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The Latest Breaking News from Fender

“Jacob Collier’s 5-string guitar revolution is here to stay”: All the guitar gear that caught my eye this week – and the new launches you might have missed

Johnny Marr's latest reinvention of the Fender Jaguar, another pedal inspired by Mk.gee's oddball rig choices, the ultimate evolution of the Tube Screamer and so much more...

Guitar World

"This pedal excels at delivering a completely clean volume boost - and there's plenty of volume on tap": Fender Hammertone Boost review

Hammer your solo tone into shape with Fender's hard-hitting but affordable boost pedal

MusicRadar

“Initially, Gary was very frosty. I said, ‘On this track, you used the “Greeny” Les Paul, didn’t you?’ And his eyes lit up”: Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power

With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Guitar World

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read the most diverse news in one place.

“People always say Rory Gallagher and Stevie Ray Vaughan had acidic sweat – but this is what I think”: Why some of the most famous Fenders are so heavily worn, according to a Custom Shop Masterbuilder

Dale Wilson attempts to solve the mystery of why vintage Fenders played by big-name artists have so much gnarly wear

Guitar World

“I used to be obsessed with being super-clean… Then I realized that was really boring”: Far Caspian made one of this year's best indie records, and he did it by paring down guitar layers (from “40” to three) and embracing dirt

Joel Johnston channels R.E.M. and shoegaze on his latest indie-rock opus. He tells us why he’s a Japanese-built Fender offset loyalist through and through

Guitar World

“I already played guitar with a pick, so that’s how I played bass. I didn’t know you were supposed to play it with your fingers!” Kim Deal’s DIY attitude with the Pixies inspired a generation of alt-rockers

Kim Deal’s insistent eighth-note basslines were one of the few constants of the Pixies’ zero-to-60 approach to alt-rock

Guitar World

“If my first acoustic guitar were as easy to play as this, I’d have been insanely happy”: Fender California Standard Redondo review

Fender’s California range makes its acoustic craftsmanship more affordable, while doubling down on brand identity

MusicRadar

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“I wanted to create an instrument that feels classic but also pushes players to explore new tones and possibilities”: Fender and Johnny Marr reimagine the Jaguar with a limited edition signature stunner featuring three custom-wound lipstick single-coils

Finished in gloss black, equipped with three Kent Armstrong lipstick single-coils, a "secret switch" and four-way pickup selector, this might be the most versatile Jag ever – it might be the coolest, too

MusicRadar

“I wanted to create an instrument that feels classic but also pushes players to explore new tones”: Fender and Johnny Marr team up for a new signature Jaguar – which puts a distinct twist on the Smiths legend’s go-to guitar

The limited edition launch builds on the success of the 2012 release – but with an expanded tonal palette, upgraded specs and an attractive new finish

Guitar World

“There is a warmth to this pedal that is genuinely satisfying to play through”: Fender Hammertone Breakup Drive review

Fender’s latest addition to its Hammertone pedal range proves that some breakups are worth going through

Guitar World

“Jeff Beck would pick up my fretless and play the craziest licks. I was in awe”: Pino Palladino’s adventures with The Who, John Mayer, Eric Clapton and his Music Man fretless bass

One of the most identifiable bass players on the planet on why he shifted back to fretted, embracing flatwounds even though they were unfashionable, and how he’s still topping the charts with the likes of Miley Cyrus, Beyoncé and Ed Sheeran

Guitar World

“We weren’t allowed to talk about it at Guitar Summit, but the signature everyone was asking about is now here”: All the guitar gear that has caught my eye this week – including the crown jewel of PRS’ 40th Anniversary year

Wylde Audio's most metal guitar ever, a new contender for Boss and Fender in the headphone amp space, and GNR bass tones in a pickup set. All that and more landed this week

Guitar World

“It's a testament to just how good beginners have it these days that I can’t find all that much to fault”: Cort G200SE review

It might be built for beginners, but the G200SE’s quality and playability show that budget guitars are getting seriously good

Guitar World

“A level of authenticity you've never imagined”: IK Multimedia takes on Fender and Boss with the TONEX Plug – its first-ever headphone amp

The pocket-sized headphone amp looks to win the hearts of players by offering more than 40,000 tones propped up by the same AI Machine Modeling behind the entire TONEX ecosystem

Guitar World

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Guitar World

“I found this in a store and it sounded amazing. It cost about $500 less than a Fender would”: Geese are the latest indie-rock phenomenon – and their lead guitarist is repping this Billy Corgan-approved guitar brand

Ditching more mainstream brands, lead guitarist Emily Green looks back on how she got her go-to guitar

Guitar World

“Fender needed something to bring them into more modern times”: How Jim Root’s radical signature Telecaster updated a Fender mainstay for the 21st century

The Slipknot guitarist was originally pushed towards Charvel, but he had his sights set on reinventing a Fender classic

MusicRadar

“What I wanted to achieve was the J-20 sound without the reverb and the trem”: Thorpy FX teams up with boutique amp specialist Lazy J to give guitarists premium vintage Tweed tone in a pedal

Adrian Thorpe and Jesse Hoff put their heads together and come up with an amp-in-a-box pedal for fans of '50s era Fender tube tone and are looking for that rock 'n' roll mojo for their 'board

Guitar World

“It was something we’d never seen the likes of”: The unexpected discovery in John Mayer’s iconic ’64 Fender Strat that helped shape the sound of the Silver Sky

It took more than 2 years to retool and redesign the classic S-type template – and PRS made a significant discovery along the way

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Guitar World

“The quality of guitars didn’t plummet overnight – some might argue that it remained high for at least a decade”: Fender CBS guitars get a bad rep – but what actually changed?

The CBS takeover of Fender was many things but it was not an overnight revolution. We track the key changes to its builds through the era

Guitar World

“A first-class build that’s impossible to fault… it would be criminal if this didn’t hit a stage”: Patrick James Eggle Oz-t Cabronita Thinline review

Upholding the craft of the luthier, Patrick James Eggle’s latest build is another reason to look to the UK if you want the best

Guitar World

“Who’d have thought the Oasis reunion would be such an event for signature guitars?” All the guitar gear that has caught my eye this week – including the Hummingbird’s evil twin

A host of highly anticipated signatures, some surprising company-firsts, and the evil twin of the classic Hummingbird all landed this week

Guitar World

“What Dire Straits would sound like if Mark Knopfler grew up in the deserts of Algeria rather than the streets of Newcastle”: October 2025 Guitar World Editors' Picks

Liven up your Halloween with six-string (and five-string) sorcery from Alter Bridge, Mei Semones, Whitney, Karma Sheen, Jacob Collier, Unprocessed, and many more

Guitar World

“The tones you've been listening to for 20 years right at your feet”: The Adventure Box crams Tom DeLonge’s Angels & Airwaves sounds into a 2-in-1 stompbox

The collaborative pedal, crafted by Utility Belt FX, comprises a compressor and a delay for pop-punk power

Guitar World

“When I go, ‘Let’s try a Marshall,’ and we put it in, I go, ‘I don’t like that!’ Marshalls hurt my ears these days”: Ricky Byrd on tracking with Joan Jett, his Franken-Tele that sounds nothing like a Tele, and how sobriety has improved his playing

Byrd has seen the world of rock ’n’ roll go through changes, but one thing he’s stuck with is his “tricky” approach to playing – and he’s full of optimism for the future

Guitar World

“I didn’t get the whole Telecaster movement”: Christone ‘Kingfish’ Ingram just landed his second signature Telecaster – but he wasn’t convinced by the Fender classic at first

The weight of its reputation persuaded Kingfish to give the classic single-cut a second chance

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