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The Latest Breaking News from David Gilmour

“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique

In a new interview with Rick Beato, the Pink Floyd legend discusses the “David Gilmour effect” and picks apart his playing style, which has captured the hearts and minds of generations of guitarists

Guitar World

“You see this thing on people's faces, this awakening moment, when they're going, There's a possibility here.” David Gilmour recalls the exact moment Pink Floyd's Syd Barrett tribute Shine On You Crazy Diamond was born in a scuzzy London rehearsal room

Pink Floyd's David Gilmour reflects upon the genesis of one of his band's most iconic songs, Shine On You Crazy Diamond

Louder

“I don’t trespass on people’s style. It’s like, ‘Oh, God, you sound like that guy... Why?’ We’ve already seen that painting, don’t do that. It’s boring”: The Pixies’ guitarist Joey Santiago on living life as an outsider guitar hero

Long ago, the Pixies blazed a trail for Nirvana and others to follow. But now, as before, there is no masterplan. As guitarist Joey Santiago says: “I still go by feel – and with my gut”

Guitar World

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“Everyone knows Take My Breath Away, the chart-topping ballad from Top Gun. But there’s a good chance you haven’t heard this seven-minute anthem”: David Gilmour's 10 greatest guitar guest appearances, from folk legend Roy Harper to Paul McCartney

There are occasions when your track needs something. It could be more cowbell. Or it could be the services of David Gilmour. Over the years, the former Pink Floyd man has dropped magic on a number of guest spots, but these are his finest

Guitar World

"In which not-so-jolly Roger regales us with his musings on all the usual subjects": Roger Waters rails against capitalism, America, war, religion and television on Amused To Death

Amused To Death is Roger Waters’ proudest solo moment and a damning reflection on social disintegration.

Louder

“You felt he understood innocence but couldn’t be innocent in the world, because you can’t… that’s where we wanted to be”: The real Syd Barrett, by the people who knew him

The magic and mystery surrounding the architect of Pink Floyd endures – and a larger canvas emerges of a confident, multi-talented originator...

Louder

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to untapped guitar playing of David Gilmour’s solo albums

From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material

Guitar World

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“I want an instrument to give me the start of a song. And, often, getting discomfited slightly helps that process along”: David Gilmour on why the guitar is still a vehicle for giving “birth to new tunes” – decades deep into his career

Gilmour talks about how limitations and “getting discomfited” are crucial to his songwriting process – and to keeping things sounding fresh

Guitar World

“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”

As Aerosmith call timeon their stellar 50-year touring career, Perry joins us to reflect onwhathe’slearned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards

Guitar World

ROLL wants you to recover quickly from long runs in the backcountry with its new Superplush recovery shoes

The new range of recovery shoes aim to get you back on the trails without all the aches and pains of a hard day's run

Advnture

David Gilmour claims Pink Floyd were 'bullied' over release of final album

David Gilmour has admitted Pink Floyd didn't intend for 2014's 'The Endless River' to be released as a proper studio record.

BANG Premier

“I've not got a huge history with Gibson, but this one I bought to have a different tone”: From a forensic Black Strat replica to a Gibson that caught his ear and a ‘90s Zoom unit, here's everything David Gilmour used on his new solo album, Luck & Strange

Gilmour's tech, Phil Taylor, provides GW with an exhaustive list of the guitar gear used to record the prog icon's first solo album in nine years – and there are some surprising pieces of kit

Guitar World

“The drummer broke his snare-drum skin, the bass was in a different tuning, Gilmour’s guitar wasn’t working properly…”: Bryan Ferry remembers Slave To Love’s chaotic live debut

Bryan Ferry on how difficult Slave To Love was to get right

MusicRadar

“He ended up with a fully-fledged, pro studio - it just happened to have an engine and some wheels underneath”: David Gilmour, The Rolling Stones, Timbaland, Depeche Mode and more in nine of the weirdest recording studios ever built

Who needs a boring static building to record in when you can have one on wheels?

MusicRadar

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Guitar World

What if Jimi Hendrix jammed with Eric Clapton, or Gary Moore traded solos with Joe Bonamassa? We imagine 5 all-star fantasy blues jams and what they would sound like

Welcome to an all-star fantasy blues jam, featuring a greatest hits of blues players, their signature licks, and how to put them together and incorporate them in your own playing

Guitar World

“The Stratocaster is a clearer signal… the person who’s playing it is more recognizable on a Strat than on a Les Paul”: David Gilmour on breaking free from his past, the guitars he couldn’t face selling and why one Black Strat is as good as another

Luck and Strange, Gilmour’s first solo album in nine years, came together in a barn, features late Pink Floyd keyboardist Rick Wright, a rotating cast of vintage guitars, and a producer who challenged him to take his sound to new places

The Guardian - UK

‘I wanted a hit!’ Bryan Ferry on recording Slave to Love in Bette Midler’s house

‘Its first performance was at Live Aid. The drummer broke his kit, the bass was in a different tuning, David Gilmour’s guitar wasn’t working – and my mic was inaudible’

Guitar World

“I was so into that moment, it was like being stoned… not separated from the guitar and what I was playing. It was joyful”: From unexpected ES-335 solos to jams in a barn, here is your guitar guide to David Gilmour’s breathtaking Luck and Strange

Gilmour says it’s his best since 1973. It’s a solo work but was borne of collaboration. But it might just be the guitar album of the year, and we go track-by-track to parse its brilliance

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Louder

“We went through a few phrases… they went off to play in America and left me to get on with it, stripped to my underpants”: Atom Heart Mother’s fusion of ordinary and extraordinary sounds gave Pink Floyd their first No.1 album

It had a cow’s arse on the cover and a features track sampling their roadie cooking bacon – but their fifth record’s wild genius paved the way to their future

Louder

David Gilmour's Between Two Points remixed by Gus from Alt-J

David Gilmour's first studio album in nine years, Luck And Strange, went straight into the UK charts at No. 1

Louder

The 30 greatest David Gilmour performances

David Gilmour's 30 greatest moments, as chosen by members of Marillion, Roxy Music, Asia, Solstice, TesseracT, Haken and more

The Guardian - UK

David Gilmour review – astonishing, goosebump-inducing solos

In between collaborating with Ice-T, selling the rights to the Pink Floyd name and promoting a new album, the veteran musician delivers a stream of unimpeachable classics

Metal Hammer

David Gilmour features in Body Count's new video for Comfortably Numb

Ice-Ts metal band Body Count will release their new album Merciless in November

The Independent UK

David Gilmour review, Royal Albert Hall: Sombre meditation on mortality from Pink Floyd’s guitar great

To see Gilmour live is to witness his prowess as a wordless storyteller: with his guitar, he weaves entire narratives into his solos, guiding the audience through mysterious galaxies and celestial highs

MusicRadar

“I was sort of hot in those days!”: The guitarist who had the cojones to replace Gary Moore in Thin Lizzy - and the chops to play alongside David Gilmour in Pink Floyd.

Snowy White on filling some very big shoes in 1980

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