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The Latest Breaking News from Artemisia Gentileschi

Andy Warhol would have hated safe spaces. So why keep dragging dead artists into today’s culture wars?

Critics and curators are reframing great artists, from Gentileschi to Soutine, to fit with modern ethical narratives. But this ignores the glorious ambivalence of their creations

The Guardian - UK

Who was Caravaggio’s black-winged god of love? What this masterpiece reveals about the rogue genius

In three thrilling works by Caravaggio, the same boy’s face crops up. As one – the astonishing Victorious Cupid – arrives in Britain, we ask: who was this anarchic model and muse?

The Guardian - UK

The painting that haunts me – seven experts share their favourite scary artwork

With Halloween approaching, we asked seven of our academic experts to tell us about the most unsettling artwork they’ve ever encountered. From gruesome portraits to creepy critters, these are the paintings that have stayed with them long after their first glimpse.

The Conversation

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The National Gallery at 200: is this rehang a bold relaunch or rinse and repeat?

The National Gallery has recently rehung its entire collection. Taking hundreds of paintings off the wall and replacing them in a new arrangement requires considerable mental and physical labour on the part of curators, conservators and technicians.

The Conversation

Playwright Kate Hamill's Feminist Masterpiece: 'The Light And The Dark'

Kate Hamill's play 'The Light and the Dark' celebrates Artemisia Gentileschi's defiance and resilience in a male-dominated society.

Top News

Kate Hamill delivers a 'feminist primal scream' with her new play 'The Light and the Dark'

The inspiration for Kate Hamill’s latest play came from across centuries and the planet

The Independent UK

The Jetty review: Jenna Coleman sleuths in clichéd but compelling feminist cold-case drama

It’s not perfect, but there is far more good stuff in ‘The Jetty’ than in your average ‘defective detective’ drama

The Independent UK

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National Gallery at 200: in praise of Artemisia Gentileschi’s Self Portrait as Saint Catherine of Alexandria

A formidable artist and businesswoman of the baroque period, famous for her skill in conveying female strength and creating drama with her brush, Artemisia Gentileschi (1593-1654) was – and still is – in high demand.

The Conversation

From Bad Boys to Charli XCX: a complete guide to this week’s entertainment

Will Smith and Martin Lawrence are back for more quippy explosion larks, and the singer returns with a sassy statement of intent

The Guardian - UK

Now You See Us: Women Artists in Britain 1520-1920 at Tate Britain review: strikingly powerful

This comprehensive show might be wide-ranging, but there are some real gems here

Evening Standard

Now You See Us: Women Artists in Britain review – this changes everything

This tremendous show highlights so many unjustly forgotten, belittled and misattributed works, from 15th century miniatures to Georgian thrillers, Victorian innovators and modern abstractors. What a seismic reckoning

The Guardian - UK

Artemisia in Birmingham; Jesse Jones: Mirror Martyr Mirror Moon; Dion Kitson: Rue Britannia review – reshaping art history

The Ikon gallery’s dramatic display of the National’s Gentileschi, coupled with Jesse Jones’s terrific installation, sees the past anew, while a Dudley-born artist makes poetry with tragicomic memorials

The Guardian - UK

Rob and Rylan's Grand Tour: where to watch, locations, hosts, interview, trailer and everything we know

Rob and Rylan's Grand Tour saw Rob Rinder and Rylan Clark explore stunning Italian cities and have candid conversations.

WhatToWatch

On my radar: Alison Balsom’s cultural highlights

The classical trumpeter on a complex marital drama, an uncompromising violinist and a garden that feels like stepping back in time

The Guardian - UK

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The Guardian - UK

Perfect parabolas of spurting blood! Did Galileo teach Artemisia the science of gore?

Her savage masterpiece Judith Beheading Holofernes shows in gruesome detail what happens when a man is butchered alive. But how did Gentileschi manage to be so accurate? Our writer explores a centuries-old mystery

The Guardian - UK

‘Extraordinary’: 101 women narrate A History of Women in 101 Objects audiobook

Miriam Margolyes, Kate Winslet and Gillian Anderson among those giving voice to objects including a femur, a thumbscrew and a glass dildo

The Guardian - UK

The monstrous old master: how Succession’s Rubens lays bare the Roy family’s brutality

The 17th-century painting The Tiger Hunt depicts a visceral battle for power that perfectly sets up the HBO series – and paintings on the walls in other TV shows hold hidden messages

The Guardian - UK

Feast your eyes, feed your soul: the 31-day art diet for January

Brighten up dark January with our one-a-day selection of works of art chosen and introduced by the Observer’s art critic

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The Guardian - UK

Hidden women: Madrid show puts forgotten artists in the picture

Maestras explores how talented female artists won recognition in their lifetimes, only to find their works written out of the canon

The Guardian - UK

For the record

Ludovic Slimak/Dr Laure Metz | Artemisia Gentileschi | Oranges Are Not the Only Fruit

WEKU

Iconic female artist's lost painting is found, hundreds of years after it was created

Susanna and the Elders, painted by Artemisia Gentileschi in the late 1630s, was commissioned by a queen — but it was later lost. It's now back on display, after being restored.

The Guardian - UK

Forgotten Artemisia Gentileschi painting found in Hampton Court storeroom

The very personal work, owned by Charles I, discovered after being left in storage for years

The Independent UK

Lost Artemisia Gentileschi artwork goes on display in Windsor

For more than 100 years it had been kept in storage at Hampton Court Palace after being mis-attributed to an anonymous French artist.

The Independent UK

Book Review: 'Disobedient' deftly paints the inspiring story of artist Artemisia Gentileschi

Artemisia Gentileschi’s painting skills quickly surpass her father’s

The Guardian - UK

Lecherous abusers: why Artemisia Gentileschi’s Susanna reminded me of Paula Yates

Throughout art history, the Biblical story of a bathing woman was painted by men in order to titillate – but at 17, Gentileschi showed the way women are still objectified and shamed to this day

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