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The Latest Breaking News from Guitar World

“They’ve revived B.B. King’s first-ever guitar and made it $349. I know what my next acoustic is going to be”: All the new guitar gear that caught my eye this week – including Chase Bliss’ “most foolish” pedal yet

The rebirth of B.B. King's first acoustic, a leading Dumble clone in plugin form, another spin-off of the famed Big Muff – all that and more in this week's round-up

Guitar World

“I do the old metal trick where there’s some semblance of a Tube Screamer on all the time”: What’s cookin’ on the Skillet pedalboards? Korey Cooper and Seth Morrison reveal all

Or how Skillet kept growing and the ’board kept growing until the Boss MIDI switcher assumed executive function on Cooper and Morrison's live rig

Guitar World

“They were trying to figure out who to get to sing the high harmony stuff for Gene Simmons’ band. They said, ‘What about the guy who opened for us?’”Jason Walker on touring with the Kiss star – who’s a fellow Beatles freak

His professional career started at 14, but it was a chance booking in Las Vegas that really changed the Gibson fan’s life

Guitar World

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“A new world record for Slash memorabilia”: A Les Paul used during Guns N' Roses' classic lineup reunion tour becomes the most expensive Slash guitar ever sold at auction

The Gibson Les Paul ’59 Custom Shop guitar, used during the band's blockbuster Not in This Lifetime… Tour, went under the hammer for $307,692

Guitar World

“B.B. King’s first guitar was a red Stella acoustic. That’s the kind of impact we want this brand to continue to have”: Harmony brings the Stella brand back from the dead with a $349 solid-topped parlor

These small-bodied stunners have slotted headstocks, bone nuts, and a voice that loves a recording mic

Guitar World

“She put it under her bed and didn’t play it for 60 years. When I got it, it still had the original strings on it”: Why telling your guitar’s backstory could help it sell for more money

Reverb's Cyril Nigg offers some sage advice for selling your guitar, and it's just like Joe Bonamassa says: "I don't buy guitars, I buy stories"

Guitar World

“I used it in the Damned, playing with Iggy… That guitar was part of me”: The Damned frontman Brian James’ ‘New Rose’ Gibson SG sells for over $95,000

The Gibson SG that put UK punk on the map smashed its pre-auction estimates – as did James’ hand-written lyrics

Guitar World

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“He’s like, ‘Where did you find that? Our storage unit’s been broken into. Everything’s been cleared out’” Korn bassist Ra Díaz recovers 15 bass guitars that were stolen from him – thanks to community effort

A musician in Henderson, Nevada, spotted some of Díaz's instruments at a local music store

Guitar World

“It’s never really about the gear itself. It’s just a tool for unlocking an idea”: American Football’s slow-burning debut album was originally dismissed. Four records in, they’re glad that’s how it went

Mike Kinsella, Steve Holmes and Nate Kinsella explain the art of making songs sound simple when they’re actually complex and deep, and reflect on how they learned to do it so well

Guitar World

David Allan Coe, the outlaw country legend who played with Dimebag Darrell and gave Warren Haynes his break, has died, aged 86

Coe scored hits with You Never Even Called Me by My Name and The Ride, and stood alongside Waylon Jennings and Willie Nelson in the outlaw wing of country music

Guitar World

“We were falling about the studio floor laughing when I was playing. People started coming into the control room, like, ‘What is going on with these three guys? It’s an absolute racket!’”Meet High Fade, the Scottish funk-punk heroes we need right now

They’ve terrorized Nashville – now the Scottish funk-rockers are taking second album Twice As Nice to the streets. Guitarist Harry Valentino tells us of a riotous studio experience

Guitar World

“He would put a lot of treble on his amp to get the sound he wanted out of Lucille. Working and being in his presence was magical”: Jerry Jemmott on playing bass with B.B. King

When Jemmott was drafted to play on the Live & Well sessions in 1969, he would find himself in awe of the King, and joined a band that would produce three albums’ worth of material

Guitar World

“It’s going to piss off anyone drilling their sweep picking, but it’s brittle and human and alive in a way that I adore”: April 2026 Guitar World Editors’ Picks

Fresh new cuts from all corners of the guitar world courtesy of Muse, Arlo Parks, Jack White, Ed O'Brien, Weezer, Periphery, and more...

