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The Latest Breaking News from Gibson

Two of today’s brightest guitar talents, Marcus King and Grace Bowers, team up for a surprise solo-fueled rendition of a Kris Kristofferson classic on stage in New York

Bowers and King joined forces to pay tribute to the late country icon with a cover of Me & Bobby McGee

Guitar World

“One of Japan’s most well-loved guitarists”: Epiphone’s latest Takahiro Matsumoto signature is based on a hugely desirable 1955 Gibson Les Paul Goldtop – and honors the player behind Japan’s best-selling musical act

The founder of legendary Japanese rock act B’z has helped develop an Epiphone recreation of his vintage 1955 Les Paul

Guitar World

“I see people my own age in the audience, and their minds are blown. I’m making this stuff sound new to them”: Grace Bowers on her dizzying rise as the world’s next guitar hero, breaking the law to hone her chops, and why she’s “not a natural”

The 18-year-old might be the greatest thing to come out of Nashville since Martin's Bar-B-Que Joint but she's keeping her feet on the ground, hands on her SG, as everyone else stands in awe of her prodigious talent

Guitar World

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"The sound is warm and inviting, with a powerful low-end thump that only comes from a jumbo acoustic": Guild F-55E review

The F-55E is a larger-than-life jumbo with an all-encompassing tone and striking good looks

Guitar World

“He seemed to get so much out of so little, didn't he?”: Former Primal Scream guitarist Barrie Cadogan reacts to playing Rory Gallagher’s golden-era Gibsons

Cadogan notes how Gallagher managed to create such a distinct sound, even with relatively simple gear, as he tries out the legend's 1963 Gibson Melody Maker

Guitar World

“I wanted to sound like Jimi Hendrix on his first album. It was good to have that there for a while”: Brian May reveals the off-the-wall Red Special mod from his pre-Queen days that he ended up removing

The wild electronics upgrade didn't last for very long, but it can be heard on some of May's earliest pre-Queen recordings

Guitar World

“The decline of America’s biggest guitar companies during the ’70s was essentially a hangover from the over-ambitious reaction to the Beatlemania-inspired guitar boom of the ’60s”: Why the ’70s was a time of innovation and folly for guitar gear

The ’70s gets a bad rep from some guitarists but it's too easy to say this was a bad time for Gibson and Fender and that's the story. There were some real treasures and technological breakthroughs

Guitar World

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“It's every bit as good as a Flying V of old, except you don't have the liability of bringing out a unicorn guitar”: Joe Bonamassa's 1958 “Amos” Flying V was owned by Norm Harris and featured in Spinal Tap – now it's been recreated by Gibson's Murphy Lab

A year and a half in the making, the Collector's Edition “Amos” is limited to just 50 examples, and replicates in molecular detail all of the storied original guitar's quirks

Guitar World

“The first night I was in London, I met Gary Moore. Scott Gorham said, ‘We’re going down to this pub. It’s a jam night.’ When I saw him play I was knocked out”: Pat Travers on Thin Lizzy, Gary Moore –and what guitarists got wrong about Eddie Van Halen

The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of Snortin’ Whiskey

Guitar World

“The look and feel of a long-treasured musical companion”: Gibson expands Les Paul Standard range with satin nitro finishes and a plain mahogany topped model with a warmer tone and “punchier mids”

A subtle refresh of the Les Paul range that yields some very nice single-cuts and that TV Yellow plain mahogany topped model could be a real cult classic in the making

MusicRadar

“At home I have this thing that’s now 30 years old called a Zoom”: David Gilmour has one of the most revered guitar tones of all time – but he still uses a 30-year-old Zoom multi-FX for his home demos

He may have once had a guitar worth $4 million, and you'll still see physical heads and cabinets at his live shows, but when laying tracks down at home, the Pink Floyd legend's tastes are far from expensive

Guitar World

“I discovered how I had full access to the neck”: Why Grace Bowers prefers the Gibson SG to the Les Paul

Though her preference was originally based on aesthetics and weight, her reasons have – as she's grown more seasoned – expanded to feel and tone

Guitar World

“That thick sound you need for heavy metal – it’s all about the Les Paul. There’s no other guitar with the same kind of bottom-end as a Gibson”: Serj Tankian reveals he has a Gibson signature model on the way

