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The Latest Breaking News from Gibson

“This album’s the only one where I’ve sat down and planned out a solo. Otherwise, the record button’s pressed, and I just go, ‘Pentatonic scale!’”: Orange Goblin’s Joe Hoare on life’s simple pleasures –Les Pauls, Marshall ampsand signature beer

The UK metal stalwart's new album, Science, Not Fiction is a career high, but if Hoare is stretching out beyond the Pentatonics in search of new horizons for lead, the power of the riff lies in its primitivism. Some things will never change...

Guitar World

“I've not got a huge history with Gibson, but this one I bought to have a different tone”: From a forensic Black Strat replica to a Gibson that caught his ear and a ‘90s Zoom unit, here's everything David Gilmour used on his new solo album, Luck & Strange

Gilmour's tech, Phil Taylor, provides GW with an exhaustive list of the guitar gear used to record the prog icon's first solo album in nine years – and there are some surprising pieces of kit

Guitar World

“I bought it off a druggie – which I feel terrible about”: From his beloved '59 Strat to his stable of ultra-delicate steampunk guitars, Rick Springfield discusses his guitar journey, and his mission to buy up every instrument he had to part with

The pedal-avoiding Jessie’s Girl songwriter recalls some of his best and worst purchases, and his experiences working with Neil Giraldo and Dave Grohl

Guitar World

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“We went back to the dressing room. He said, ‘Yeah, it stays in tune great! But if you could make it a little slinkier’”: Gibson’s master luthier Jim DeCola reveals the Leo Fender-inspired mods he made to Randy Rhoads’ guitar just hours before showtime

DeCola was still only a teenager in 1982 but he had already had a reputation for being able to work magic on a tremolo system, which he duly did on Rhoads' iconic polka-dotted Sandoval V

MusicRadar

“The deal was if I wanted it back, I could let him know and buy it back. He passed away and Hard Rock Cafe knew nothing about the deal”: Tony Iommi tried to reclaim his iconic Gibson ‘Monkey’ SG but wasn’t allowed – because the person he sold it to died

After retiring the Monkey SG, the Black Sabbath legend sold it to the Hard Rock Cafe – but ran into a spot of bother when he tried to get it back

Guitar World

“Some people think its gloss black top was a response to Gibson’s Les Paul Custom – but that didn’t launch officially until ’54”: The Duo Jet took Gretsch’s ’50s innovation to new heights – and was loved by George Harrison, Jeff Beck and Malcolm Young

As solid-bodied models began taking the guitar world by storm in the early ’50s, Gretsch joined the party with the revolutionary single-cut 6128 Duo Jet and its twangsome DeArmond ‘Dynasonic’ single coils

Guitar World

“They knew nothing about the deal”: Hard Rock Cafe wouldn’t give Tony Iommi’s guitar back – because the employee who bought it died

The guitar Iommi played on the first “four or five” Black Sabbath albums is still in the restaurant franchise’s possession

Metal Hammer

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“The tone EC achieved on that record has become one of the classic archetypes for how an electric guitarshould sound”: How Eric Clapton got his tone on John Mayall and the Bluesbreakers’ ‘Beano’ album

The ‘Beano’ album has become a benchmark for how a Les Paul ’Burst and a Marshall could sound together. But how Clapton got that tone is a little more complex than that...

Guitar World

What if Jimi Hendrix jammed with Eric Clapton, or Gary Moore traded solos with Joe Bonamassa? We imagine 5 all-star fantasy blues jams and what they would sound like

Welcome to an all-star fantasy blues jam, featuring a greatest hits of blues players, their signature licks, and how to put them together and incorporate them in your own playing

Guitar World

“When the Strat went, I couldn’t believe it. We went in to make our first album and the pickup went. I had to use the backup I kept on the side…” Tony Iommi was a Fender Stratocaster player before fate intervened – and he had to reach for his Gibson SG

Iommi went to the studio intent on recording Black Sabbath's debut album with his heavily modded Strat. Things didn't quite go according to plan...

