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The Latest Breaking News from Stevie Ray Vaughan

“If all you want to do is sound like Stevie Ray Vaughan, you’re screwed. There was only one of him and he did it better than anyone else”: What Guthrie Trapp learned while escaping the country player label – and how the fretboard can change your life

The session ace explains what’s wrong with modelers, why anyone emulating SRV is doomed to fail, and how he nearly missed out on jamming with Billy Gibbons

Guitar World

“People always say Rory Gallagher and Stevie Ray Vaughan had acidic sweat – but this is what I think”: Why some of the most famous Fenders are so heavily worn, according to a Custom Shop Masterbuilder

Dale Wilson attempts to solve the mystery of why vintage Fenders played by big-name artists have so much gnarly wear

Guitar World

“He had Double Trouble on a couple of his records. He had a relationship with Stevie Ray Vaughan. He was a touring machine who did it the hard way”: Eric Gales on his all-star blues tribute to his brother, the man who started him on guitar

With a stirring tribute to his older brother Manuel, who performed as Little Jimmy King, the master southpaw returns with one of thefinest albums of his career

Guitar World

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Putting the HSS into SRV? Ibanez’s new AZ signature model is like the voodoo child of Stevie Ray Vaughan’s #1 Strat

Ibanez teams up Chinese guitar virtuoso Gaofunk for a classy MIJ Prestige series S-style that's giving us GAS big-time

Guitar World

Formula One: United States Grand Prix – as it happened

Max Verstappen cruised to victory at the Circuit of the Americas, with Lando Norris and Charles Leclerc taking second and third

The Guardian - US

“Ozzy would say, ‘No. This isn’t Frank Zappa, this is Ozzy Osbourne. Go back and write me something else’”: Jake E. Lee revisits Badlands, the album the music industry doesn't want you to hear

Why can't we buy Badlands' self-titled debut? Who knows. The record label buried it. But former Ozzy guitarist Jake E. Lee swears it's his best work

Guitar World

“I toured with Stevie Ray Vaughan when he was sober and he was a freak of nature. I couldn’t relate to his playing”: The Outlaws' Henry Paul on opening for The Rolling Stones, finding fame thanks to Lynyrd Skynyrd, and his one-of-one red Gretsch Falcon

The Gibson loyalist who’s served three stints with the Outlaws has been there, done that – he's played to stadium crowds, seen rock's greatest guitar heroes up close, and witnessed prime-era Keith Moon debauchery

Guitar World

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“He walked into my bedroom, and he says, ‘Darling, I think this is a hit.’ And I went, ‘Cool man, let me hear it…’” How Nile Rodgers and David Bowie accidentally wrote Let’s Dance – with a 12-string that was missing 6 strings

The 1983 chart-topping hit features both Nile Rodgers and the then-unknown Stevie Ray Vaughan on guitars – and its demo was recorded at Queen’s studio in Switzerland

Guitar World

“He handed me that famous pink Strat. That riff is the first thing I played – it had that riff in it. I’m lucky to be the guy it came out for”: Mark Morton on his all-star solo album feat. Grace Bowers, Tyler Bryant and a perfect solo from Jason Isbell

The Lamb of God guitarist reveals how he enlisted some of Southern rock’s finest for Without the Pain

Guitar World

“I lost everything – the only thing I held onto was my Fender Jazz Bass”: How Tommy Shannon broke a 7-year cycle of jail and halfway houses to record his most famous bassline with Stevie Ray Vaughan

Shannon played an Olympic White 1962 Jazz Bass tuned down a half-step to match Vaughan's Eb tuning

Guitar World

"Lyrically and the way he sang and played, he meant everything he did": This is the soundtrack of Orianthi's life

Guitarist/singer/songwriter Orianthi picks her records, artists and gigs of lasting significance, and names the superstar she had to turn down

Louder

”Stevie told me to call his brother Jimmie and ask him to lend me his amp and then play it with a Strat so he could feel it through me”: Carlos Santana on his “visitation” from Stevie Ray Vaughan, who implored him to borrow his Dumble amp

Santana shares how he managed to borrow SRV's prized Dumble after both he and Stevie Ray's tech had the same dream...