The System of a Down frontman discusses his penchant for Gibsons, particularly Les Pauls, and elaborates on what we can expect from his signature model

Guitar World

“Not only a fantastic-sounding electric guitar for stage and studio use but is also equally enjoyable as a songwriting tool and is considered by many to be the ideal ‘couch guitar’”: Gibson brings back the ES-330

The hollowbodied electric is back and looking fresh in four finish options – including Gibson exclusive Ebony – and comes complete with dog-ear P-90s, deep-set neck and a trapeze tailpiece

MusicRadar

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“You’ve only go to look at the dynamic potential of 10 fingers on a keyboard compared to 10 fingers on a guitar ”: Steve Howe on six-string explorations and how a Novatron Summit opened a window into fresh chord voicings on his new solo album

Guitarscape, is the sound of the prog icon deploying his guitar collection in search of new sonic frontiers. The results are typically inventive, and here the Yes guitarist tells us how it came together

Guitar World

“Players once again have the opportunity to discover the magic of this classic”: Gibson has brought back the ES-330 – reviving one its most iconic hollowbody models for the first time in years

A distant cousin of the Epiphone Casino and a sibling to the more popular ES-335, the ES-330 has been out of the limelight for quite some time – but now it's officially back

MusicRadar

"Most people who are real dyed-in-the-wool Gibson people, they'll say behind closed doors, when the internet's not watching, that their favourite pickup is a P-90": Joe Bonamassa introduces new Epiphone signature guitar with the 1955 Les Paul

"I can already tell you this one sounds better than one of my original '55s," says Joe. And there's a new Flying V too!

Guitar World

“By their very nature, electric 12-strings are quirky… But surely there’s no cooler instrument on which to progress your jangly journey”: Gibson Custom Shop 1965 Non-Reverse Firebird V 12-String Reissue review

If there’s a cooler high-end electric 12-string on the market today we haven't seen it...

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Guitar World

“Pat and Joe came to the shop, and he loaned the money to Joe to buy the guitar. He bought it for $250”: Gibson unearths the forgotten history of Joe Staunton’s mystery “Orphanage Burst” – a ‘59 Les Paul like no other

The blues legend – also known as 'The Left-Handed Wizard' – first purchased the LP in 1969, and used it throughout the course of his career as he helped shape the Irish music scene

MusicRadar

“BB King’s performance alongside James Brown and more set the tone for one of the most iconic sporting events of all time”: Gibson unveils the BB King Rumble In The Jungle 1974 ES-355, and it’s a heavyweight knockout

This limited edition semi-hollow is a Murphy Lab replica of the Walnut 355 that King used when playing at the legendary Muhammed Ali and George Foreman showdown in 1974

Guitar World

“It wasn’t just a concert – it was a defining cultural moment”: Gibson honors one of B.B. King’s greatest live performances with knockout ‘Rumble in the Jungle’ ES-355

Before Gibson officially launched its Lucille model in 1980, King favored a 1974 Walnut ES-355, which was by his side during his iconic ‘Rumble in the Jungle’ set

Guitar World

“You put a Flying V next to a Les Paul, next to a Strat, on the floor, it won’t do anything. It becomes something with the person who picks up the guitar”: Michael Schenker reveals the story behind his longstanding love affair with Flying Vs

The UFO guitarist recently signed with Gibson and revealed that a Michael Schenker signature guitar is in the works

Guitar World

“At this level and price it’s a serious starter, spare or – as it ever was – a wicked slide guitar”: Guild Polara Deluxe review

Guild has revamped its ’70s-era Polara range. We spent some time with this mid-range 2024 model: a modern pawn-shop prize or a copy too far?

Guitar World

“I developed my playing style from being in bars, playing solo. People are shouting over your music... silences make them notice themselves – and then they notice you”: Ani DiFranco on the dark arts of acoustic –and why she’s over online ‘performers’

Percussive and heavily processed, the US troubadour’s new album, Unprecedented Sh!t, burns the playbook of acoustic folk

Guitar World

“Here to make bold statements”: Harley Benton brings an elusive Gibson-inspired finish back for the masses in latest sub-$350 335-a-like – which is joined by an equally affordable semi-hollow bass

The champion of cheap guitar gear is back with an EB-2-inspired bass and perhaps its finest-looking semi-hollow stunner yet

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