The figure of Dracula has always lived somewhere between the written word, screen projections and our fantasy lives. His story is tailor-made for one of Kip Williams’ hybrid adaptations.
Williams’ technique is, by now, familiar to Sydney audiences. Again with Dracula, the third part of this loose trilogy, he makes spectacular use of live action, live filming and recorded video, all interwoven into exciting spectacles that drive the story forward.
