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The Latest Breaking News from Sydney Theatre Company

Hugo Weaving: ‘This is the hardest thing I’ve ever done’

Thirty years after Priscilla, Queen of the Desert thrust him on to the international stage, the actor discusses tiring of Hollywood villains and his most challenging role yet

The Guardian - AU

No Pay? No Way! review – this 50-year-old cost-of-living satire is perfect for today’s Australia

Drama theatre, Sydney Opera HouseSet in the aftermath of a riot in a supermarket over skyrocketing prices, Marieke Hardy’s adaptation of Dario Fo is marvellously funny

The Guardian - AU

Three things with Kerry Armstrong: ‘He’d hidden the engagement ring in his board shorts’

In Guardian Australia’s weekly interview about objects, the actor tells us of a lucky escape from a house fire – and being robbed in New York

The Guardian - AU

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The Picture of Dorian Gray’s Kip Williams steps down as Sydney Theatre Company artistic director

Williams, who directed the play, leaving company to prepare for its potential Broadway season following acclaimed West End run starring Sarah Snook

The Guardian - AU

David Williamson: ‘Australian drama has ignored the elephant in the room – we’re an unfair and unequal society’

At 82, anger still inspires the elder statesman of Australian theatre. As he comes out of retirement, Williamson muses on inequality, escaping death and why we’re in the ‘bread and circus’ phase of culture

The Guardian - AU

Heather Mitchell delights in return as RBG in hit play

The Sydney Theatre Company's RBG: Of Many, One was a sellout in 2022. It's returning with a second run followed by a national tour.

AAP

Australia on stage: the best theatre, musicals, dance and opera of 2023

From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year

The Guardian - AU

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Theatre company acts after Palestine protest backlash

The Sydney Theatre Company has apologised for the way it has responded to a protest by actors at an opening night performance.

AAP

Chekhov called The Seagull 'a comedy'. The Sydney Theatre Company seems to forget it was a tragedy, too

What is comedy?

The Conversation

Three things with Brooke Satchwell: ‘I don’t go anywhere without a head torch’

In our weekly series about objects, the actor tell us about her blended bear family - and her rubber band habit

The Guardian - AU

The Seagull review – Sigrid Thornton and Toby Schmitz star in contemporary take on Chekhov

Andrew Upton’s adaptation transplants the play’s ensemble to Australia in the early 2000s, where they discover the cost of art and thwarted dreams

The Guardian - AU

Australian theatre companies are shunning Shakespeare. A much-needed break, or a mistake?

A decade ago, William Shakespeare was the most performed playwright in Australia. In 2024 not one mainstage theatre company in Australia will perform Shakespeare. The only exception will be Bell Shakespeare.

The Conversation

Indigenous and culturally diverse Australians more likely to attend arts events, study finds

Diversity advocates say more funding and leadership opportunities are needed to match the high participation rates

The Guardian - AU

The Visitors review – Wesley Enoch at his best in play that thrums with fresh potency

Jane Harrison’s play tells of the first fleet landing from the perspective of the First Nations people watching. It’s a story set in the past – but its most potent questions are about the future

The Guardian - AU

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The Conversation

Sydney Theatre Company's new The Importance of Being Earnest: fresh, funny and completely joyous

It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and performed in February 1895, Ibsen’s A Doll’s House was already 16 years old. Both plays, in different ways, expose the foundations of society (marriage; class; money; property) to searching critique.

The Conversation

'This is the way the world ends': Nevil Shute's On the Beach warned us of nuclear annihilation. It's still a hot-button issue

One of the most haunting poems of the 20th century, T.S. Eliot’s The Hollow Men (1925), concludes:

The Guardian - AU

Sarah Snook to play Dorian Gray as hit Australian production heads to London’s West End

The Succession star will take over role from actor Eryn Jean Norvill in The Picture of Dorian Gray, which toured Australia to sell-out audiences

The New Daily

Snook bound for West End in Australian hit Dorian Gray

Succession's Sarah Snook will take Sydney Theatre Company's groundbreaking one-woman show The Picture of Dorian Gray to London's West End.

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The Conversation

A gothic, brilliant success: The Poison of Polygamy brings the first Chinese-Australian novel to the stage after 113 years

Review: The Poison of Polygamy, directed by Courtney Stewart, La Boite and Sydney Theatre Company.

The Guardian - AU

Do Not Go Gentle review – a profound exploration of ageing and dementia

Patricia Cornelius’s play co-opts Captain Robert Falcon Scott’s ill-fated expedition to the south pole to follow a band of adventurers who are actually in an aged care home

ABC News

How Heather Mitchell stood into her power during the #MeToo movement

Actor Heather Mitchell's life has been as dramatic off screen as it has on. And she’s channelling those experiences into some of the greatest performances of her career.

The Conversation

Sydney Theatre Company's Julia powerfully imagines the life and emotions of the woman behind the 'misogyny speech'

Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives to deliver one of the most unforgettable political speeches in recent memory.

The Guardian - AU

Julia review – new play about Julia Gillard misses an opportunity

Justine Clarke is electrifying delivering the former PM’s misogyny speech, but the work fails to reckon with the complexities of her legacy

The Guardian - AU

Fences review – Australian debut of August Wilson play is a remarkable achievement

Wharf 1, Sydney Theatre CompanyThe STC’s production of the Pulitzer-winning play, about a flawed patriarch wrestling with self-destruction, is lead by a uniformly excellent cast

The Conversation

At the 2023 Adelaide Festival, the best works shimmer with a brutal honesty on incarceration, exile – and Nikolai Gogol

Few Adelaideans remember a time before the Adelaide Festival. Formed in 1960 as a civic enterprise and financed against loss by prominent Adelaide businessmen, the festival today remains arguably the most robust international arts festival in our region.

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