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The Latest Breaking News from Guitar World

“It’s kind of hard to play, honestly”: Derek Trucks and Susan Tedeschi on what it was like to play Jerry Garcia’s $11.5 million Tiger guitar

Trucks took the Tiger to the stage hours after it sold at the historic Jim Irsay Collection auction

Guitar World

“Arguably the most practical single pedal you can put in front of an amp”: Flattley The Outlaw review

Flattley combines the functions of two of its pedals into one chassis to create a Marshall-flavoured drive and boost

Guitar World

"The bush can make you whacky, especially if you’re running from a few coppers who are shooting at you": William Crighton on bush psychedelia, collaborating with the late Rob Hirst, and his new LP Colonial Drift

The Australian singer songwriter talks the gestation and creation of his fourth album.

Guitar World

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“You’re hanging out with your hero, then they go, ‘Okay, cool. Now pick up the guitar and show us what you got’”: Virtuoso Luis Kalil recalls the time he met – and played for – Jason Becker, at the shred icon’s house

The Red Devil Vortex guitarist started uploading Cacophony covers to YouTube in 2014, and soon caught his idol’s attention

Guitar World

“They’re not just relics of the past. They are benchmarks”: The holy grail of tone – three amps that built the sound of recorded guitar

From shimmering cleans to full throttle roar, these three classic amplifiers helped shape the sound of modern music and still define what great guitar tone means today

Guitar World

“They gave me an MRI and said it looked like I’d been in a car crash”: Gary Holt once gave himself clinical-grade whiplash because he headbanged to his riffs too hard

The guitarist says he “dodged a bullet” by avoiding surgery

Guitar World

“A band member said, ‘If we didn’t write it, there’s no point in doing it because we won’t get writing credits.’ I was really disappointed”: The moment Ritchie Blackmore knew he’d leave Deep Purple

Blackmore looks back on his Deep Purple departure

Guitar World

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“I quit playing music for two years. I was done. Then I got a call from Stone”: Mike McCready followed Duff McKagan to LA to make it big – but he nearly missed his shot in Seattle

Before Pearl Jam, the lead guitarist sought to make a success of his teenage hard-rock outfit, Shadow

Guitar World

“With the solo, my mindset is that we’re at the start of a musical journey, and it’s my mission to tell a story”: Jared James Nichols on his melodic soloing ideas every guitar player can take from Eric Clapton, Joe Bonamassa and SRV

In his latest Guitar World column, the blues powerhouse channels Slowhand (and uses his own track Threw Me to the Wolves) for a lesson in lyrical leads

Guitar World

“Brad said, ‘I know where it is.’ He opened up Guitar Player and it was there in a photo of Slash’s guitar collection”: The story of Joe Perry’s ’59 Les Paul Standard – his lost treasure and ultimate birthday gift

Joe Perry was forced to part with his beloved 'Burst in 1979, but it was his Aerosmith bandmate who found it again

Guitar World

“I laughed my head off! Like, ‘Oh my God, what have we spawned?’” Keith Richards shares his response to the Sunset Strip shredders of the 1980s

Richards never had any interest in becoming a lead player – and the early innovators of the shred movement did not change his mind

Guitar World

“The house and studio burned to the ground. When we got there, Pink was sitting in the driveway. She gave me a Gibson guitar case with a bow on it”: How Butch Walker’s ear for killer tone took him on a journey from obscurity to in-demand producer

From Taylor Swift to Green Day, he’s worked with the world’s biggest stars, and still managed to make 16 of his own records –and, now, his own signature amp with Divided by 13

Guitar World

“I auditioned for The Ultimate Sin record. I was there for 21 days and recorded almost every day or night”: Greg Chaisson on his gruelling Ozzy Osbourne audition

Chaisson didn’t get the gig, but he did strike up a friendship with Jake E. Lee – which would be rekindled a few years later with Badlands

Guitar World

“That thing is unbelievable. It’s one of the most impressive new amps I’ve tried”: Misha Mansoor has a ton of amps. But one new design has blown him away

The Periphery tonesmith uses digital and analog gear in the studio, and one tube head in particular has knocked his socks off

Guitar World

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"It’s one of the most satisfying stacking combinations I’ve encountered in a dual-channel pedal for a very long time": Wampler Golden Jubilee review

Wampler is going for gold with a versatile, fun and pretty great-sounding dual drive pedal

Guitar World

“Her family wanted the guitar to go to a good home where it would actually be played. I still can’t believe her generosity”: With the help of a stunning vintage Gibson acoustic, Jussi Reijonen is giving Western folk an Arabian makeover

The Finnish fingerstylist's acoustic reveries are essential listening for fans of Paco de Lucía, Omar Khorshid, and Lenny Breau

Guitar World

“It was one of the strangest, most beautiful, serendipitous moments”: The John Mayer song that features a cameo from Prince’s guitar

A chance encounter with one of Prince's guitars resulted in Mayer putting it to use on Sob Rock

Guitar World

“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review

A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi

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Guitar World

“Some of the guys made fun of it, but it ended up giving us our second Number 1”: Back to the Future made them a household name, now they needed a followup – the making of Huey Lewis and the News’ last big rock ’n’ roll guitar record

By 1986, the heat was on. The success of the Power of Love required an artistic statement and fast. Guitarist Chris Hayes looks back on the making of Fore!, when Huey Lewis and co rose to the challenge

Guitar World

“I discovered that it would be harder to try to replicate his tone than anybody else”: Steve Vai has followed in the footsteps of many guitar greats – this was the hardest one to nail

He’s filled the shoes of Eddie Van Halen and Robert Fripp, but Vai says this particular gig was even harder

Guitar World

“Too much gain is one of the most common tone mistakes”: How to dial in any guitar amp and find your sound

Great tone doesn’t need a guitar tech and a stadium rig. Here’s how you can get the most out of your amp in any situation...

Guitar World

“Opening the case, we find ourselves transported back in time some 54 years”: How Gibson made the ultimate tribute to David Bowie guitarist Mick Ronson

This Collector’s Edition replica of Ronson’s Bowie-era ’68 Les Paul Custom transports you spiritually – and tonally – to the glory days of the Spiders from Mars (Hull) – but it does not come cheap

Guitar World

“It sounds way bigger than it is”: Joe Bonamassa names his go-to studio amp – which he bought from Steven Seagal

The 1950s combo “roars” in the studio despite its compact size

Guitar World

“It was so heavy to lift as an 11-year-old”: Josh Homme’s first guitar amp wasn’t even a guitar amp

It was a choice that set the tone for a career full of left-field gear picks

Guitar World

“A prototype given to George Harrison was prominently featured in the Beatles’ A Hard Day’s Night, inspiring insatiable lust for the electric 12”: How the Rickenbacker 360/12 revolutionized the sound of ’60s guitar

Introduced in 1964, the jangle of the 12-string Ricky inspired generations of players, with the likes of TomPetty, Mike Campbell and Johnny Marr all making it their own

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