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The Latest Breaking News from Sydney Theatre Company

Sydney Theatre Company's new The Importance of Being Earnest: fresh, funny and completely joyous

It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and performed in February 1895, Ibsen’s A Doll’s House was already 16 years old. Both plays, in different ways, expose the foundations of society (marriage; class; money; property) to searching critique.

The Conversation

'This is the way the world ends': Nevil Shute's On the Beach warned us of nuclear annihilation. It's still a hot-button issue

One of the most haunting poems of the 20th century, T.S. Eliot’s The Hollow Men (1925), concludes:

The Conversation

Sarah Snook to play Dorian Gray as hit Australian production heads to London’s West End

The Succession star will take over role from actor Eryn Jean Norvill in The Picture of Dorian Gray, which toured Australia to sell-out audiences

The Guardian - AU

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Snook bound for West End in Australian hit Dorian Gray

Succession's Sarah Snook will take Sydney Theatre Company's groundbreaking one-woman show The Picture of Dorian Gray to London's West End.

The New Daily

A gothic, brilliant success: The Poison of Polygamy brings the first Chinese-Australian novel to the stage after 113 years

Review: The Poison of Polygamy, directed by Courtney Stewart, La Boite and Sydney Theatre Company.

The Conversation

Do Not Go Gentle review – a profound exploration of ageing and dementia

Patricia Cornelius’s play co-opts Captain Robert Falcon Scott’s ill-fated expedition to the south pole to follow a band of adventurers who are actually in an aged care home

The Guardian - AU

How Heather Mitchell stood into her power during the #MeToo movement

Actor Heather Mitchell's life has been as dramatic off screen as it has on. And she’s channelling those experiences into some of the greatest performances of her career.

ABC News

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Sydney Theatre Company's Julia powerfully imagines the life and emotions of the woman behind the 'misogyny speech'

Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives to deliver one of the most unforgettable political speeches in recent memory.

The Conversation

Julia review – new play about Julia Gillard misses an opportunity

Justine Clarke is electrifying delivering the former PM’s misogyny speech, but the work fails to reckon with the complexities of her legacy

The Guardian - AU

Fences review – Australian debut of August Wilson play is a remarkable achievement

Wharf 1, Sydney Theatre CompanyThe STC’s production of the Pulitzer-winning play, about a flawed patriarch wrestling with self-destruction, is lead by a uniformly excellent cast

The Guardian - AU

At the 2023 Adelaide Festival, the best works shimmer with a brutal honesty on incarceration, exile – and Nikolai Gogol

Few Adelaideans remember a time before the Adelaide Festival. Formed in 1960 as a civic enterprise and financed against loss by prominent Adelaide businessmen, the festival today remains arguably the most robust international arts festival in our region.

The Conversation

Björk was the big-ticket name – but Perth Festival’s heart was found in Bikutsi 3000’s afrofuturist musing on African resistance

For the culturally curious, February and March in Perth can be a rich maelstrom, with Perth Fringe and Perth Festival. We have apparently the world’s “third largest” fringe festival (after Edinburgh and Adelaide), but I’m not sure why this is good.

The Conversation

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