’s success with the Black Album?” A guide to every Megadeth album – and guitarist

As Dave Mustaine prepares to ride Megadeth out into the sunset, we chart the thrash pioneers’ explosive studio output, album by album, guitarist by guitarist

Guitar World

“We hope that this project advances the broader recognition he so richly deserves”: Gibson honors Mick Ronson with limited-edition recreation of his iconic David Bowie Les Paul

The release is limited to just 100 copies, celebrating that guitarist that helped immortalize a rock ’n’ roll icon

Guitar World

“Have I held Frankenstein? Was it a total, Excalibur-level experience? I don't even know how to articulate that, but I got emotional”: Alter Bridge's Myles Kennedy and Mark Tremonti on recording at Eddie Van Halen's legendary 5150 Studios

The guitar duo recall the surreal experience of going into the “sacred” studio – and how that impacted the DNA of their latest record

Guitar World

“I got up on stage and my guitar tech goes, ‘Slash wanted me to give you this.’ It was the ’59. It was dead silent in the room”: Joe Perry on the painful memory of selling his ’Burst – and why he’ll never forget the moment it came back to him

The Aerosmith guitarist was forced to sell his most cherished guitar in the late-’70s and spent years trying to get it back, until Slash made the ultimate guitar collector sacrifice

Guitar World

“Bobby was completely allergic to compliments… I loved that about him. Mostly, he just loved playing”: The life and legacy of Grateful Dead icon Bob Weir

Remembering the Grateful Dead co-founder, songwriter and rhythm guitarist, andlegend of the San Franciscan psychedelic scene

Guitar World

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Guitar World

“It sounded perfect, man… like a gift from on high”: Is Slash's no. 1 Les Paul – which isn’t a Gibson – set for a Gibson reboot?

Slash’s Kris Derrig ’59 Les Paul has been his go-to recording guitar since Appetite for Destruction. And it sure looks like a Murphy Lab replica is on the cards

Guitar World

“I have the greatest respect for classical and jazz musicians. Their musicality is far greater than mine. But my imagination and inventiveness, most probably, is far greater”: Steve Howe on overcoming stage fright and the tragic fate of his Gibson ES-175

The Yes, Asia and GTR legend explains why drinking and playing guitar are “stupidly incompatible” and gives some love for the Line 6 Helix

Guitar World

“By the time we met the Beatles, they were thrilled to meet us. They liked us in part because we were women who could play”: The pioneering ’70s band beloved by the Beatles – who recorded with Abbey Road and Sgt. Pepper’s sonic architect

Fanny, led by sisters June and Jean Millington, toured heavily and released five studio albums between 1970 and 1974, including Fanny Hill, engineered by Beatles collaborator Geoff Emerick

Guitar World

“I showed it to John Paul Jones. He laughed. And then he played it. He went from giggling to joy”: When Josh Homme introduced a Led Zeppelin legend to his secret-weapon amp

The Led Zeppelin bassist had low expectations for the unassuming gear pick, but quickly discovered why it’s crucial to Homme’s sound

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MusicRadar

“You can have a great amp but if the speaker sucks it won’t sound good”: Sylosis' Josh Middleton on the most important link in your signal chain – and how a remarkable find from Adam ‘Nolly’ Getgood helped him nail Andy Sneap’s tone

The secret to great tone? Don't forget the speaker cabinet matters, too

Guitar World

“Gene and Paul came back to the studio with their jaws on the floor. Gene said, ‘No-one has ever turned down Kiss’“: The glam-rock guitarist who accidentally turned down Kiss

Punky Meadows, best known as the guitarist for glam-rock outfit Angel, sets the record straight on auditioning for Kiss, being chosen on the spot, but never actually making the band…

Guitar World

“It was an extremely agile move. It was so smooth, it was like we had choreographed it”: Michael Angelo Batio on the time Billy Corgan spared his blushes during a Smashing Pumpkins guest spot

The double-neck guitar shred icon once shared the stage with Smashing Pumpkins during their Riot Fest headline slot

Guitar World

“I don’t know why I’m so late to the game. I am kicking myself”: Yvette Young shares a closer look at her next signature guitar – which features her latest gear revelation

Her upcoming Ibanez Talman, which Young had teased during a Guitar World interview last year, sports a new pickup configuration

Guitar World

“He’s a weapon. He came back with that over a couple of nights. He really tortured himself”: How Guthrie Govan ended up on prog masters Karnivool’s latest album – which was in the works for 13 years

Govan is the band’s first ever guest soloist since their inception over two decades ago

Guitar World

“He had definite ideas about how he wanted to do certain songs. I’m similar, so we clashed”: Brian Robertson sets the record straight on his Thin Lizzy exit

Robertson left Thin Lizzy amid conflict with Phil Lynott and a serious hand injury – but came back as a session hand on future albums and tours

Guitar World

“There’s nothing that impressive about being able to play the guitar at a decently high level anymore”: Why Billy Corgan changed the way he plays guitar solos

Social media burnout has impacted the role of guitar solos in the Smashing Pumpkins’ live show

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