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The Latest Breaking News from Guitar World

“The best-sounding, most powerful, and most flexible processing Line 6 has ever offered”: Line 6’s Helix Stadium Floor is finally shipping – 8 months after it was first unveiled

The smaller Helix Stadium Floor variant offers the same powerful modeling and unique live rig features, but with a more compact footprint

Guitar World · Feb 18

“I had a poster on my wall of B.B. King playing Lucille. I always wanted one of those guitars”: Gary Clark Jr. comes full circle with a new signature Gibson ES-355 that pays homage to his hero

The stunning signature is a recreation of Gary Clark Jr.'s one-of-one Custom Shop model – and it channels his love for B.B. King

Guitar World · Feb 18

“I showed it to John Paul Jones. He laughed. And then he played it. He went from giggling to joy”: When Josh Homme introduced a Led Zeppelin legend to his secret-weapon amp

The Led Zeppelin bassist had low expectations for the unassuming gear pick, but quickly discovered why it’s crucial to Homme’s sound

Guitar World · Feb 18

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“I spent a lot of shows in the beginning wondering if he was upset”: John Mayer opens up on his early Dead & Company insecurities – and learning to share the stage with his hero, Bob Weir

The Grateful Dead icon, who passed away in January, became one of Mayer's closest collaborators during the latter years of his career

Guitar World · Feb 18

“My main memory is thinking if I stood still for too long, I’d get hit with a beer can”: Thundercat on getting his start with hardcore punk legends Suicidal Tendencies – and how that developed his bass chops

Thundercat may best be known as a funk and R&B-oriented bassist – yet, he got his start in thrash metal and hardcore punk

Guitar World · Feb 18

“People want real experiences. There’s a backlash to this era of perfect music, and I appreciate it”: Converge’s Kurt Ballou on mixing pedals with amp modelers, guitar recording hacks and reclaiming metal’s authenticity

Fifth album Love is Not Enough sees the producer-guitarist embracing modern gear while opposing modern music’s “data-entry” trends – and returning to a jam space filled with Christmas lights and Iron Maiden flags

Guitar World · Feb 18

“I wandered into a Guitar Center vintage room, plugged it in and it just floored me. People literally started coming in asking what amp I was playing”: Inside Fender’s mission to bring the ’62 Super Amp back from the dead

Long hidden in the shadows of Fender history, the early ’60s brown-panel Super Amp has reemerged. Senior product manager, Rick Heins, talks us through its rebirth

Guitar World · Feb 18

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“I love the sound of acoustics and electrics, which is why I try to merge the two… I prefer bigger textures”: How Pavey Ark are reinventing acoustic guitar with pedals, fake nails and a $60 nylon-string that holds its own in any company

Neil Thomas’ adventurous playing and ear for unorthodox tuning finds the English collective exist between two worlds of traditional and neo-folk

Guitar World · Feb 18

"A triumphant first all-analog pedal from Strymon, which will inject your rig with some impressively usable and versatile drive tones": Strymon Fairfax Class A Output Stage Drive pedal review

Strymon's unexpected departure from its usual DSP-led design is a recreation of Randy Bachman's Garnet Herzog – and the result is something rather stellar

Guitar World · Feb 17

“Gene and Paul came back to the studio with their jaws on the floor. Gene said, ‘No-one has ever turned down Kiss’“: The glam-rock guitarist who accidentally turned down Kiss

Punky Meadows, best known as the guitarist for glam-rock outfit Angel, sets the record straight on auditioning for Kiss, being chosen on the spot, but never actually making the band…

Guitar World · Feb 17

“I cut my finger and got blood on the fretboard. It felt like the guitar had chosen me”: Deftones are fans. Wet Leg invited them on tour. Meet Mary in the Junkyard, the classically rooted alt-rockers making mind-bending indie with Elliott Smith’s tunings

London songwriter Clari Freeman-Taylor explains the eureka moment of moving to electric from classical guitar, her blood-sealed bond with a new Epiphone, and why she keeps leaving pedalboards on Lime bikes

Guitar World · Feb 17

“I’ve had great luck doing the exact opposite of what the internet tells me”: Joe Bonamassa on the ‘unorthodox’ Marshall hack he nicked from Zakk Wylde

