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The Latest Breaking News from Royal Opera House

Royal Opera stages Madama Butterfly with changes to respect Japanese culture

Revival of Puccini classic seeks to be ‘both true to the spirit of the original and authentic in its representation’

The Guardian - UK

The week in classical: Samson et Dalila; Lise Davidsen & Freddie De Tommaso with James Baillieu

Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila; and two star singers in the ascendant hit all the high notes

The Guardian - UK

Like Water for Chocolate review – Christopher Wheeldon’s delectable take on a magic-realist love story

Wheeldon choreographs Mexican novelist Laura Esquivel’s 1989 tale of food and forbidden passions into a fulfilling ballet full of buoyant movement and visually arresting coups de theatre

The Guardian - UK

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Christopher Wheeldon: ‘Most boys at ballet school were closeted, terrified our parents would disown us’

As his version of Like Water for Chocolate opens at the Royal Opera House, the choreographer talks about how the ballet world is changing – and why he took on the Michael Jackson musical

The Guardian - UK

Mavra/Pierrot Lunaire review – blancmanges, bin bags and drag as double bill probes gender

The Royal Opera’s unusual pairing of two modernist works boasts an outstanding lead in Alexandra Lowe as Pierrot Lunaire, and plenty of imaginative touches elsewhere

The Guardian - UK

The week in classical: Don Pasquale; Holst’s Sāvitri

The charms of Donizetti’s comic opera continue to elude, while a Holst rarity shines in an elegant fusion of music and movement

The Guardian - UK

Lohengrin review – powerful and prescient production strips Wagner’s opera of its romance

A revival of David Alden’s war-torn staging of Wagner’s early opera finds disturbing new resonance with current events; in the pit Jakub Hrůša has an unerring sense of the work’s structure

The Guardian - UK

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Groundbreaking Composer Harrison Birtwistle Dies at 87

Harrison Birtwistle, the creator of daringly experimental modern music who was recognized as one of Britain’s greatest contemporary composers, has died at 87. Birtwistle’s publisher, Boosey & Hawkes, said he died Monday at his home in Mere, southwest England.

Asharq Al-Awsat

Groundbreaking composer Harrison Birtwistle dies at 87

Harrison Birtwistle, widely recognized as one of Britain’s greatest contemporary composers, has died at 87

The Independent UK

Olivier awards 2022: the full list of winners

Find out who won what at the Royal Albert Hall ceremony where Cabaret was toasted and Life of Pi proved a roaring success

The Guardian - UK

Kurt Cobain’s final days to be adapted by Royal Opera House

The Nirvana frontman battled addiction and depression before taking his own life in 1994

The Independent UK

Kurt Cobain’s final days to be dramatised by Royal Opera House

Last Days, adapted from acclaimed 2005 film, ‘plunges into the torment’ of Nirvana singer before death in 1994

The Guardian - UK

Ballet Black; Royal Ballet review – mixed blessings and beauty in motion

The dancers shone in a double bill to mark 20 years of Cassa Pancho’s company, while at Covent Garden Kyle Abraham’s new work was suffused with longing

The Guardian - UK

Peter Grimes at the Royal Opera House review: Deborah Warner’s production is evocative and theatrical

The director evokes neglected contemporary estuary towns in her new version of the coastal tragedy

Evening Standard

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The Guardian - UK

Lost and Found review – micro-operas transport commuters as station becomes pop-up venue

Seven works written by all-female teams for the Royal Opera House brought a mix of comedy, glorious voices and itchy percussion

The Guardian - UK

Royal Opera House hires intimacy coordinator for sex scenes

Ita O’Brien working on production of Handel’s Theodora to ensure actors feel comfortable during passionate scenes

Evening Standard

Katie Mitchell interview: ‘With the theatrical canon, you have to look the misogyny in the eye’

Her production of Handel’s Theodora will be the first at the Royal Opera House since its 1750 premiere - but not before Katie Mitchell has gone to battle with the libretto’s misogyny

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