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The Latest Breaking News from Mike Bloomfield

“I didn’t know what was going to happen, but they certainly booed, I’ll tell you that. You could hear it all over the place”: How Bob Dylan created one of his greatest songs while controversy erupted around him

When Dylan went electric, not everyone approved

MusicRadar

“What led to the end of my time with Steppenwolf? Egos and drugs”: Michael Monarch was just 18 when he tracked one of the most iconic riffs of the ’60s –next came Janis Joplin, Jimmy Page and Free’s Andy Fraser

Fan of slide-based tuning recalls not being credited for his work with Janis Joplin, why he left Andy Fraser’s band, waiting to work with Roger Glover, and why Led Zeppelin couldn’t save Detective, his band with Michael Des Barres

Guitar World

Buddy Guy said he would take the blues “into the future,” and he was a guitar brother-in-arms of Mike Bloomfield. An unsung blues great talks influences, the Paul Butterfield Blues Band, and crossing over into jazz

A brilliant, inimitable guitarist, the late Joe Louis Walker merged Delta, Chicago, and West Coast blues styles with soul, gospel, and all-out aggressive rock

Guitar World

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“A true musician’s musician whose guitar spoke volumes”: Blues guitar great Joe Louis Walker dies at 75

He played with Muddy Waters and B.B. King, opened for Jimi Hendrix, and was called “The Bluesman” by Aretha Franklin

Guitar World

Bob Dylan’s 1960s keyboardist Barry Goldberg dead aged 83

After contributing to one of the most iconic moments in music, it’s been revealed Bob Dylan’s 1960s keyboardist Barry Goldberg has died aged 83.

BANG Premier

“The guitar that killed folk”: Mike Bloomfield’s butchered Fender Telecaster – which was used during Bob Dylan’s infamous 1965 Newport Folk Festival performance – is up for sale

The Tele was present during a change-making moment in rock ‘n’ roll history, but was later curiously modified by a left-handed player

Guitar World

“Definitely one of the most unique pieces to come through our showroom”: It was left in a nightclub in '74, then “hidden in a closet for decades”, now Mike Bloomfield’s custom-painted 1966 Telecaster is up for sale

Restored to its original specs, steeped in mojo, played by one of the all-time greats, this Tele could be yours for a cool $325,000. And judging by the demo videos, it sounds as good as it ever did.

MusicRadar

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“Hidden in a closet for decades”: Mike Bloomfield’s missing custom-painted ’66 Fender Telecaster – which was lost in 1974 – is going up for sale

The quirky Tele, which mysteriously disappeared in the 1970s after it had been used by Bloomfield, was recently discovered

Guitar World

“Dickey called me: ‘Hey, Les, come by for a steak, and bring your guitar.’ He already had the verse of Jessica, but he needed a bridge…” Meet Les Dudek, the ghost guitarist on Allman Brothers classics who dated Cher and joined Journey for two hours

“I’m a legend that nobody knows,” says the journeyman guitarist, who played alongside Dickey Betts on Ramblin’ Man and Jessica, worked with Steve Miller, got scolded by Mike Bloomfield and was almost a founding member of Journey (but wait, there’s more…)

Guitar World

“I was truly terrified. In the first few months, I was on the same stage as every one of my heroes: Mike Bloomfield, Jeff Beck, Jimi Hendrix”: Martin Barre explains why his early days with Jethro Tull were a trial by fire

Jethro Tull went on tour with Jimi Hendrix, Led Zeppelin and Vanilla Fudge right after Barre joined the band

Guitar World

“Mike’s ’59 Les Paul was sitting on a stand. I thought, ‘What are the chances of this happening again?’ After the song, he turned around and goes, ‘What are you doing?’” When Les Dudek guested with Mike Bloomfield (without him knowing)

Caught up in the music and the moment, the veteran guitarist – who played on Allman Brothers Band's Ramblin' Man and Jessica – ran onto the stage while Bloomfield was at the keys, none the wiser

Guitar World

"This was a special instrument to him and it's kind of crazy to get to look at it and play it": JD Simo demos Mike Bloomfield's old '63 Strat and proves more than worthy of it

"Mike was the original guitar hero for the baby boomer generation"

MusicRadar

“My God, it’s hard to get in tune when they’re booing": when Bob Dylan faced down his detractors with a Strat and made rock n' roll history

In 1965, Bob Dylan strapped on a Stratocaster, then a Telecaster, and ushered in a bold new folk-rock sound. But he'd actually gone electric six months earlier…

MusicRadar

"He was absolutely the best guitar player of his generation. Dylan thought he was. Hendrix thought he was. Clapton thought he was": The sensational story of Mike Bloomfield, from prodigy to tragedy

A 60s guitar prodigy who shaped Bob Dylan's sound and blew Eric Clapton away, Mike Bloomfield had the world at his feet before his demons came calling

Louder

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Metal Hammer

"Mike Bloomfield came up to me at the Avalon Ballroom and says, ‘You can’t do that’. I said, ‘C’mon, Mike, you can do it, too. All you gotta do is turn this knob up to 10'": The story of Blue Cheer - the band who invented heavy metal

LSD, rehab, whiskey, fights, and in their spare time Blue Cheer invented heavy metal. This is their twisted tale

Louder

10 guitar heroes who should be much better known, by Joe Bonamassa

Joe Bonamassa's definitive guide to the guitar heroes who don't get the credit they deserve

Chicago Sun-Times

Blues documentary ‘Born in Chicago’ finally arrives after more than a decade of woodshedding

Movie focuses on the genre’s elders mentoring young turks including Mike Bloomfield and Paul Butterfield in the 1960s.

Guitar World

The Lovin’ Spoonful's Zal Yanovsky is one of the Sixties' most overlooked guitarists – here's how he fearlessly blended genres to forge the 'Americana' guitar sound

Yanovsky brought the weird, wonderful and the none-too-serious to Good Time Music, and was a genius player, but did he get the credit he deserved?

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Louder

Blues, booze and debauchery: the agonising life and death of Paul Butterfield

Paul Butterfield inspired Dylan to plug in, was a virtuoso singer and mouth harp player, and took black blues to white America. But beneath the surface, trouble was brewing

Guitar World

Custom Flying Vs, strange open tunings and massive bends: how Albert King created his own strain of the blues – and inspired Hendrix, Clapton and Stevie Ray Vaughan

A left-hander, King flipped a right-handed guitar upside down, put it in an unorthodox tuning, and forged a style steeped in steely drama and epic bends

Tribune News Service

How does it feel to visit the new Bob Dylan Center? In a word: terrific

TULSA, Okla. — Standing in the doorway, I heard Bob Dylan's voice in the distance. His words beckoned me to turn the corner, then I realized: There were no other visitors at the Bob Dylan Center.

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