The bluesman turned to the former Ozzy guitarist to get the most out of his Marshalls

Guitar World · Feb 17

“In the world of extended chords, this is as far as we can go”: Demystifying 13th chords, the voicing that Stevie Ray Vaughan used to stunning effect in Lenny

This primer in 13th chords will give you five voicings to use in your playing – and an explanation on how they get their name

Guitar World · Feb 17

Joe Satriani’s amp builder has released a potentially game-changing pickup system – which gives players the power to choose where their gain is created

3rd Power's MagFRAG system has been channeled into two new pickup lines that could give players unprecedented tonal control

Guitar World · Feb 17

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Guitar World · Feb 17

“Albert King took me aside. He said, ‘The biggest thing about music is you can’t play what people want you to play.’ My dad said that, too”: Bernard Allison grew up surrounded by blues legends – and hid the fact he was learning guitar for years

Luther Allison’s son played with Stevie Ray Vaughan for his 16th birthday, toured in a band where pedals were forbidden, and achieved his ambition of being in his father’s band, and even leading it

Guitar World · Feb 17

“He exemplified how top instrumentalists can adapt to a remarkable range of styles and settings”: Steel guitarist Pete Finney – who performed with Vince Gill, Reba McEntire and the Monkees – dies aged 70

The Nashville legend played with a variety of high-profile artists, including the Chicks, the Judds, and Patty Loveless – and was known as a connoisseur of American music history

Guitar World · Feb 16

“My only frustrations are with its unstable tuning, which dampens an otherwise fantastic playing experience”: Cort Space G6TR review

Cort's well-spec'd Strandberg rival capitalizes on the headless guitar renaissance, but it's not without its flaws

Guitar World · Feb 16

“I thought my computer actually broke”: Bass phenom Kinga Głyk recalls the moment her rendition of an Eric Clapton classic went viral – and made her career

Głyk also touches on how social media can be used as a democratizing tool for musicians to access the industry

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Guitar World · Feb 16

“Even if no-one’s applauding, this is still going”: Mark Speer was so afraid the audience wouldn’t applaud at early Khruangbin shows, he figured out how to do it on guitar

The Khruangbin guitarist also admits that this guitar trick was inspired by a legendary boxing video game

Guitar World · Feb 16

“I would sneak off with her guitar. She’d get really p***ed off at me”: Nancy Wilson’s first guitar was unplayable – so she kept stealing her sister’s

Wilson needed to play a six-string that was better than the $30 rental guitar she had herself

Guitar World · Feb 16

“Classical guitarists are at war with the guitar. They want to be part of the greater tradition like violin and piano. They want it to be more than it is”: How classical-schooled Derek Gripper rehabilitated himself with 21-string West African technique

The South African musician spent a decade translating the centuries-old repertoire of the West African kora. He emerged with his a unique sound that isn’t restricted to the grid of the staff or the notes on a page

Guitar World · Feb 16

“To my ears, it’s not very usable”: The main problems with Telecasters, according to Paul Reed Smith

PRS has a few T-types in its catalog – and building them allowed Paul Reed Smith to address the biggest issues he had with the classic guitar

Guitar World · Feb 16

“Cutting-edge Fluence technology meets world-class artistry”: Fishman brings Herman Li’s PRS Chleo Fluence pickups to the masses – but there’s a catch

The Omniforce pickup set offers six distinct voices to capture Li’s wide tonal range

Guitar World · Feb 16

“I did tours sleeping in a tent to save money. I asked this family if I could pitch up in their garden. That helped me get my first P-Bass”: Rock ’n’ roll's ‘Forrest Gump’Leo Lyons shares the story of Ten Years After and their iconic Woodstock set

The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”

Guitar World · Feb 16

“It was not possible to get a left-handed Jazzmaster in this country. Fender told me, ‘You might as well be ringing Ibanez – we just don’t make them’”: Mike Vennart on the Squier Strats that are simply unbeatable – and why he hates acoustics

The former Oceansize and long-time Biffy Clyro touring guitarist on his love of off-the-beaten-path six-strings and why you've got to try before you buy

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