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The Latest Breaking News from Guitar World

“A no-brainer purchase for ambience freaks, shoegazers and experimentalists”: Source Audio Encounter review

Building on what it started with its Collider delay/reverb pedal, Source Audio delivers a close Encounter of the ambient kind

Guitar World

“It would have been okay if I had an acoustic guitar, but the electricity made it like ‘you're not allowed’”: Joan Jett on the battles she faced to become a rock guitar icon

Growing up, Jett defied the norms and expectations that “girls don't play electric guitar” – and went on to become a bona fide trailblazer and legend

Guitar World

“It was the perfect guitar for him to pay tribute to Tony”: Kirk Hammett’s guitar auction shatters expectations – with his mystery Back to the Beginning SG fetching $70,000 more than anticipated

Around 150 of Hammett’s guitars were part of Julien’s latest Played, Worn & Torn auction

Guitar World

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"I feel closer to what I'm playing, more connected in a way I've never really felt with other semi-hollow guitars": Orangewood Clementine review

Orangewood's second-ever electric guitar release leans into its acoustic roots and a high spec, but can it win you over from the established giants of semi-hollow guitars?

Guitar World

“Thank goodness it wasn’t painted”: John Entwistle’s Warwick bass triples in value after analysis reveals links to another rock great

The prototype's natural finish and some sharp eyes have helped it to a huge bump in value

Guitar World

“They each have their own weird little soul”: Tom DeLonge has unveiled 10 new Fender Starcasters – and they’re made with actual meteorites from the Moon, Mars and more

The Ad Astra 10 guitars are inspired by DeLonge's Custom Shop model, with each featuring fragments of different meteorites

Guitar World

“I couldn't stop vomiting. The room wouldn't stop spinning”: Ritchie Blackmore issues health update after tour cancellation

The guitar legend has opened up on his recent health issues after a handful of Blackmore's Night shows were cancelled

Guitar World

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“They can show you what a guitar is about right away”: Wolfgang Van Halen names the 2 classic rock tracks he plays to test any electric guitar

Forget the forbidden riffs and the flashy taps. Wolfgang finds it's better to keep things simple...

Guitar World

“If all you want to do is sound like Stevie Ray Vaughan, you’re screwed. There was only one of him and he did it better than anyone else”: What Guthrie Trapp learned while escaping the country player label – and how the fretboard can change your life

The session ace explains what’s wrong with modelers, why anyone emulating SRV is doomed to fail, and how he nearly missed out on jamming with Billy Gibbons

Guitar World

“Tony Rice is the closest guy to a shredder that I was fixed on – but he could only influence me so far because I didn’t really understand his vocabulary”: Robbie Fulks on the “miracle” of bluegrass and the ecstasies of improv solos

Don’t plan guitar solos, says this acoustic mastermind – let them fly naturally

Guitar World

“The guitar is the most difficult instrument to play. Trumpet players might argue with me”: Robben Ford on his favorite Tele, Dumble magic and why the guitar is a tough nut to crack

The jazz, blues and rock great plays favorites with his gear and recalls that time when he was supporting Jimmy Witherspoon and he took a fall... and took the drums with him

Guitar World

“I’m so glad I got to play it again”: YouTube’s first viral guitarist has returned – and he’s re-recorded the cover from 20 years ago that paved the way for social media shred videos

funtwo's original cover of Canon Rock helped shape the future of a then-new YouTube

Guitar World

“I spent 14 years in the Iron Maidens. It was a great time… but I didn’t start playing guitar to be a professional tribute musician”: How Courtney Cox found her own identity bringing malevolent riffing to the coven of Burning Witches

Burning Witches' new album finds co-founder and rhythm guitarist Romana Kalkuhl and Cox following in the great tradition of dovetailing guitars. As Kalkuhl sees it, it's a sisterhood of metal

Guitar World

“Watch out, Silver Sky. You’ve got some stiff competition from another PRS signature…” All the guitar gear that has caught my eye this week – including the latest reissue of one of Gibson’s most sought-after signature models

Mark Lettieri's irresistible Fiore gets an HH makeover, John Petrucci's baritone signature makes its long-awaited return, and the Line 6 Helix Stadium XL finally arrives...

