Dame Tracey Emin exhibition to launch at Tate Modern The show includes two of her most well known installations: Exorcism Of The Last Painting I Ever Made and My Bed. Evening Standard · Feb 25
Tracey Emin: A Second Life review – this show of undiluted love, heartache and pain left me a teary wreck Forget the sex and drugs of the 90s. This wildly emotional exhibition shows that Emin’s life’s work has been turning suffering into sculpture, insults into poetry – and agony into art The Guardian - UK · Feb 25
Tracey Emin, Britain’s greatest female artist: ‘Against death, illness or pain, art wins’ INTERVIEW: Raped at 13, written off by critics, in remission from cancer – Tracey Emin is art’s great survivor, and her new major Tate retrospective, set to be one of the year’s blockbuster shows, is the ultimate accolade. She talks to Geordie Greig about painting, pain and showing Madonna around… The Independent UK · Feb 23
From Good Luck, Have Fun, Don’t Die to Tracey Emin: your complete entertainment guide to the week ahead Sam Rockwell stars in Gore Verbinski’s madcap sci-fi comedy, and the YBA Goat is back with a new exhibition at the Tate Modern The Guardian - UK · Feb 21
‘Regrets? Number one: smoking. Number two: taking it up the wrong hole’: Tracey Emin on reputation, radical honesty – and Reform She scandalised the art world in the 1990s with her unmade bed, partied hard in the 2000s – then a brush with death turned the artist’s life upside down. Now she’s as frank as ever The Guardian - UK · Feb 14
How Tate Modern is serving up Frida Kahlo – from canvas to cuisine The forthcoming Tate Modern retrospective, Frida: The Making of an Icon, promises to go beyond the canvas to explore the construction of an artistic legend. At a recent breakfast press-briefing at KOL, a Mexican restaurant in London, co-curator Tobias Ostrander framed the exhibition as a study in how Frida Kahlo… The Conversation · Feb 12
2-for-1 ticket offer for Tracey Emin: A Second Life at Tate Modern Book before Thursday 26 February and save £20 The Guardian - UK · Jan 30
Andy Warhol would have hated safe spaces. So why keep dragging dead artists into today’s culture wars? Critics and curators are reframing great artists, from Gentileschi to Soutine, to fit with modern ethical narratives. But this ignores the glorious ambivalence of their creations The Guardian - UK · Jan 15
Tate boss Maria Balshaw on why she’s leaving the biggest job in art after nine years INDEPENDENT STUDIO: Balshaw, the organisation’s first ever woman director, is resigning on a ‘high note’, writes Annabel Nugent The Independent UK · Jan 15
Bawdy Beryl, slick Seurat, titanic Tracey and the glory of Gaudí: the best art shows and architecture in 2026 Must-sees include Beryl Cook’s postwar brilliance, Tracey Emin’s new highs, Frida Kahlo’s confessions, plus Google’s HQ and Gaudí’s finally finished fever dream The Guardian - UK · Dec 29, 2025
I explored Australia’s indigenous art legacy on a trip to the Northern Territory As the Tate Modern stages a major retrospective of Emily Kam Kngwarry’s work, Eddi Fiegel explores the extraordinary landscapes that inspired her The Independent UK · Dec 22, 2025
Tate’s greats are certainly not kept hidden from view Letters: Roland Rudd of Tate responds to an article by Jonathan Jones that questioned the organisation’s ambition and priorities. Plus a letter from Liz Goddard on Máret Ánne Sara’s installation at Tate Modern The Guardian - UK · Dec 21, 2025
Belle Époque posters, sex and body art: The most unmissable art exhibitions of 2025 From Belle Époque posters to radical performance art, 2025 delivered exhibitions that pushed boundaries and opened dialogues. Euronews · Dec 15, 2025
Don’t blame Maria Balshaw for Tate’s failings. Its lack of ambition goes much deeper Tate stresses its departing director has ‘diversified’ the collection, but it has hidden its treasures and let its galleries slide into insulting incoherence – and visitors have voted with their absence The Guardian - UK · Dec 12, 2025
Evening Standard · Dec 12, 2025 Tate director Maria Balshaw to step down from role in spring 2026 Her final project will be an exhibition at Tate Modern celebrating the work of Dame Tracey Emin.
The Guardian - UK · Dec 12, 2025 Maria Balshaw to step down as director of Tate after nine years Balshaw, who joined in 2017, helped steer organisation through Covid-19 and fluctuating attendance
The Guardian - UK · Nov 27, 2025 Tate staff hold week-long strike over pay amid reports of workers using food banks Union says ‘insulting’ below-inflation pay rises have left some employees struggling to afford rent and food
Evening Standard · Nov 27, 2025 Tate gallery attacker guilty of assaulting Broadmoor staff again Jonty Bravery threw a six-year-old boy from the viewing platform of the Tate Modern.
The Guardian - UK · Nov 14, 2025 Personal details of Tate galleries job applicants leaked online Sensitive information relates to more than 100 individuals and their referees
The Guardian - UK · Nov 12, 2025 Tate staff vote to strike over pay after union members reject ‘inadequate’ offer Exclusive: Over 150 workers to strike from 26 November to 2 December, raising possibility of disruption to major shows
Evening Standard · Oct 23, 2025 Nigerian Modernism at Tate Modern: 'A rich look at a post-colonial art explosion' 3/5 This expansive exhibition at Tate Modern brings together over 50 artists who transformed Nigeria’s cultural landscape over the last 65 years
The Guardian - UK · Oct 17, 2025 A city-boy reading of the Sámi artist Máret Ánne Sara’s work Letters: Readers respond to Jonathan Jones’s Tate Modern review, including the charge that the artworks ‘fail to impose themselves on the venue’s vast space’
The Guardian - UK · Oct 17, 2025 ‘Smell is a language’: Máret Ánne Sara on why Tate’s Turbine Hall whiffs of frightened reindeer As Sámi culture is threatened by the climate emergency and hostility from Nordic nations, the artist has built a structure of resistance: a labyrinthine artwork of animal pelts and bones based on a reindeer’s nasal passages
The Guardian - UK · Oct 13, 2025 Máret Ánne Sara’s Turbine Hall review – did no one think to ask her for a little bit more? The Sámi artist may use reindeer skulls and bones, but her spiralling wooden fences are so slight they fail to impose themselves on the venue’s vast space – or the imagination
The Guardian - UK · Oct 13, 2025 ‘A palette unlike anything in the west’: Ben Okri, Yinka Shonibare and more on how Nigerian art revived Britain’s cultural landscape To mark a new exhibition at Tate Modern, author Ben Okri and other leading British-Nigerian cultural figures trace the impact of their heritage on their work, and consider its growing influence on the world stage