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And the winner isn’t … where the Academy Awards nominations got it wrong

Arthurian fantasies, Brazilian thrillers and scatological comedies – our critics celebrate the films that were unjustly snubbed for this year’s Oscars

The Guardian - UK · Mar 25, 2022

Tense Oscars Race nears End as Show Aims to Win Back Fans

Hollywood is anxious to find out if "CODA," "The Power of the Dog" or "Belfast" will be named the year's best film at the Oscars on Sunday -- and whether audiences will actually tune in to see it happen. Moody Western "The Power of the Dog" had looked set to…

Asharq Al-Awsat · Mar 25, 2022

Bridgerton fans delighted as Derry Girls' Nicola Coughlan uses real accent in season 2

Derry Girls actress Nicola Coughlan makes an appearance in the first episode of Bridgerton season 2 as Penelope Featherington, but she's also up to her old tricks as Lady Whistledown

Daily Mirror · Mar 25, 2022

Bridgerton on Netflix: Daphne actress Phoebe Dynevor's real life - famous mum and dating Kim Kardashian's boyfriend

The second series of Netflix's Bridgerton is here with Phoebe reprising her role as Daphne

Manchester Evening News · Mar 25, 2022

Moon Knight to Slow Horses: the seven best shows to stream this week

Oscar Isaac is Marvel’s trippiest superhero to date, while Gary Oldman and Kristin Scott Thomas star in a new spy thriller about a motley band of MI5 outcasts

The Guardian - UK · Mar 25, 2022

Bridgerton season 2: Who is Kate Sharma actress Simone Ashley in Netflix series?

Sex Education star Simone Ashley takes on the role of Kate Sharma in the highly-anticipated second season of Bridgerton, but who is the Netflix actress and where is she from?

Daily Mirror · Mar 25, 2022

Bridgerton season 2 review: So different they might as well have renamed the entire show

The central dilemma (and the very attractive couple seeking to resolve it) of the first season has been excised, giving this opening episode – ‘Capital-R-Rake’ – the feeling of a spin-off

The Independent UK · Mar 25, 2022

The Power of the Dog: Why Jane Campion’s startling, simmering western should win the Oscar for Best Picture

Bleak, subtle, and lushly filmed, Netflix’s Montana-set drama is a blistering return from a director whose last feature came more than a decade ago. The Academy Awards could provide the perfect chance to give one of the world’s foremost filmmakers her due, writes Leonie Cooper

The Independent UK · Mar 25, 2022

Don’t Look Up: Why Adam McKay’s divisive doomsday satire should win the Oscar for Best Picture

Critics and audiences were split over the A-lister-packed disaster movie, but Kevin E G Perry argues it deserves to take home the Academy’s biggest prize for finding cathartic laughter in the dark

The Independent UK · Mar 25, 2022

Bridgerton didn’t need Regé-Jean Page – in fact, it’s better without him

Fans may have been worried that the smash hit Netflix series would lose its sex appeal sans its biggest star, but the show’s second season has far more dynamic tricks up its sleeves, writes Nicole Vassell

The Independent UK · Mar 25, 2022