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The Latest Breaking News from Guitar World

“The store said, ‘We can’t get an amp before your gig.’ This gentleman walked up behind me and said, ‘You can use mine.’ It was John Entwistle”: Martyn LeNoble was once in desperate need of bass gear – and The Who’s low-end legend came to his rescue

When he first moved to the US, LeNoble was unable to ship has trusty Trace Elliott over with him. When a local bass store couldn't provide a replacement in time, Entwistle stepped in…

Guitar World

“I gave my friend a call and said, ‘What have you got for me today?’ He goes, ‘Oh, I have a guitar for you…’” How Kirk Hammett ended up in possession of the legendary ‘Greeny’ Les Paul – and why he had no interest in it at first

The Metallica guitarist never intended to buy Peter Green and Gary Moore's iconic single-cut – but changed his mind once he finally got his hands on it

Guitar World

“When I came up with the Jolene lick, all the musicians said: ‘Damn, that’s so good. That’s the coolest little lick’”: Dolly Parton recalls writing Jolene’s iconic guitar parts and pushing the boundaries of her playing (before the long fingernails)

Jolene’s guitar parts were eventually recorded by Nashville session players Wayne Moss and Chip Young

Guitar World

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“The idea of the ‘rhythm’ side and the ‘lead’ side as distinctly separate entities has become somewhat blurred”: Mateus Asato is a modern master of combined rhythm and lead playing – he shares his poetic soloing secrets

No one mixes genres like Mateus Asato, and in this lesson brought to you in partnership with JTC Guitar, the neo-soul master brings funk, jazz and soul together in exercises to improve your use of ghost notes and double-stops

Guitar World

“I’ve never played a barre chord in my life. I hate them. You don’t need more than two or three notes to express a chord”: Andy Summers on his “abstracted instrumental” collabs with Robert Fripp, his dream pedalboard, and what he learned from Béla Bartók

It was the ’80s and Andy Summers was living the dream as guitar culture grew, and his side-project with King Crimson's mad-genius Fripp gave him the opportunity to work his art-house cinema influences into music

Guitar World

“Nobody ever came to a gig to watch me play guitar. They came to hear me sing. We didn’t have a rhythm guitar player, so I had to cover everything”: Justin Hayward on the life, times and tones of the Moody Blues, and the undisputed power of a dimed AC30

The iconic Moody Blues guitarist revisits obscure Moodies tracks and discusses the gear and thought processes behind his gear, tone and criminally unsung riffs

Guitar World

“Be wary of trying to emulate guitar sounds from your favorite albums with just an amp in the room”: Ghost, Royal Blood and Pixies producer reveals “the biggest mistake guitar players make” when recording

Tom Dalgety has crafted some of modern rock’s biggest-sounding albums – and he has some sage words of wisdom when it comes to guitar tone

Guitar World

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“Gives you control over the relative level of the two pickups – without adding a second volume control”: Radioshop Telecaster Wiring Mod review

‘Modern’ Telecaster wiring, as it is so often called, is now 57 years old. But Radioshop Pickups has come up with a new spin, and we are very much here for it

Guitar World

“The deal was if I wanted it back, I could let him know and buy it back. He passed away and Hard Rock Cafe knew nothing about the deal”: Tony Iommi tried to reclaim his iconic Gibson ‘Monkey’ SG but wasn’t allowed – because the person he sold it to died

After retiring the Monkey SG, the Black Sabbath legend sold it to the Hard Rock Cafe – but ran into a spot of bother when he tried to get it back

Guitar World

“The good news is there’s not much between you and Joni Mitchell – besides thousands of hours of practice, a little music industry luck, and, of course, these first few furtive steps…”: Where to start with learning acoustic guitar

From picking out your first acoustic to navigating early lessons, we break down the first steps to getting up and running with your new favorite instrument

Guitar World

“I was really inspired by them – that’s why I wanted to have an all-girl band. It feels very feminine on stage, but we’re all playing power chords and screaming”: Olivia Rodrigo on how ’90s alt-rock and riot grrrl inspired her record-breaking GUTS tour

Rodrigo cites The Breeders, Hole, Sleater-Kinney, L7 and Babes in Toyland as some of the key bands that shaped her guitar-leaning musical taste and career trajectory

Guitar World

“The sonic equivalent of a fist-fight between James Hetfield and Alex Lifeson”: October 2024 Guitar World editors’ picks

The hot new tracks and deep cuts GW editors have been listening to this month

Guitar World

“I'm continuing in directions I established in the Grateful Dead, but I was never satisfied with my studio work – this band has surpassed my wildest dreams”: When bass icon Phil Lesh went in search of a new sound