Guitar World

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Guitar World

“I wrote that for my mom. I never thought about releasing it, but she passed away last year”: Fresh off his stint with the Goo Goo Dolls, Sammy Boller has a new EP – featuring two-handed tapping and an 8-string borrowed from Tim Henson

The Detroit instrumentalist phenom's new solo EP comes straight from the heart, with wide-range dynamics and Boller's typically audacious style

Guitar World

“I met Billy Cobham on a Campbell’s Soup jingle and doing an Avon jingle with Herbie Hancock. It was an amazing time”: A pre-fame Stanley Clarke took chance after chance at a 1974 session with Aretha Franklin – and helped define a soul classic

Clarke's early session career offered tantalizing glimpses of his technical prowess and innovations, and hints of how he would transform the low-end landscape with Return To Forever and his own solo albums

Guitar World

“My wife has told me, ‘I see from the outside that you can’t stop. This is who you are, this is what you do’”: George Lynch on resurrecting his band, what it would take for him to go back to blues, and chasing that elusive masterpiece

Returning with another Lynch Mob album – despite attempts to ditch the name – the Dokken guitarist reflects on his bad decisions, what went wrong with the original lineup, and the ongoing hunt for his own Band of Gypsys

Guitar World

“A really musical effect, perfectly implemented in a tiny footprint”: Electro-Harmonix Pico Swello review

Electro-Harmonix takes one of the best-loved features of its POG2 and puts it into a standalone pedal

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Guitar World

“I’ve never been a fan of slogging it out at auction. There are exceptions, though...” Joe Bonamassa says Gary Moore’s playing changed his life – now he’s just bought a piece of his guitar hero’s gear at auction

Bonamassa had banned himself from expensive big amp purchases in June, but this proved too tempting to pass up

Guitar World

“I’d heard these rumours that ‘it’s even been a sunburst’… I’ve read that one, too. But I could find no evidence of this”: Up close and personal with Gary Moore’s mythical 1960 Fender Stratocaster – the $330,000 Strat that lit up his Red House performance

Having just been auctioned for megabucks, we take a closer look at Moore's red Strat, sifting through the myths behind a guitar forever linked to his blazing 2004 performance of a Hendrix standard

Guitar World

“I found it more rewarding playing bass than playing rhythm. I've always been into Northern Soul and funk grooves and it was like, ‘This is it’”: Anchoring Primal Scream and the Stone Roses, Mani proudly defied trends, and re-defined rock bass in the 90s

In this 2000 interview, the late Gary “Mani” Mounfield discusses “trouser flapper” amps, groove, the making of Roses classics, and the problems of playing with a drum machine

Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

Guitar World

“People think you can just drop it a few times and drag it down the street… but it’s actually a really intensive process”: The art of relic’ing a Fender guitar – and why it’s harder than you think

Fender’s Chief Product Officer explains the science behind a relic job, and why for many players it’s the best chance they’ll get to own a lived-in guitar

Guitar World

“I saw the harmonica player, and he asked me, ‘Do you have any reefer?’ He also said, ‘Oh, Muddy just fired somebody last night...’” Bob Margolin had long admired Muddy Waters – then came a chance backstage encounter, and the gig of a lifetime

Margolin played with Waters for almost seven years and maintained their friendship until the blues icon's death in 1983

Guitar World

“It’s got one bit where I’m tapping on the frets. I got that idea from Eddie Van Halen”: The Last Dinner Party’s Emily Roberts reveals how she took a page from Van Halen’s book to craft the band's most popular track

Queen, Brian May and the theatricality of ‘70s rock is writ large in Roberts’ style, but she says she takes inspiration from all corners of the guitar world in search of a sound that’s uniquely hers

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