Guitar World

“One of my biggest musical influences is the king of blues power. He also played in an unorthodox tuning, which is still a mystery”: Jared James Nichols on how Albert King's electric fingerpicking changed the game for blues guitar

Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic

Guitar World

“It was a true surprise. And to be shouted out alongside Taj Mahal and Keb’ Mo’ to boot? That felt surreal”: Meet Jesse Williams, the Joe Bonamassa-backed singer-songwriter tackling the mountain blues

Raised on fingerpicking and the blues but now beginning to explore pedals, Williams explains why it’s worth remaining independent no matter the challenges

Guitar World

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“You’re a walking encyclopedia of Stevie knowledge”: This 16-year-old has been called the next Stevie Ray Vaughan – and he’s finally been given the keys to “the real SRV tone” after years of experimenting

Rhys John Stygal has partnered with Pedal Pawn to put on an SRV clinic, complete with an obsessively assembled guitar rig and pointers on how to harness the blues great’s tone

Guitar World

“I knew the record was good, but when you hear the way he plays, there's no question that Stevie was an all-time great guitar player”: How Stevie Ray Vaughan's biggest hit benefitted from one of the baddest rhythm sections in blues history

Also known as Double Trouble, Tommy Shannon and Chris Layton laid down an unfaltering groove for SRV’s 1983 debut

Louder

"I really have beat the odds here. It's very surreal": Meet Ally Venable, the young blueser who's gone from being bullied at school to playing with Buddy Guy

Six albums into her career, Ally Venable has played with some of the greats, but she hasn't stopped lookig forward

Guitar World

“He hopped on a plane and flew in to do literally 20 seconds of notes... That was the last thing he recorded for the record”: Nile Rodgers worked with Stevie Ray Vaughan during his rapid ascent – and oversaw the guitar hero's final recording session

Having first met the Lone Star State guitar king during the sessions for David Bowie's 1983 blockbuster Let's Dance, Rodgers later produced Family Style, Stevie Ray's posthumously released collaboration with his brother, Jimmie

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Guitar World

“Even though Stevie Ray Vaughan wasn’t playing heavy metal, he had the elements of the style through pure skill alone”: Blues-inspired but metal-trained, he had a top 5 album at 16 – with no spiky guitars in sight. Meet Alien Weaponry’s Lewis de Jong

The New Zealand metallers have supported Kerry King, have Lamb of God guesting on their record, and a sound that celebrates their Māori heritage that de Jong says is all about the riff

Louder

"Ma, I'm real sick. I need help. I got to come home": The trauma and triumph of Stevie Ray Vaughan

After almost dying at a London show, Stevie Ray Vaughan was given two weeks to live - it was the wake-up call he needed

Guitar World

“In all the years I’d played with Albert, I’d always wanted to hear him play something in a minor key – and he smoked it!”: Robert Cray tells the story behind the greatest all-star blues team-up of the ‘80s

In 1985, Albert Collins, Johnny Copeland, and Robert Cray got together for Showdown! – a bona-fide blues classic, and, as Cray tells us, a real fun time, too

Guitar World

“Everything in Double Trouble was a spontaneous thing – there was no plan”: How bassist Tommy Shannon stumbled onto the funky foundation for one of Stevie Ray Vaughan’s biggest radio hits

What started with a rehearsal room groove ended up an SRV classic. We dissect the anatomy of bassline that walks the line (you might even call it a Tightrope) between blues, rock and funk

Guitar World

“The volume was painful. The loudness came from Stevie, who had a Frankenstein wall of amps”: Marked by substance abuse, new members, and studio snags – Stevie Ray Vaughan's Soul to Soul was a classic that signaled trouble to come

Chris Layton, Reese Wynans, Tommy Shannon, and Joe Sublett recall the difficult birth of the 1985 classic of Texas blues, as cocaine, whiskey, and fatigue took their toll

Guitar World

“Muddy Waters told my dad, ‘Jimmie, when I’m gone, teach everybody how to play like that.’ He liked the way he played slide”: He's the son of Jimmie Vaughan and the nephew of SRV, now he’s carrying the weight of his family playing legacy

SRV’s death left father and son struggling to continue, but they made it. Now, Strat fan Tyrone Vaughan knows he’s capable of delivering a great album – and it might be the one he’s working on now

Guitar World

Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar

The Riviera played a crucial role in Epiphone's evolution through the New York jazz clubs of the 1920s, '50s electric blues, to today’s vibrant, diverse scene – and it might be the brand's GOAT

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