PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old Compositions by both musicians themselves frame works by Szymanowski and Prokofiev The Guardian - UK · Oct 16
The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema Editorial: Over more than 50 years and 30 films, the composer-director duo have created some of the most memorable movie experiences of all time The Guardian - UK · Jun 19
Nemanja Radulović: Prokofiev album review – thrills and spills from a fearless violin virtuoso Radulović brings irresistible swagger to selections from Romeo and Juliet and Cinderella, while a more restrained duet fosters a fine sense of dialogue The Guardian - UK · Mar 12
Royal Concertgebouw / Mäkelä review – Proms showcase legendary orchestra and its star signing The masterly Amsterdam ensemble were at the Proms for two concerts with their Chief Conductor Designate Klaus Mäkelä. In works by Berio, Mahler, Mozart, Prokofiev and Bartók there was dazzling playing and immaculate attention to detail The Guardian - UK · Aug 25, 2025
‘It will lift the spirits’: Kyiv to stage ‘most English of ballets’ after Russian repertoire boycott Frederick Ashton’s La Fille mal gardée to be performed for first time, replacing classics by Tchaikovsky and Stravinsky after fundraising in London The Guardian - UK · Jun 9, 2025
Prague Symphony Orchestra /Brauner/Montero review – tragic mood painting, emphatic force and disarming improvisation A welcome return for this orchestra and their conductor saw a beautifully spooky Dvořák and a blazing Shostakovich, while soloist Montero imposed herself on Prokofiev and riffed on Beethoven The Guardian - UK · Feb 9, 2025
Cinderella at the Royal Ballet review: an enchanting festive pleasure 4/5 This has one of the most glorious of all ballet scores: both magical and mysterious Evening Standard · Dec 4, 2024
Prom 44 Rotterdam Philharmonic/Shani review – a tour de force of conducting and pianism Lahav Shani played and conducted Prokofiev’s Third Piano Concerto with a devil-may-care brilliance while his finesse with the baton brought out the detailed beauty of the orchestra’s playing in works by Debussy and Ravel The Guardian - UK · Aug 25, 2024
“Listen to Romeo And Juliet by Prokofiev. It’s one of the heaviest pieces of music you’ll ever hear”: The magic and mystery – but not genius – of Muse’s first decade With each of their first four albums Matt Bellamy and co injected more prog to their music, finding inspiration via classical composers, magic mushrooms and a Ouija board Louder · Jul 11, 2024
LSO/Noseda review – Beamish’s Distans is virtuousic and exquisite Given its UK premiere by Janine Jansen and Martin Fröst, Sally Beamish’s concerto for violin and clarinet was the centrepiece of a beautifully judged programme The Guardian - UK · Jun 21, 2024
Romeo and Juliet Suite renewed at Sydney Opera House Benjamin Millepied has brought fresh vision to the Shakespearean tragedy and Prokofiev's classical score, using dance, theatre and cinema. AAP · Jun 5, 2024
Northern Ballet: Romeo & Juliet review – iconic love story told in all its full-blooded glory Prokofiev’s score takes flight as the warring clans go at it, while the lovers display all the tortured passion of their teenage tragedy in this innovative and explosive staging The Guardian - UK · Mar 10, 2024
LSO/Noseda review – Prokofiev’s curious Fourth alongside very fine Brahms Gianandrea Noseda and the LSO made a strong case for the 1947 version of Prokofiev’s Fourth symphony, and Simon Trpčeski was an insightful and elegant soloist in Brahms’s second piano concerto The Guardian - UK · Dec 11, 2023
LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music Evening Standard · Dec 11, 2023
The Guardian - UK · Nov 19, 2023 Yuri Temirkanov obituary Russian conductor admired for his electrifying interpretations of his nation’s repertoire, especially Prokofiev and Tchaikovsky
The Guardian - AU · Oct 8, 2023 Sydney Opera House at 50: the stories behind the superstitions, sleepovers and scene-stealing moments From Hugh Jackman’s black eye to ‘benevolent’ ghosts in the back seats, tour guides, security staff and stage managers guide us through five decades beneath the white sails
The Guardian - UK · Sep 13, 2023 Mahan Esfahani; Ibragimova/Osborne review – from electric dreams to muscular Prokofiev Esfahani’s programme took the harpischord into the 21st century while the acclaimed partnership of Alina Ibragimova and Steven Osborne showcased the range of the festival and virtuosity of its performers
The Guardian - UK · Aug 27, 2023 Prom 52: Boston SO/ Nelsons review – weighty lyricism and ravishing reflection The Boston Symphony showed signature depth in a grand Prokofiev Fifth, and splendidly contrasting textures in both Strauss and an emotionally driven premiere from US composer Julia Adolphe
The Guardian - UK · Aug 13, 2023 Matthew Bourne’s Romeo + Juliet review – more compelling than ever Set in an asylum, the choreographer’s bleak yet passionate adaptation of Shakespeare’s tragic romance triumphs in a newly honed revival
The Guardian - UK · Aug 5, 2023 The week in classical: Prom 19: SCO/ Emelyanychev; Prom 22: BBC NOW/ Bancroft; Prom 24: BSO/ Karabits – review A Victorian warhorse springs into life under the baton of Maxim Emelyanychev; Isata Kanneh-Mason makes fiendish Prokofiev look easy; and German horn virtuoso Felix Klieser sets an example to all
The Guardian - UK · Jun 16, 2023 English National Ballet: Cinderella review – perfectly lovely romance Erina Takahashi’s finely tuned grace is framed by visual and design flair in Christopher Wheeldon’s conventional show in-the-round
The Guardian - UK · May 8, 2023 Benjamin Grosvenor review – pianist’s virtuosity preferences power over pastel colours An ambitious programme that ranged from Busoni’s Bach to Prokofiev confirmed why the pianist is a favourite here
Bangkok Post · Dec 22, 2022 No notes required The huge audience at the Thailand Cultural Centre earlier this month certainly knew that they were in for the rarest of treats when the legendary Russian-born Israeli violinist Maxim Vengerov made his first ever appearance in the second half of an utterly unique concert, performing Prokofiev's ravishingly sublime Violin Concerto…
The Guardian - UK · Dec 6, 2022 Romanian National Philharmonic Orch/Smbatyan review – Vengerov’s virtuoisty raises the temperature The contemporary works were unengaging, but the Romanian Orchestra’s Tchaikovsky enthralled, and Vengerov’s bravura reading of Prokofiev’s First Violin Concerto closed the concert in spectacular style
Bangkok Post · Dec 1, 2022 Maxim Vengerov to perform with Royal Bangkok Symphony Orchestra Under the patronage of Her Royal Highness Princess Sirivannavari Nariratana Rajakanya, the Royal Bangkok Symphony Orchestra Foundation, in collaboration with B.Grimm and the Tourism Authority of Thailand, is thrilled to present the most exciting of concerts on Monday 12th December at 7:30 pm in the Main Hall of the Thailand…