PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old Compositions by both musicians themselves frame works by Szymanowski and Prokofiev The Guardian - UK · Oct 16
Oslo Philharmonic/Gražinytė-Tyla/Kopatchinskaja review – weapons-grade charisma and anarchic delight Patricia Kopatchinskaja hurls herself into Stravinsky’s Violin Concerto, while conductor Mirga Gražinytė-Tyla brings precision and intensity to Prokofiev The Guardian - UK · Aug 30
LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity Robert Treviño’s sure hand led the London Symphony Orchestra through mystical Messiaen and cinematic Rachmaninoff with Patricia Kopatchinskaja precise and playful in Márton Illés’s Vont-tér The Guardian - UK · Jan 30
Prom 67: BBCSO/Peltokoski/Kopatchinskaja review – conducting sensation reveals what the fuss is about The 24-year-old Tarmo Peltokoski showed there’s substance to the hype with thoughtful Schoenberg – Kopatchinskaja playing with elfin grace – and an ambitious and moving account of Shostakovich’s fifth The Guardian - UK · Sep 10, 2024
‘I’m not humble. I expect miracles’: why violinist Patricia Kopatchinskaja wants to blow you out of your seat She plays barefoot in jeans with a thrilling unpredictability that makes every show electric. Ahead of a performance that promises to transform the concert stage into a living room, we meet the whirlwind violinist The Guardian - UK · Apr 23, 2024
On my radar: Alison Balsom’s cultural highlights The classical trumpeter on a complex marital drama, an uncompromising violinist and a garden that feels like stepping back in time The Guardian - UK · Mar 30, 2024
London's top tourist attractions 2024: what's on in the capital's most visited sites New figures released today reveal how the capital’s biggest attractions are bouncing back after Covid Evening Standard · Mar 18, 2024
Patricia Kopatchinskaja/Aurora Orchestra review – ferocious evocation of humanity’s reckoning The violinist leads an unsparing assault of pieces from Biber’s dissonant Battalia à 10 to Ustvolskaya’s Composition No 2 as sirens bellow and metronomes tick down our existence The Guardian - UK · Feb 23, 2024
LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour The Guardian - UK · Oct 9, 2023
Maria Mater Meretrix review – beautifully paced evening of drama and quiet darkness Devised by violinist Patricia Kopatchinskaja and soprano Anna Prohaska, this sequence of vocal and instrumental pieces explored depictions of the Virgin Mary and Mary Magdalene with stylish verve The Guardian - UK · Apr 17, 2023
Patricia Kopatchinskaja/Joonas Ahonen review – freewheeling explosive expressionism The violinist’s extraordinary playing ensured a recital built around two Beethoven sonatas was anything but staid The Guardian - UK · Feb 20, 2023
Hough, Dutilleux & Ravel: String Quartets review – witty scenes of 20s Paris and gossamer delicacy A long-awaited recording of Ravel is accompanied by Stephen Hough’s composition, absurdist vignettes of Paris The Guardian - UK · Jan 5, 2023
The week in classical: Dalia; Ukrainian Freedom Orchestra and Aurora Proms – review Garsington’s refugee community opera bowls everyone over. At the Proms, uprooted Ukrainian musicians play as one, and Aurora Orchestra go to the brink The Guardian - UK · Aug 6, 2022
BBC Proms: Aurora Orchestra/Nicholas Collon at the Royal Albert Hall review: Impressive The orchestra’s celebrated from-memory performance filled the Albert Hall to near capacity Evening Standard · Aug 3, 2022
The Guardian - UK · Jun 16, 2022 CBSO/Morlot review – remarkable Thorvaldsdottir and phenomenal Kopatchinskaja Anna Thorvaldsdottir’s Catamorphosis, premiered here by Ludovic Morlot and the City of Birmingham Symphony Orchestra, is an extraordinary achievement
The Guardian - UK · Apr 4, 2022 LSO/Roth review – vivid, violent and virtuosic premieres Three UK premieres by Francisco Coll, Helen Grime and Joel Järventausta sat alongside two of Strauss’s symphonic poems in the latest LSO Futures concert
The Guardian - UK · Feb 20, 2022 BFO/Fischer review – Stravinsky dazzles and thrills in two sensational concerts Iván Fischer and his Budapest Festival Orchestra triumphed in this pair of concerts focusing on the works of Stravinsky, with virtuosic soloists Patricia Kopatchinskaja and Nicolas Namoradze