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The Latest Breaking News from Gibson

“There’s absolutely no doubt this is dream distortion pedal material. But at $415, it’d be hard to justify”: My pick of the best new guitar gear launched this week – and the new drops you might have missed

An insanely affordable new Gretsch and a pedal called Jimothy headline the round-up this week

Guitar World

“I was really at the point where… nobody knows who I am and I don’t want my name on the guitar”: The unsung guitarist who shaped one of PRS’s most sought-after models

He's unassuming, a virtuoso player, and didn't want his name on the guitar out of respect to Ted McCarty – but David Grissom played a key role in designing it

Guitar World

Gibson announces opening of third Garage, and second in the US

The 8,000-square-foot location follows the launch of stores in Nashville and London

Guitar World

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“I got it for 800 bucks, and it became an important guitar. I took it over to Jake Kiszka’s house – he whipped out a case and he had the same one”: Mirador’s Chris Turpin on the ‘sleeper’ star of his vintage guitar collection

Turpin’s 1960s Gibson B-25 is one of the best 12-strings for recording – and his old pal Jake Kiszka has one just like it

Guitar World

“Gibson would have been aware of the popularity of Fender vibratos and maybe considered Bigsbys to be too expensive or too closely associated with Gretsch. Either way, the company devised its own”: What this Golden Era ’63 SG tells us about Gibson design

The Les Paul Standard may be the most iconic and the ES-335 the most versatile, but the SG remains Gibson’s greatest commercial success

Guitar World

“I heard this car come roaring up… Jeff’s coming out and he’s holding this guitar. He said, ‘Here, this is yours for getting me in the Yardbirds’”: The story of the Fender Telecaster that unites Jeff Beck and Jimmy Page

How a gift of thanks from one Yardbird alumnus to another turned a guitar into a bona-fide icon

Guitar World

“I was getting calls from George Harrison and Eric Clapton’s group. They were working together. And what were they interested in? The J-180 and J-185”: Inside Gibson's Century Collection acoustics – and the role the Rolling Stones and Beatles played

Period-correct in (almost) every detail, the Gibson Century Collection’s 12-fret format is addictively playable. Gibson's Robi Johns tells us it’s all downtothe Brits

Guitar World

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“It's an amp for when you feel the need to give the FOH sound engineer a nervous breakdown”: My pick of the best new guitar gear launched this week – and the new drops you might have missed

New releases from Marshall, Harley Benton, Gibson and more…

Guitar World

“One of the rarest and most revered hard rock icons”: Gibson has revived one of the most sought-after guitars it has ever produced

Originally crafted for the 1972 Olympic Games, Schenker’s black-and-white version quickly became the stuff of folklore

Guitar World

“It holds a special place in Gibson history. As one of our earliest limited-edition instruments, it helped establish a lasting legacy within hard rock guitar culture”: Gibson unveils Custom Shop reissue of a Michael Schenker and Kirk Hammett favourite

They only made 350 of them back in the day but the 1971 Flying Medallion takes flight once more with a stunning VOS reissue

MusicRadar

“Die-hards will be saying, ‘That’s not a Les Paul!’ But playing and living with an LP of this weight is simply a pleasure”: Gibson Les Paul Studio Double Trouble review

Gibson brings the Double Trouble treatment to a lower price-point with a weight-relieved Studio version. Forskint rockers everywhere, it’s time to rejoice!

