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The Latest Breaking News from Guitar World

“Harrison put the SG into immediate use on recording sessions for Revolver”: George Harrison’s 1964 Gibson SG Standard is officially part of the multi-million dollar guitar club – but as a piece of Beatles history it’s priceless

Sold at auction for $2,271,000, Harrison’s SG is one of the most significant Beatles guitars

Guitar World

“The Telecaster is like the heart and soul of rock and roll music”: Fender celebrates 75 years of the Telecaster with 5 new models – including the return of a cult classic and some Tele firsts

From a 1951 Road Worn edition to the Big F’s first-ever dual rail humbucker, vintage and modern come together for a T-shaped birthday party

Guitar World

“I literally cried tears of joy”: After years of searching, YouTuber finally uncovers the identity of Kurt Cobain’s mystery In Utero amp

Guitarist and YouTuber Aaron Rash has been documenting his tonal quest for four years – now he’s discovered the amp that’s been driving him crazy

Guitar World

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“Living in the shadow of my grunge parents, Courtney and Billy… it was a complex and exhausting shadow to come out from under”: Melissa Auf der Maur on joining Hole amidst tragedy and her “Master’s in Music” with the Smashing Pumpkins

In her love letter to the ’90s – the last analog decade – the Hole and Smashing Pumpkins bassist shares how she fell in love with the low-end and became an integral part of the noise-making generation

Guitar World

“Instead of creating a polyphonic tuner itself, it simply knocked off Empower's patented device instead”: Behringer sues Boss over “knock off” polyphonic tuner

Behringer’s parent company claims its patented polyphonic tuner, the TC Electronic PolyTune, has been wrongly copied by Boss for four of its flagship amp modeler pedals

Guitar World

“I get up to the counter and the guy’s like, ‘Ah, you know what? I just don’t like that guitar. I’ll give it to you for a few hundred bucks’”: Cory Wong on not buying the Klon hype and vintage unicorns lost and found

The modern-day funk maestro discusses his career in gear, and that means Strats, creative gear solutions, and why he never got swayed by the “mystique” of Klons and tube amp grails

Guitar World

“When the song was done, I turned to everybody and said, ‘I think this song is going to be massive’”: Don't Stop Believin' is Journey's signature song – now, the guitar that was used to record it has been sold for over a quarter of a million dollars

Neal Schon's 1977 Gibson Les Paul Pro Deluxe was part of the historic Jim Irsay auction

Guitar World

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“When you plugged in a guitar it would overdrive like crazy – it was incredible!” How a Radio Shack pedal and a fiery Fall Out Boy guest spot helped Filth is Eternal live up to their name

After finding inspiration in an old Radio Shack analog reverb, guitarist Brian McClelland’s tonal experimentation has exploded – and it’s added more bite to the band's new release, Impossible World

Guitar World

“We were still gluing the fur on the tuning keys when the FedEx driver showed up”: Paul McCartney, Fleetwood Mac and ZZ Top basses top the biggest four-string sales at historic Jim Irsay auction

The late billionaire’s sensational instrument collection has gone under the hammer, including some very notable basses

Guitar World

“After the set, Hendrix came knocking on the dressing room door and said, ‘I want you to come on tour with me’”: Chicago bassist Peter Cetera reflects on signing for Columbia Records, opening for Jimi Hendrix and why Paul McCartney changed everything

The newly named Chicago were invited to open for The Experience on several dates during their 1969 US tour

Guitar World

“When I was seven years old, my dad put a guitar in my arms – it became everything to me”: Miles Caton, Buddy Guy and Brittany Howard lead all-star Sinners performance at the Oscars – as composer Ludwig Göransson pays tribute to the guitar

Göransson picked up the award for best score as the blues was thrust into the spotlight with a performance that also featured Christone 'Kingfish' Ingram and Eric Gales

Guitar World

“The wood was underwater for thousands of years. It’s shocking it works as well as it does”: Jason Isbell on the acoustic that was eons in the making and how a stolen guitar brought him into the Martin lineup

