The Latest Breaking News from Royal Opera

Direction and music are as one in Deborah Warner’s gripping new Royal Opera production, while a fine young cast redeems thoughtful if low-key Mozart

This lesser-known darkly compelling work is given a smart production that fizzes with contemporary relevance and puts female voices to the fore

Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances, while the ENO’s updated Ring cycle is really starting to shine

Ann Yee and Natalie Abrahami’s new production reframes the story as being about the despoliation of nature

Majestic Lise Davidsen and Gerald Finley carry the Royal Opera’s illness-hit Wagner revival; Isata Kanneh-Mason and co shine; and in the shadows with William Byrd

If his Dvořák felt a little bland, with Bartók and Strauss’s Dance of the Seven Veils, the Royal Opera’s music director designate gave London audiences a glimpse of the vivid excitement he can bring

Britten’s opera is a strange, unsettling and unbearably private piece. Set in ancient Rome and written over 70 years ago, its theme is still all too contemporary, writes the director of a new production

RIGHT now, London has two opera houses. (Berlin has three.) There’s the Royal Opera, the grand one, in Covent Garden, and, in the West End, you can see English National Opera a mile off, under the sparkly orb of the London Coliseum. They’re different. The Royal Opera attracts singers you’d…

The Czech-born conductor will take over from Antonio Pappano in 2025. He talks exclusively to the Guardian about what shape the opera house will take under his musical leadership