Guitar World

“I bought a tiger-stripe Les Paul and started playing it on stage. I broke the neck, got it back and it sounded better. Then I was even more attached to it!” Kirk Hammett on Gibsons, the magic of Greeny and why he thinks the age of active pickups is over

The Metallica lead guitarist discusses Peter Green's influence, the magic of a Gibson P.A.F. pickup, and how owning Greeny has been a life-changing experience

Guitar World

“We left the track and went back out on the road. Two weeks later I hear it on the radio. I said, ‘No, that was just a demo!’ They said, ‘No, it’s a hit’”: Why Keith Richards never wanted anyone to hear his Satisfaction guitar riff

Turns out, Otis Redding's rendition was the right one all along…

Guitar World

“I knew the guitar was valuable, but this was before Slash blew up, so nobody really wanted Les Pauls. They all wanted Charvels”: Billy Duffy on his greatest guitar deals – and the one he regrets selling to Bob Rock

The Cult six-stringer looks back on Les Pauls loved and lost, plus the latest and greatest from his mostly back-to-basics rig

Guitar World

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MusicRadar

“The wood is only wood until it arrives in a master’s hands”: Eric Church teams up with Epiphone for the Hummingbird Dark – and toasts this sweet collab with a whiskey finished in toasted maple from Gibson offcuts

Strum a few chords on his Cobra Burst acoustic, followed by a shot of Tonewood Vol 1... Now that's a night in

Guitar World

"It's not the norm, but maybe it should be": Gibson Les Paul Special with Mini Humbuckers review

Trading the usual P90s for Mini Humbuckers, this Les Paul Special is bound to raise a few eyebrows with a different sound for a classic guitar

MusicRadar

“One day I was in an elevator with Miles Davis and he said, ‘Hey, do you got a wah wah yet?’ ‘No, I don’t play a wah wah.’ He says, ‘You gotta get a wah wah!’”: Carlos Santana on Miles and McLaughlin, Hendrix and SRV, and his quest for eternal melody

“I wanted my guitar to sound like a female – like the voice of my favourite singers”

Guitar World

Epiphone’s Eric Church signature Hummingbird Dark comes with a whiskey made using Gibson tonewood offcuts

Church’s signature acoustic has been launched alongside a unique pairing

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Guitar World

“It was kind of a wild idea in 1960 to call a guitar a Hummingbird. As wild as calling your band TheBeatles”: How Gibson became an icon of acoustic guitar – 100 years on from its first flat-top

Gibson’s Mat Koehler charts a century of flat-tops – and how the J-45, SJ-200, Dove and Hummingbird took over the world

Guitar World

“I’d been using Marshall for so long that I’d never listened to anything else. I never gave anything else ashot”: Slash on what made him finally change up his sound – and why we’re living through a renaissance for blues guitar

With his live album and concert film out now, Slash explains why he's still got the blues and that ain't bad

Guitar World

“I’m probably gonna get 150 guitarists telling me how I’m doing this wrong, but this is just what works for me. My ’board is a hot mess”: Samantha Fish on finally meeting her fans’ demands and why the SG is the one

With a new live album out now, we sat down with the blues-rock fireball to hear about the gear and attitudethat fuels her stage performances

Guitar World

“It could give my Quad Cortex mini a run for its money”: My pick of the best new guitar gear launched this week – and the new drops you might have missed

Vote for your favorite new release in Guitar World's weekly guitar gear poll

MusicRadar

“I felt kind of bad about it because I should have paid a fair price”: Kirk Hammett felt so guilty about buying Neal Schon's Les Paul on the cheap that he called him to ask if he wanted it back

Some might have thought that this was the bargain of a lifetime, a Factory Black '57 Les Paul with P-90s, and it was. And that was the problem

Guitar World

Gibson gives the Les Paul a Fender twist with the Long Scale Custom

Gibson has matched Fender's favorite scale length with an extended Les Paul that boasts a 25.5" setup

Guitar World

“Alex said, ‘I don’t want to play my double-neck – it’s too heavy.’ I said, ‘I’ll do it!’ He lent me his white Gibson EDS-1275 for Stairway”: How Crown Lands went from Rush’s spiritual successors to playing Led Zeppelin with their heroes

Are Crown Lands heirs to the Rush crown as Canada’s foremost prog act? Kevin Comeau is just happy to be living the prog dream, falling down the rabbit-hole of double-necks and 19-minute tracks

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