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The Latest Breaking News from Gibson

“The tone EC achieved on that record has become one of the classic archetypes for how an electric guitarshould sound”: How Eric Clapton got his tone on John Mayall and the Bluesbreakers’ ‘Beano’ album

The ‘Beano’ album has become a benchmark for how a Les Paul ’Burst and a Marshall could sound together. But how Clapton got that tone is a little more complex than that...

Guitar World

What if Jimi Hendrix jammed with Eric Clapton, or Gary Moore traded solos with Joe Bonamassa? We imagine 5 all-star fantasy blues jams and what they would sound like

Welcome to an all-star fantasy blues jam, featuring a greatest hits of blues players, their signature licks, and how to put them together and incorporate them in your own playing

Guitar World

“When the Strat went, I couldn’t believe it. We went in to make our first album and the pickup went. I had to use the backup I kept on the side…” Tony Iommi was a Fender Stratocaster player before fate intervened – and he had to reach for his Gibson SG

Iommi went to the studio intent on recording Black Sabbath's debut album with his heavily modded Strat. Things didn't quite go according to plan...

Guitar World

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“It’ll suit those players who like to hit hard and make their guitar really shout”: Epiphone Masterbilt Texan review

We put this unsung acoustic hero through its paces and find out if it’s deserving of more plaudits

Guitar World

“My old drummer said, ‘Hey, I’ve got this friend. He’s got a ’59 Strat, and he needs money. He’ll sell it to you for four grand, cash’”: Rick Springfield on the vintage Fender Stratocaster he feels “terrible” about buying

As a bona fide guitar collector, Springfield owns many storied guitars – including his trusty Gibson SG, on which he wrote his career-making hit

Guitar World

“World-class... It just feels like a vintage classic that never was”: Daniels Gravitas review

A fascinating reimagining of Gibson’s Firebird, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound…

Guitar World

“I was so into that moment, it was like being stoned… not separated from the guitar and what I was playing. It was joyful”: From unexpected ES-335 solos to jams in a barn, here is your guitar guide to David Gilmour’s breathtaking Luck and Strange

Gilmour says it’s his best since 1973. It’s a solo work but was borne of collaboration. But it might just be the guitar album of the year, and we go track-by-track to parse its brilliance

Guitar World

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“A great statement guitar. It looks fantastic, plays well and sounds superb”: Epiphone Jimi Hendrix Love Drops Flying V review

Prepare to kiss the sky with Epiphone’s latest ‘Inspired By…’ model, as the Gibson Custom Shop collaboration bears fruit with a Hendrix classic with a serious spec

Guitar World

“I had a three-string nylon guitar from my stepfather. When he gave me that, he carved my future out. If I’d had a traditional guitar, I’d have had a whole different outlook”: Mötley Crüe’s Nikki Sixx on fate, Thunderbirds and Smoke on the Water

The bassist discusses a new lease of life with old friend John 5, new ’Crüe the band’s –and his eternal confusion over beloved Gibson reverse bodies

Guitar World

“I went to Jimmy Page’s hometown. I’d walk the streets he walked and breathe the air he breathed… I even noticed the smell when it rained”: Akio Sakurai aka Mr. Jimmy has studied the Led Zeppelin icon for 43 years – and elevated tribute artist to high art

The star of the 2019 documentary reveals the one Page tone he can’t figure out, goes into incredible detail about pickups, and explains why there’s still one Gibson missing from his Page collection

Guitar World

“I just took it out and I could see all the flame coming out on the side of it and I went, ‘Oh my goodness gracious.’ It’s just so beautiful”: Gibson unveils stunning $19,999 replica of Jimmy Page’s 1964 SJ-200 acoustic

The Murphy Lab has been turned loose on a limited run of two super-collectible acoustics inspired by the SJ-200 that Page played on Led Zeppelin’s debut album

MusicRadar

"With effortless playability, charming good looks, and a distinctive sound, it's no wonder the J-45 is still going strong over 80 years after it was first introduced": Gibson J-45 Standard review

Gibson's legendary acoustic is beloved by everyone from Dylan to Slash, but is it really worth the price? We find out