Country star Jason Isbell has played Martins ever since he was bailed out by the company after his van was looted… And now he presents new signature models based on his rare pre-war 0-17

Guitar World

“We knew that if Tiger went somewhere else, it was most likely going to be left behind glass”: Derek Trucks plays Jerry Garcia’s ‘Tiger’ guitar on stage just hours after it sold for $12 million

The second most expensive guitar of all time is already playing out its new owner’s promise of an active second life

Guitar World

“One of the greatest rock albums of all time”: Former Kiss guitarist Vinnie Vincent is charging $2 million for his new album

Buying Guitarmageddon might be financial armageddon, but there are some unusual perks to be had, too

Guitar World

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Guitar World

“It’s weirdly heavy, which you wouldn’t necessarily expect from its diminutive size”: Up close and personal with Prince’s $635,000 Yellow Cloud guitar

Flamboyant, elegant and built to rock – it can only be one of Prince’s touring guitars. We take a closer look at a guitar that might be shaped like a cloud but has a heft to it that's more Les Paul than cirrus minor

Guitar World

“The basic rotary sound is very convincing”: Crumar Burn review

Made by a keyboard company for use with its organs, this rotary simulator pedal has plenty to get guitarists in a spin

Guitar World

"We let John take this out and beat it up for a while. This is about as robust a unit as we can make – because it needed to be”: Inside Fender’s B-Bender revival – and the making of its very first in-house design

Fender’s Chief Engineer Tim Shaw lifts the lid on the making of the John Osborne Telecaster, the challenges around creating a B-Bender for a heavy-handed player, and the freedom that comes with designing hardware in-house

Guitar World

“Will appeal to high-gain players without unlimited budgets”: Victory MKX Lunch Box Head review

Victory’s most advanced compact amp to date promises huge tone-potential in a lunchbox-sized package. We’re feeling hungry…

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Guitar World

“A lot of people said it was Ozzy’s worst record ever. By the late ’90s, I thought, ‘I guess it was. I just really sucked on it’”: Jake E. Lee on his battle to make Ozzy Osbourne’s The Ultimate Sin – and how he learned to love it in spite of the critics

It was one battle after another, not least because Lee, a night creature, was forced to work in the afternoon, but it was the sound of the former Ozzy Osbourne guitarist reinventing metal guitar

Guitar World

“One of the coolest things we saw at Fender’s invite-only NAMM event”: All the guitar gear that has caught my eye this week – including the answer to all your modeler tone woes

Fresh new drops from Taylor, Fender, Gibson, Eastwood and more...

Guitar World

“My comfort zone is big volume and lots of blues”: Motörhead guitarist Phil Campbell has died aged 64

The metal pioneers’ longest-serving guitar player has passed away after a major operation

Guitar World

“There was a lot of mythology around there being ‘secret drugs compartments’”: How 2,000 hours of work and some of the world's most exotic tonewoods birthed Jerry Garcia’s “Tiger”

Ornate, laden with brass and exotic woods, ‘Tiger’ has become one of the world’s most expensive guitars as part of the recent Jim Irsay auction

Guitar World

“We thought, ‘He’s a massively successful artist – what could possibly go wrong?’ We really didn’t like the results, so we didn’t give permission for it to be released”: The folk-rock album recorded with an ’80s mega-star that never saw the light of day

When Richard and Linda Thompson entered the studio with Gerry Rafferty they thought only good could come of it. But creative differences saw the songs shelved... At least for a time

Guitar World

“Elevates one of Gibson’s most beloved modern designs”: Gibson revives and refreshes its Songwriter Recording Artist acoustic range

Two new models, with and without cutaways, blend vintage Gibson tones with a modern dreadnought shape and L.R. Baggs electronics for a best of both worlds approach

Guitar World

“She told me, ‘That Les Paul’s too heavy for you, honey. You’re not gonna be able to do that.’ So she took me to Norm’s Rare Guitars”: When Bonnie Raitt took Melissa Etheridge guitar shopping – and convinced her to swap her Les Paul for a Strat

Proof that we should always listen to Bonnie Raitt's advice, Etheridge never looked back with the Strat

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