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The Latest Breaking News from Jakub Hrůša

Martinů: The Symphonies 1-6 album review – Hrůša is a persuasive guide to this distinctive and likable cycle

The first appearance of these distinctive works on the Deutsche Grammophon label is a red-letter day

The Guardian - UK

‘We want people on the edge of their seats’: Royal Opera boss Oliver Mears on the new season – and the controversies of the last

Wagnerites rejoice! Parsifal and the climax of Barrie Kosky’s acclaimed Ring cycle are in the pipeline. The director of opera talks about scoring a bullseye, the storms that rocked last season – and how to avoid sending audiences to sleep

The Guardian - UK

Royal Opera sees generation change as Jakub Hrůša and Speranza Scappucci come in

The Royal Opera in London is embracing a new era with Jakub Hrůša as music director and Speranza Scappucci as principal guest conductor

The Independent UK

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The Makropulos Affair review – Simon Rattle leads a sensational and thrilling semi-staging

The tension barely let up for two hours as Rattle led the London Symphony Orchestra and a commanding cast through this vital account of Janáček’s opera.

The Guardian - UK

The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging

Katie Mitchell’s production wittily reinvigorates Janáček’s story of an immortal woman, via toxic masculinity and dating apps. Jakub Hrůša’s conducting draws out the music’s colours and the cast are uniformly strong

The Guardian - UK

‘I’m good at doing pain’: soprano Ausrine Stundyte on trauma, adrenaline and playing a 300-year-old woman

As she prepares to star in Janáček’s The Makropulos Case for the Royal Opera, the great singer explains that she does not play ‘the happy, jumping, sexy lady’

The Guardian - UK

Strauss, Dvořák and Glazunov album review – packs a dramatic punch

Jakub Hrůša’s absorbing treatment gives life to three late-19th-century works reflecting on the notion of heroism

The Guardian - UK

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Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests

Outrage over the casting of Anna Netrebko didn’t make it to the inside of the auditorium – where roars of approval greeted this high-stakes game of blood-spattered conflict directed by Oliver Mears

The Guardian - UK

Czech Philharmonic says Jakub Hrůša will become chief conductor in 2028

The Czech Philharmonic says Jakub Hrůša will become its new chief conductor and music director

The Independent UK

'We have to drive the art forms forward': Royal Opera and Ballet announce new season for 2025/26

The programming has been unveiled by Royal Ballet and Opera, and it is an exciting mix of the historic and the cutting edge

Evening Standard

Soprano Anna Netrebko to open Royal Opera season, returning after a 6-year absence

Soprano Anna Netrebko will return to London’s Royal Opera after a six-year absence to open the 2025-26 season in a new production of Puccini’s “Tosca” that starts Jakub Hrůša’s tenure as music director

The Independent UK

BBCSO/Biss/Hrůša review – radiance, juggernaut power and soulfulness

The conductor put his stamp on the BBCSO programme with lyrical Haas, energising Beethoven, introspective Schubert and Schostakovich that may have been the loudest orchestral music ever heard at the Barbican

The Guardian - UK

Jenůfa review – this opera is in Hrůša’s DNA, his account is not to be missed

The Royal Opera’s incoming music director conducts a performance of rare intensity and authority, with Corrine Winters and Karita Mattila compelling in the two central roles

The Guardian - UK

Tag und Nacht: Strauss Songs album review – music for soprano is brisk, bright and light on its feet

Pianist-conductor Jakub Hrůša’s eloquent playing accompanies radiant soprano Kateřina Kněžíková above a surging Bamberg Symphony Orchestra

The Guardian - UK

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The Guardian - UK

Prom 49: Czech Philharmonic/Hrůša/Kobekina review – impassioned playing of Dvořák and less well known Suk

Conductor Jakub Hrůša, who takes over next year at the Royal Opera, balanced Dvořák’s Cello Concerto with his son-in-law Suk’s uncompromising grief-filled work

The Guardian - UK

The week in classical: Netrebko, Kaufmann and Pappano thrill in Salzburg

Jonas Kaufmann, Anna Netrebko and Antonio Pappano pull off a buoyant La Gioconda; elsewhere, a fresh Verdi Requiem and a Byronic septuagenarian viola soloist made this a festival to remember

The Guardian - UK

The week in classical: Das Rheingold; Lucerne festival review – all about oil

From an all-consuming performance of Barrie Kosky’s fierce new Rheingold to a stage invasion in Lucerne, musical excellence and the climate emergency went hand in hand

The Guardian - UK

‘We can’t just be in our ivory tower’: the Italian conductor aiming to open up the Royal Opera House to everyone

Speranza Scappucci hopes to demystify the art form for the English public when she becomes principal guest conductor

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news in one place.

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The Guardian - UK

Philharmonia/Hrůša review – genteel beginnings cede to compelling drama

If his Dvořák felt a little bland, with Bartók and Strauss’s Dance of the Seven Veils, the Royal Opera’s music director designate gave London audiences a glimpse of the vivid excitement he can bring

The Guardian - UK

Hans Rott, Symphony No 1/Mahler review – friends but not equals

His friend Mahler called him a genius, but there’s little in this recording – fine though it is – of Rott’s first symphony to persuade us of that

The Guardian - UK

Royal Opera House announces Jakub Hrůša as its new music director

The Czech-born conductor will take over from Antonio Pappano in 2025. He talks exclusively to the Guardian about what shape the opera house will take under his musical leadership

The Guardian - UK

The week in classical: Lohengrin; The Paradis Files

An exemplary revival brings David Alden’s 2018 Wagner production into sharp focus. And an overlooked contemporary of Mozart’s is celebrated by Errollyn Wallen

The Guardian - UK

Lohengrin review – powerful and prescient production strips Wagner’s opera of its romance

A revival of David Alden’s war-torn staging of Wagner’s early opera finds disturbing new resonance with current events; in the pit Jakub Hrůša has an unerring sense of the work’s structure

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