Guitar World

“It was an amazing-sounding instrument”: Gibson’s Jimmy Page SJ-200 is a five-figure signature model based on an acoustic he borrowed to record Led Zeppelin’s debut album – before it was stolen

According to Gibson, the new acoustic has been “rendered to Page’s exacting recollection”, owing to the apparent absence of the original model

Guitar World

“Daron’s the guitarist, I’m the vocalist, and yet he was using my Strat… Then somebody stole it after breaking our car window”: Serj Tankian reflects on his guitar journey with System of a Down, Tony Iommi, Buckethead and beyond

In a rare guitar interview, Serj Tankian breaks down his “fast folk” playing style and upcoming signature Gibson Les Paul, his love of shredders, and freaking out Maynard James Keenan (and being freaked out by Buckethead)

Guitar World

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MusicRadar

There's no need to suffer with high (or low) action anymore: How to adjust the string height on your electric guitar and bass

Get the guitar action you need

Guitar World

“I’m an approachable guitar player. I’m not Slash or Jimi Hendrix. I write songs and play with energy. My signature model had to be accessible to everyone”: How Yungblud became punk’s next guitar hero, bringing high-volume rock to Gen Z

Armed with a new Epiphone signature model, the punk-rock hero and Gen Z superstar shares the story behind his incredible rise – and his plans for what comes next

MusicRadar

“A new Inspired by Gibson Custom signature model from one of Japan’s most well-loved guitarists”: Epiphone and Tak Matsumoto strike gold with 1955 Les Paul Standard based on his vintage original

This Epiphone x Gibson Custom shop collaboration is liberally finished in Antique Gold and features USA Burstbucker Pros, but it’s only available in Japan and from the Gibson Garages

Guitar World

“I’ve probably had an equal number of guitars stolen as what I’ve sold”: Joe Perry names the desert-island pickup that nobody talks about, explains why there are no bad tones, and makes an appeal for the cheap guitar he foolishly sold and wants back

Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars

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Guitar World

Two of today’s brightest guitar talents, Marcus King and Grace Bowers, team up for a surprise solo-fueled rendition of a Kris Kristofferson classic on stage in New York

Bowers and King joined forces to pay tribute to the late country icon with a cover of Me & Bobby McGee

Guitar World

“One of Japan’s most well-loved guitarists”: Epiphone’s latest Takahiro Matsumoto signature is based on a hugely desirable 1955 Gibson Les Paul Goldtop – and honors the player behind Japan’s best-selling musical act

The founder of legendary Japanese rock act B’z has helped develop an Epiphone recreation of his vintage 1955 Les Paul

Guitar World

“I see people my own age in the audience, and their minds are blown. I’m making this stuff sound new to them”: Grace Bowers on her dizzying rise as the world’s next guitar hero, breaking the law to hone her chops, and why she’s “not a natural”

The 18-year-old might be the greatest thing to come out of Nashville since Martin's Bar-B-Que Joint but she's keeping her feet on the ground, hands on her SG, as everyone else stands in awe of her prodigious talent

Guitar World

"The sound is warm and inviting, with a powerful low-end thump that only comes from a jumbo acoustic": Guild F-55E review

The F-55E is a larger-than-life jumbo with an all-encompassing tone and striking good looks

Guitar World

“He seemed to get so much out of so little, didn't he?”: Former Primal Scream guitarist Barrie Cadogan reacts to playing Rory Gallagher’s golden-era Gibsons

Cadogan notes how Gallagher managed to create such a distinct sound, even with relatively simple gear, as he tries out the legend's 1963 Gibson Melody Maker

Guitar World

“I wanted to sound like Jimi Hendrix on his first album. It was good to have that there for a while”: Brian May reveals the off-the-wall Red Special mod from his pre-Queen days that he ended up removing

The wild electronics upgrade didn't last for very long, but it can be heard on some of May's earliest pre-Queen recordings

Guitar World

“The decline of America’s biggest guitar companies during the ’70s was essentially a hangover from the over-ambitious reaction to the Beatlemania-inspired guitar boom of the ’60s”: Why the ’70s was a time of innovation and folly for guitar gear

The ’70s gets a bad rep from some guitarists but it's too easy to say this was a bad time for Gibson and Fender and that's the story. There were some real treasures and technological breakthroughs

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