Guitar World

“It’ll suit those players who like to hit hard and make their guitar really shout”: Epiphone Masterbilt Texan review

We put this unsung acoustic hero through its paces and find out if it’s deserving of more plaudits

Guitar World

“My old drummer said, ‘Hey, I’ve got this friend. He’s got a ’59 Strat, and he needs money. He’ll sell it to you for four grand, cash’”: Rick Springfield on the vintage Fender Stratocaster he feels “terrible” about buying

As a bona fide guitar collector, Springfield owns many storied guitars – including his trusty Gibson SG, on which he wrote his career-making hit

Guitar World

“World-class... It just feels like a vintage classic that never was”: Daniels Gravitas review

A fascinating reimagining of Gibson’s Firebird, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound…

Guitar World

“I was so into that moment, it was like being stoned… not separated from the guitar and what I was playing. It was joyful”: From unexpected ES-335 solos to jams in a barn, here is your guitar guide to David Gilmour’s breathtaking Luck and Strange

Gilmour says it’s his best since 1973. It’s a solo work but was borne of collaboration. But it might just be the guitar album of the year, and we go track-by-track to parse its brilliance

Guitar World

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Guitar World

“A great statement guitar. It looks fantastic, plays well and sounds superb”: Epiphone Jimi Hendrix Love Drops Flying V review

Prepare to kiss the sky with Epiphone’s latest ‘Inspired By…’ model, as the Gibson Custom Shop collaboration bears fruit with a Hendrix classic with a serious spec

Guitar World

“I had a three-string nylon guitar from my stepfather. When he gave me that, he carved my future out. If I’d had a traditional guitar, I’d have had a whole different outlook”: Mötley Crüe’s Nikki Sixx on fate, Thunderbirds and Smoke on the Water

The bassist discusses a new lease of life with old friend John 5, new ’Crüe the band’s –and his eternal confusion over beloved Gibson reverse bodies

Guitar World

“I went to Jimmy Page’s hometown. I’d walk the streets he walked and breathe the air he breathed… I even noticed the smell when it rained”: Akio Sakurai aka Mr. Jimmy has studied the Led Zeppelin icon for 43 years – and elevated tribute artist to high art

The star of the 2019 documentary reveals the one Page tone he can’t figure out, goes into incredible detail about pickups, and explains why there’s still one Gibson missing from his Page collection

MusicRadar

“I just took it out and I could see all the flame coming out on the side of it and I went, ‘Oh my goodness gracious.’ It’s just so beautiful”: Gibson unveils stunning $19,999 replica of Jimmy Page’s 1964 SJ-200 acoustic

The Murphy Lab has been turned loose on a limited run of two super-collectible acoustics inspired by the SJ-200 that Page played on Led Zeppelin’s debut album

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Guitar World

"With effortless playability, charming good looks, and a distinctive sound, it's no wonder the J-45 is still going strong over 80 years after it was first introduced": Gibson J-45 Standard review

Gibson's legendary acoustic is beloved by everyone from Dylan to Slash, but is it really worth the price? We find out

Guitar World

“It was an amazing-sounding instrument”: Gibson’s Jimmy Page SJ-200 is a five-figure signature model based on an acoustic he borrowed to record Led Zeppelin’s debut album – before it was stolen

According to Gibson, the new acoustic has been “rendered to Page’s exacting recollection”, owing to the apparent absence of the original model

Guitar World

“Daron’s the guitarist, I’m the vocalist, and yet he was using my Strat… Then somebody stole it after breaking our car window”: Serj Tankian reflects on his guitar journey with System of a Down, Tony Iommi, Buckethead and beyond

In a rare guitar interview, Serj Tankian breaks down his “fast folk” playing style and upcoming signature Gibson Les Paul, his love of shredders, and freaking out Maynard James Keenan (and being freaked out by Buckethead)

MusicRadar

There's no need to suffer with high (or low) action anymore: How to adjust the string height on your electric guitar and bass

Get the guitar action you need

Guitar World

“I’m an approachable guitar player. I’m not Slash or Jimi Hendrix. I write songs and play with energy. My signature model had to be accessible to everyone”: How Yungblud became punk’s next guitar hero, bringing high-volume rock to Gen Z

Armed with a new Epiphone signature model, the punk-rock hero and Gen Z superstar shares the story behind his incredible rise – and his plans for what comes next

MusicRadar

“A new Inspired by Gibson Custom signature model from one of Japan’s most well-loved guitarists”: Epiphone and Tak Matsumoto strike gold with 1955 Les Paul Standard based on his vintage original

This Epiphone x Gibson Custom shop collaboration is liberally finished in Antique Gold and features USA Burstbucker Pros, but it’s only available in Japan and from the Gibson Garages

Guitar World

“I’ve probably had an equal number of guitars stolen as what I’ve sold”: Joe Perry names the desert-island pickup that nobody talks about, explains why there are no bad tones, and makes an appeal for the cheap guitar he foolishly sold and wants back

Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars

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