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The Latest Breaking News from Geoff Emerick

“It made me want to write a song that, if it ever got back to the people going through those troubles, might just help them a little bit”: The intricate genius and powerful subtext behind a Beatles acoustic gem

At the very heart of the White Album, this tender Beatles masterpiece pulled from the classical music tradition and empathised with the American civil rights movement

MusicRadar

"He's with that meth lab that he designed, his baby - the lyrics back that up and he is at peace with himself": The story of the minor seventies hit that soundtracked the bloody finale of Breaking Bad

The story of the song that accompanied Walter White's demise

Louder

“The piano just started speaking to me”: How Kate Bush stunned David Gilmour with a masterpiece of songwriting she made at just 13 years old

The early song was unmistakable evidence of Bush’s boundless talents

MusicRadar

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“George Martin came up to me that morning and said, ’Oh, I’ve got a poser for you... I know it’s never been done before, can you do it?“: The story of the greatest thing The Beatles ever recorded

How Sgt. Pepper's epic finale was created

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“John said, ‘I don’t know where to go from here.’ So Paul said, ‘Well, I’ve got this other song I’ve been working on.’ They joined the two bits together to make one song”: The story of the greatest thing The Beatles ever recorded

How Sgt. Pepper's epic finale was created

MusicRadar

“We could see John begin smiling. At the end of the first verse, he gave an exuberant thumbs-up and McCartney and Harrison began slapping each other on the back”: How one Beatles track spawned a recording technique revolution

Originally called ’The Void’, the groundbreaking song found the Fab Four exploring higher planes of consciousness - and leaning on the studio more than ever before

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"It was ugly, like watching a divorce between four people. After a while, I had to get out": Beatles engineer Geoff Emerick on the recording of Abbey Road, track-by-track

A classic interview with the band's late chief engineer – "You could really see the joy in their faces as they played; it was like they were teenagers again"

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"The greatest pop record ever made. A record that never dates, because it lives outside time”: How The Beatles created Strawberry Fields Forever - the experimental masterpiece that John Lennon regarded as the best song he ever wrote for the band

Lennon called it “psychoanalysis set to music”

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“If we had tried to plan it, it would’ve never happened. The thing happened just by magic”: From Beatlemania to All Things Must Pass and beyond – the definitive guitar history of George Harrison's greatest recorded works

Guitar World's Beatlemaniacs assemble for the deepest of deep dives into the recorded output of a pop-cultural icon and genius player to find that there was no one quite like George Harrison

Guitar World

“George asked, ‘Is it OK if I do a little slide?’ I had a ’63 Strat, and that’s what he used. He was one of the best slide players ever”: They flew high with the help of the Beatles, and a few hits, then collapsed in a mess of mismanagement and tragedy

Their story is often cited as one of the saddest in rock, but Badfinger were also one of the sharpest guitar pop acts of their era. Here, the late Joey Molland recounts their roller-coaster ride of a career from his perspective

Guitar World

“Because the guy’s got a knife, he’s fairly persuasive!”: How Paul McCartney survived a mugging - and a mutiny - to create his solo masterpiece

The full, amazing story of Band On The Run

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"George had a smugness on his face when he came in with this one, and rightly so - he knew it was absolutely brilliant.": Beatles engineer Geoff Emerick on the recording of Abbey Road, track-by-track

A classic interview with the band's late chief engineer – "You could really see the joy in their faces as they played; it was like they were teenagers again"

MusicRadar

“He ended up with a fully-fledged, pro studio - it just happened to have an engine and some wheels underneath”: David Gilmour, The Rolling Stones, Timbaland, Depeche Mode and more in nine of the weirdest recording studios ever built

Who needs a boring static building to record in when you can have one on wheels?

MusicRadar

"George had a smugness on his face when he came in with this one, and rightly so - he knew it was absolutely brilliant.": Beatles engineer Geoff Emerick on the recording of Abbey Road, track-by-track

A classic interview with the band's late chief engineer – "You could really see the joy in their faces as they played; it was like they were teenagers again"

MusicRadar

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“I’m at work in the petrol station and I read the album is at No. 23. I’d last heard it at a playback in George Martin’s studio”: Stackridge’s Monty Python-like experience with The Man In The Bowler Hat

A unique band with a comedy edge, they couldn’t believe it when Beatles producer agreed to work with them in 1973 – but their luck didn’t hold

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"I know me and I know my playing... and then there's Rain": The Beatles' greatest b-side was ahead of its time, but it also exposed a difference of perspective between Lennon and McCartney

Rain features some of the greatest individual performances by the four Beatles while sounding like it was beamed from the future

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"Because I don't read music, I didn't know what the melody that went with it was": Paul McCartney explains why his musical limitations and "stealing" benefitted the Abbey Road medley that gave us The Beatles' true swansong

"It's turned out to be quite soulful," the legendary songwriter reflects

Louder

“A fascinating listen that sometimes sounds like a missing 10cc album plus a little Be Box Deluxe”: Nektar’s Recycled 5CD set

Cult 70s proggers’ absorbing sixth album presented at its fullest.

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"George Martin knew Robert Moog, and asked him to come to Abbey Road and show us this Moog thing": Paul McCartney on the synth used on the final Beatles album and how its 'noise' created tension in the band

Did the Moog synth speed up the demise of the Beatles?

MusicRadar

The Paul McCartney Beatles song John Lennon hated: "He made us do it a hundred million times. He did everything to make it into a single and it never was, and it never could've been"

Paul McCartney: “I remember the guys getting pissed with me... I was trying to get what was in my head.”

MusicRadar

"We take the original image and split it through a double vibrocated sploshing flange with double negative feedback": The Beatles, Les Paul, or Larry Levine? Who really discovered flanging?

Best of 2023: Lennon and George Martin are often given the credit, but flanging might well have been around for years before they 'discovered' it

Louder

“All I could do to accommodate requests for new sounds for them was just to abuse the equipment": How The Beatles' Revolver revolutionised music

Revolver is a feat of The Beatles' sonic experimentation and songwriting genius, and this is the story behind how the album was made

MusicRadar

John Lennon's 10 greatest songs with the Beatles and beyond, ranked by you

On the anniversary of his death we're revisiting your ranking of on John's finest songs

MusicRadar

“You have people who are into computers and synthesisers, and then you get those who are interested in real music”: Geoff Emerick was totally anti-technology back in 1985, but he did correctly predict the future of recording

It was better in his day, he said, and it turned out he was right

MusicRadar

"I said, 'we've added a double wiflocated sploshing flange.' John laughed and said 'let's flange again then'": George Martin and John Lennon thought they'd invented flanging but the whole debate has now taken an odd turn

We discussed whether John Lennon and George Martin really discovered flanging a few months ago. Now the story has taken a wiflocated twist…

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