Guitar World

“I get a call from Guitar Center in New Jersey. They go, ‘Your Explorer was in here. We just sold it to some guy’”: Richie Sambora hired a private detective to recover his stolen Gibson

Sambora was recently reunited with his prized 1976 Gibson Explorer, 41 years after it was stolen out of a warehouse

Guitar World

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Guitar World

“The power went out, then this horrible rainstorm came. I got the chills. I said, ‘Dude, I think Gary Moore’s here’”: The supernatural experience Jared James Nichols had when he played through Gary Moore’s old amp

Nichols looks back on the moment he and Joe Bonamassa fired up one of Moore’s prized amps – which the Nerdville owner recently acquired for $25,100

Guitar World

“What’s that headless bass that looks like a toothpick? I really liked the sound, but I hated the bass”: How bassist Cliff Williams landed the gig (and found his sound) with AC/DC

When he joined AC/DC in 1977, Cliff Williams played a Fender Precision, but made a permanent change following the band's Highway to Hell album

Guitar World

“It was three people watching us in a bar and grill, and two of them were working behind the bar!” Zakk Wylde on his Ozzy Osbourne tribute, his Led Zeppelin epiphany, and the triumphant return of Black Label Society

The Wylde man waxes lyrical about songwriting, recording, his approach to soloing, and Ozzy’s Song, a poignant track from BLS's hard-charging newalbum

Guitar World

“My idea, John, if you’re reading this, would be to write an odd-time signature song”: Plini is manifesting a collaboration with John Mayer – and has issued an open call to make it happen

The prog metal virtuoso has a wild vision for what their joint single could potentially look like

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news in one place.

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Guitar World

“He said, ‘We have this Michael Jackson tune.’ I looked at Quincy and said, ‘What does it need? Who should we…?’ Then he said, ‘Carlton’” Session legend Larry Carlton on how he ended up playing on a Michael Jackson hit

Carlton is part of a very select group of guitarists that's ever worked with the King of Pop and his elite team

Guitar World

“We’ve always been big fans of Nickelback – their guitarist came to see one of our shows and asked if we’d support them”: How UK riff-slingers Don Broco ended up recording with Muse’s bass rig – and collaborating with Nickelback

Recorded with the help of Muse bassist Chris Wolstenholme, Nightmare Tripping showcases bassist Tom Doyle’s Earth-shattering basslines

Guitar World

“I unbolted the neck and put it in a suitcase to save baggage. Then we saw all our stolen gear posted for sale in Eastern Europe”: Indie band survival stories with Ratboys and The Beths

Transatlantic touring pals Julia Steiner and Liz Stokes on their gear nightmares and why Stokes is still hoping for a guitar reunion story like Paul McCartney and his long-lost Höfner bass

Guitar World

“Billy said, ‘I've never played a high-gain amp that I like.’ It was a tall order”: How a Smashing Pumpkins superfan made the only amp Billy Corgan has ever truly loved

Brian Carstens spent 30 years obsessing over Corgan’s guitar tone. Then he ended up making amps for his hero – not to mention John Fogerty, Tool and Misha Mansoor

Guitar World

“The new vibrato only adds to the appeal – it’s easy to see how this guitar could do the business equally well for metal, jazz-fusion or function gigs”: Strandberg Boden Standard N2.6T review

A new vibrato design, on a guitar we loved already – will we be tickled pink?

Guitar World

Heirs of Jimi Hendrix's bandmates lose years-long royalties dispute against the Hendrix Estate and Sony Music

The judge concluded that, as per the original contract, the musicians signed their rights away, and that “the first owners of the copyrights… were the producers”

Guitar World

“I’d be in the middle of a tough show, look over at the side of the stage and there’s Nels Cline, one of the best guitar players ever to play rock and roll”: White Denim’s James Petralli has learned to roll with rock’s punches

The sonic architect has been the one constant of White Denim’s 13-album rollercoaster – he tells us how he’s lasted the ride, and how it’s changed him as a player

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