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The Latest Breaking News from Ryan Wigglesworth

BBC Proms - Elgar's First: Magnificent symphony re-examined in an insightful reading

4/5 Ryan Wigglesworth brings subtlety to the pomp at this night at the Proms

Evening Standard

BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange

Soprano Clare Booth, Ryan Wigglesworth and the BBC Scottish gave the world premiere of Dean’s theatrical and engaging The World’s Wife. Elgar’s 1st didn’t quite achieve lift-off but Weir’s Moon and Star had sweep and shimmer

The Guardian - UK

BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance

Ryan Wigglesworth’s piano concerto, veering between tense, creepy and off-kilter, brought out the best in soloist Steven Osborne

The Guardian - UK

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Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

This year’s Aldeburgh festival opened with a stripped-back concert staging by Rory Kinnear with Ryan Wigglesworth conducting the BBC Scottish Symphony Orchestra

The Guardian - UK

Mentors, muses and new music: conductor and composer Ryan Wigglesworth

The musician first visited Aldeburgh as a teenage fanboy. Now, he is at the centre of this year’s festival as its featured artist – and he’s opening with his favourite opera

The Guardian - UK

BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner

The BBC Scottish chief conductor’s reading of Bruckner’s Seventh was thoughtful and balanced. Mariam Batsashvili was an enthralling soloist in Mozart’s Piano Concerto No 20.

The Guardian - UK

Prom 9: BBC Scottish SO/Wigglesworth review – meticulous making of unexpected connections

Beautiful wind playing in a slow-burning Brahms joined searing strings in Schoenberg and Alice Coote’s fine-grain singing of Mahler for a space-testing night

The Guardian - UK

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BBCSSO/Wigglesworth/Pioro/Gerhardt review – consummate artistry and a broken string

Two concerts given by the BBC Scottish with soloists Daniel Pioro and Alban Gerhardt were imaginative and compelling

The Guardian - UK

The week in classical: The Merry Widow; Aldeburgh festival – review

Thomas Allen steals a witty, sparkling new production of Léhar’s masterpiece, and a cosmic world premiere from Judith Weir lives up to her star billing

The Guardian - UK

Bevan/BBCSO/Wigglesworth review – intensely personal and panoramic Magnificat from husband and wife team

Conducting his own setting, dedicated to wife and soloist Sophie Bevan, Ryan Wigglesworth captured the scale and scope of a text that spans ‘the history and future of humanity’. Bevan was also glorious in a tantalising fragment of Monteverdi

The Guardian - UK

Prom 43: Endgame review – music brings compassion to Beckett’s austere drama

For its UK premiere, György Kurtág’s opera faced a challenge summoning the play’s claustrophobia in this venue, but performances and players were superb

The Guardian - UK

Juliet Fraser/Knussen Chamber Orchestra review – new works showcase soprano’s extraordinary repertoire

New music by Cassandra Miller, Newton Armstrong, Rebecca Saunders and Ryan Wigglesworth was brilliantly brought to life by Fraser and Roderick Williams

The Guardian - UK

Hallé/Wigglesworth review – British composer debuts an outstanding Magnificat

Ryan Wigglesworth composes a finessed Monteverdi Magnificat with the elegant, expansive assistance of wife and soprano Sophie Bevan and a virtuosic choir

The Guardian - UK

The week in classical: The Decision; The Dream of Gerontius; Soloists of the CBSO – review

Birmingham Opera Company regroup, and the CBSO triumph in Elgar’s great oratorio as the city’s rich musical life thrives. And shock and anger as the BBC Singers are axed

The Guardian - UK

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The Guardian - UK

BBCSO/Watts/Wigglesworth review – a striking song cycle that finds divine in the everyday

Elizabeth Watts’s buoyant soprano drew us in to this poignant performance of Ryan Wigglesworth’s work Till Dawning, based on the poetry of George Herbert

The Guardian - UK

Prom 33: BBCSO/Wigglesworth review – an evening of fizzing and sparkling mysticism

Matthew Kaner’s mystical new work, the gently glittering Pearl, is effective and engaging, with Roderick Williams its supremely communicative centre

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