The late Grateful Dead anchor made his debut solo effort alongside guitarist Warren Haynes and lyricist Robert Hunter

Guitar World

“I’ve had many other Strats – I’ve never found one better than that”: John Frusciante’s first-ever Fender signature guitar is here – and it’s a $20k Custom Shop replica of his iconic 1962 Stratocaster

Fender Master Builder Paul Waller has painstakingly recreated the Red Hot Chili Peppers icon’s legendary sunburst Strat, which features all the relic’d cosmetics and electronics upgrades of the original

Guitar World

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Guitar World

“We knock on the door and he says, ‘Oh, you're the kid I heard about. Come in.’ The best part was he said, ‘Do you want to play tonight?’” How a 9-year-old Julian Lage ended up playing with Carlos Santana in front of 20,000 people

While Santana was touring the US with Jeff Beck, Lage turned up unannounced to meet his hero – and was invited onstage for a jam

Guitar World

“I started writing two-and-a-half years ago. So it’s not a reflection of Kiko leaving Megadeth, but of Kiko thinking about leaving Megadeth”: Kiko Loureiro on making his first new solo material since quitting one of metal’s biggest bands

The Brazilian virtuoso explains how he applied what he learned from Dave Mustaine to his own music, and how he came to terms with selling his guitars

Guitar World

“It’s the most beautiful musical instrument that humans have constructed. It’s an impossibility, and truly an American invention”: Justin Vernon, aka Bon Iver, on why he put pedal steel guitar front and center on his latest release

Vernon reunited with pedal steel guitar master Greg Leisz – who previously worked with Eric Clapton, David Crosby, and Sheryl Crow – for his 2024 release SABLE

Guitar World

“I planned to go out with Ministry. But then Madonna said, ‘I want Monte here – even if he’s just standing and holding a guitar’”: Monte Pittman on his crazy journey from Guitar Center to Ministry via Prong and Madonna – and his band with Adam Lambert

It might seem strange that a dude best known for playing guitar lines for pumping, thumping dance songs is now blowing eardrums with industrial metallers Ministry. But Pittman says he’s right where he belongs. This is his remarkable story

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Guitar World

“Mick Fleetwood asked me to join the band, but I don’t think Stevie voted against me… I don’t play like Lindsey, but I was able to do the songs justice”: Mike Campbell on the challenge of joining Fleetwood Mac and what he learned from Tom Petty

He could always write songs, but spending all those years by Tom Petty's side taught Campbell a thing or two about fronting a band. He tells GW how these lessons are shaping the sound of the Dirty Knobs and what life was really like in Fleetwood Mac

Guitar World

“Some people think its gloss black top was a response to Gibson’s Les Paul Custom – but that didn’t launch officially until ’54”: The Duo Jet took Gretsch’s ’50s innovation to new heights – and was loved by George Harrison, Jeff Beck and Malcolm Young

As solid-bodied models began taking the guitar world by storm in the early ’50s, Gretsch joined the party with the revolutionary single-cut 6128 Duo Jet and its twangsome DeArmond ‘Dynasonic’ single coils

Guitar World

“Over time, her arrangements became more creative and composed and could stand on their own as melodic instrumentals”: A pioneering protest singer, American folk legend Joan Baez draws on jazz and flamenco for her intricate picking patterns

Ever since the '60s, Joan Baez has delivered a message with her music, but she was never going to be a two-chord folkie with a bellyful of fire. Her sound takes from jazz and flamenco with picking patterns that are as good as a fingerprint

Guitar World

“It’s a symbol of creativity”: Les Paul’s experimental Klunker helped pave the way for his later innovations – now it’s been revived as a meticulous one-off replica by Les Paul's personal tech

Renowned luthier Tom Doyle hopes it will deepen the public’s understanding of the guitar’s cultural significance

Guitar World

“I called Supro and said, 'Hey I’m really digging this amp. Is there any way we can just give it a little more horsepower?'” Blues rock ace Tyler Bryant supercharges Supro’s flagship Black Magick combo for his new signature amp

Featuring more power, headroom, and a greater bass response, the Black Magick has been given some major upgrades to suit the guitarist’s needs

Guitar World

“Dependability and durability baked in”: Cort takes a leaf out of Strandberg’s book and begins its True Temperament experiments with the KX700 TT

With looks to kill – and tuning and intonation that promises to withstand even the most aggressive of play styles – Cort’s new high-end model drags the innovative fret design to a slightly more accessible price point

Guitar World

“I ended up playing things I never have before”: John Mayer busts out his Charvel and an ultra-rare ESP as he breaks new ground during A-list R&B guest solo

Mayer has shared behind-the-scenes snippets as he composed his latest collaborative lead effort, which takes his solo chops to new experimental heights

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